Drawing Figurative Prints

The Wandering Musicians is a lithograph by Marc Chagall which was bound in Volume II of the Mourlot catalog raisonné of lithographs, printed in 1963. The image is catalogued in Volum...

Le loup et le Chien is a Lithograph realized by Paul Hermann in 1905 ca. Good conditions except for some foxings. Hand-singed. Numbered. edition, 1/5 The art work is depicted in ...

Les Prisonniers is a vintage Lithograph realized by Hermann Paul from the series " La Grande Guerre Par Les Artistes" Good condition on a yellowed cardboard. Monogrammed and titled...

La Nourriture Des Soldats is a vintage Lithograph realized by Hermann Paul from the series " La Grande Guerre Par Les Artistes" Good condition on a yellowed cardboard. Monogrammed ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

This piece is an original color etching and aquatint by Marc Chagall, done in 1975-76. From the album titled "Celui Qui Dit Les Choses San Rien Dire", co...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

Miriam and the Prophetess  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned litho...

Peynet (1908-199 Lithograph + original drawings Le Marché aux Oiseaux” (The Bird Market) 1985 Number 30/350 Signed in pencil 76 x 56 cms

Henri Matisse Odalisque à la culotte de satin rouge 1925 Lithograph on Chine paper, Edition of 50 Paper size: 28.5 x 36.5 cms (11 1/4 x 14 3/8 ins) Image size: 19 x 27 cms (7 1/2 x 1...

Hardground Etching

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Salvador Dali - Nude with Guitar - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

Uterus Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the ...

Envol des oiseaux. Publisher GKM. Unframed. Edition of 30 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

The Attention is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

A Drunk Man is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalie...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Diseases of the Small Intestine is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs ...

A very good impression of this etching and aquatint. Signed 75/75 in pencil by Wesselmann.

Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atl...

Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atl...

Intestine Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlant...

Richard Diebenkorn Poems of W.B. Yeats (with 6 Etchings by Richard Diebenkorn) Year: 1990 Size: 10.5 x 8.25 (26.67 x 20.95 cm) (each) Edition: 314 of 400 Signed in pencil “R Diebenko...

"New Baby" is a lithography by Robert Kushner. Signed in pencil, lower right, "Robert Kushner". The work is number 5 from an edition of 35. The artwork size is 22 1/2 x 29 3/4 inches...

Salvador Dali (Spanish, 1904 – 1989) Immortality of the Itinerant Insect, 1973 Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right) Drypoint with etching and heliograv...

Don Quixote is an etching and drypoint print on ivory-colored Chinese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good conditions. ...

Caricature is a lithograph realized by Nadar in Late 19th Century. Good condition. The artwork is depiced through soft strokes in a well-balanced composition.

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

"Les Emigrants" is an original roller engraving by Auguste Brouet. The artist signed the piece lower right and wrote the edition number (30/50) lower left. This engraving depicts a f...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Don Quixote is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. The artwork belongs to a limited edition of 125 specimens. Good condi...

Yoshitomo Nara New Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...

Albert Hirschfeld (American, 1903-2003), "Kabuki: Sumano", Lithograph on Paper, circa 1976, depicting a Japanese woman in traditional costume, numbered edition "85/275" lower left, s...

Mary Tyler Moore Dick Van Dyke Mid 20th Century Hollywood Emmy Award TV Legends Al Hirschfeld (1903 – 2003) Mary Tyler Moore and Dick Van Dyke Sight Size: 15 1/4 x 11 1/2 inches Etc...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

Yellow Wagtail is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by ...

Blowing Wind is an etching on paper realized by Jeannette Deseglise in the 1950s. Hand-signed and numbered, edition of 60 prints. Very Good conditions. The artwork is realized poe...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Pablo PICASSO Métarmorphoses d'Ovide, Three Head Fragments, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES :...

Image dimensions: 19 x 15.5 cm. Hand signed, dated and numbered by the artist with pencil. Artist's proof. Etching, aquatint, black ink. Edition of III prints in Roman Numerals. Go...

Keith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...

Landscape With Monuments and Figures is an Etching realized by Various Artists (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original ...

A moody evening in New York City. The buildings capture the quiet that New York sometimes achieves. Signed and dated in pencil.

Salvador Dali - Nude, Horse and Death - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Hommage to Gustave Courbet is a lithograph realized by Renato Guttuso in 1980. Hand-signed on the lower. Numbered, edition of 100. Drystamp "La Spirale".

"Dalila" is an original color lithograph by Andre Masson. This piece, which features an abstract, surreal woman, is from Masson's "Je Reve (I Dream)" por...

Reclining into an armchair, the nude woman in this print appears fragmented and reduced to angular shapes. While recognizable, the figure of the woman is seen through multiple perspe...

Salvador Dali - Don Quixote Reading - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : plate signed by Dali. LIMITED : 197 copies. SIZE : 41 x ...

Portrait is an original lithograph realized by Nicolas Carrega in 1958. Good condition on a little cardboard. Edition of 60. Hand-signed and numbered by the artist on the lower rig...

Pablo PICASSO Métarmorphoses d'Ovide, Snake Bite, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - Catalo...

The Gentle Request is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-18...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

The Rain - Eight Scenic Spots in Kanazawa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagaw...

Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK). ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...