Drawing Figurative Prints

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Reference: Feldman-Schellmann, II.126. Monogrammed in pencil lower right and editio...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

Mother and Child etching done after Raoul Dufy. Limited edition of 50 only. Not dated. Condition is excellent. Image size is 12.5 by 11 inches. Sheet size is 18.25 by 15 inches....

Anatomy of Animals is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

Figure 1, 1971 Colin Self Etching, open bite, printed in black, on wove Signed, titled, dated and numbered from the edition of 60 verso From Prelude to 1000 Temporary Objects of our...

Marc CHAGALL Rooster, Bouquet and Acrobat, 1952 Original Lithograph Unsigned Edition of 5 copies Authorized H.C (Hors Commerce) On Arches vellum, 52 x 41 cm REFERENCE: Catalogue ra...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

On the beach  is an lithograph realized by  Nicola Simbari  in 1977. Hand-signed on the lower right. Edition of 100 prints. The artwork represents a beach with an abstract multico...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

The Cornigliano Quay is an artwork realized by Renato Cenni (1906-1977) in 1970s. Original Lithograph. Hand-signed on the lower right. At the bottom a text "the Cornigliano Quay" ...

Etching on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Ginestet, Colette de, and Catherine...

Ana Cazares (Mexico, ) 'Ave en boca', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 6 ID: CAZ-101 Unframed

Portrait of André Breton is an original black and white xylograph realized by Anonymous artist at the second half of the 20th Century. The artwork depict...

Ceremonial Dance by Orovida Pissarro (1893 - 1968) Etching 19.2 x 24.8 cm (7 ½ x 9 ¾ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Final state no. 12/35 and ...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.27 inches Inscription: Signed in th...

Nude is a lithograph on paper realized in the 1980s by Sergio Barletta. Hand-signed on the lower right in pencil. From the edition of 100 prints. Numbered in pencil on the lower left. In good condition. Sergio Barletta  (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs: Galleria Marino  – Roma, 1965  Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967  Galleria d’arte moderna Villa Reale – Milano, 1967  Palazzo Costanzi – Trieste, 1967  Galleria del Naviglio – Milano, 1967  Galleria Marino – Roma, 1967  Galleria Libreria Renzo Cortina – Milano, 1968  Galleria Libreria Renzo Cortina – Milano, 1969  Society Art’s Club – Messina, 1970  Galleria Marino – Roma, 1970  Galleria Libreria Renzo Cortina – Milano, 1972  Galleria Marino – Roma, 1972  Galleria Il Diaframma – Milano, 1973  Galleria Libreria Renzo Cortina – Milano, 1974  Galleria Il Ventaglio – Firenze, 1975  Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976  Bedford House...

Antonio Lopez Garcia (Spain, 1936) 'Rosa y membrillo', 1992 lithograph on paper 24.7 x 35.3 in. (62.5 x 89.5 cm.) Edition of 250 Unframed ID: LOP2001-009 ...

Félix BRACQUEMOND (1833-1914) Lover, Portrait after a Poem of Ronsard, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 1...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

The Dressing is an original Etching and Drypoint Print realized by Mino Maccari in 1925. Hand-signed in pencil. Good condition with diffused foxing. Mino Maccari (1898-1989) was a...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...

Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as lesser figures and concepts like the gorgon Medusa...

Hand signed and numbered by the artist. Artwork in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Of 110. All reasonabl...

Uses and Customs - Church of Miracles in Brescia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Les Canotiers Parisiens is an original Modern Artwork realized in the 1843 by Honoré Daumier (in full Honoré-Victorin Daumier, Marseille, 1808 — Valmond...

Monkey  is an Etching, realized by Sergio Barletta in 1970s. Hand-signed on the lower right. Numbered, Edition,40/50. In very good conditions. This wonderful lithograph represents a beautiful monkey, very rappresentative. The inscription " Caro fratello, il fatto sta in questo. io ho 1500 cm cubici di cervello, e tu solo 500; per questo noi ci estingueremo presto, (tu sopravviverai io no), e le formiche erediteranno la terra. Con i ragni, i lombrichi e le amebe palustri." Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs Galleria Marino  – Roma, 1965 Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967 Galleria d’arte moderna Villa Reale – Milano, 1967 Palazzo Costanzi – Trieste, 1967 Galleria del Naviglio – Milano, 1967 Galleria Marino – Roma, 1967 Galleria Libreria Renzo Cortina – Milano, 1968 Galleria Libreria Renzo Cortina – Milano, 1969 Society Art’s Club – Messina, 1970 Galleria Marino – Roma, 1970 Galleria Libreria Renzo Cortina – Milano, 1972 Galleria Marino – Roma, 1972 Galleria Il Diaframma – Milano, 1973 Galleria Libreria Renzo Cortina – Milano, 1974 Galleria Il Ventaglio – Firenze, 1975 Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976 Bedford House...

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. Whi...

A loving embrace  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” ...

Posing Nude is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through...

Etching realized by Louis Bouquet after Hamboldt. not signed. Very good condition.

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Woman With Cornucopia is a Lithograph realized by a French artist in 1830. Good condition on a brown paper. No signature, numbered,373 on the upper margin.

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Damned and Angels from the Series "The Divine Comedy" - Purgatory tav. 18 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

Forgiveness is an offset and lithograph print, realized by George Grosz. The artwork is from the suite of illustrations realized by Grosz for the book "Kobes". 1st edition printed ...

ARTIST: Salvador Dali TITLE: Faust Femme au Clown MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 68/145 MEASUREMENTS: 15.3" x 11.4" YEAR: 1969 FRAMED: No CONDITION: Exc...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Saint Francis is an original Woodcut realized by Giorgio Wenter Marini in 1925. Good conditions. The artwork is depicted through perfect hatchi...

Etching realized by Josef von Diveky in 1920. Image dimension 19x13 cm. Edition of 78/100. Signed and dated in pencil lower right, titled in pencil lower left. Numbered in pencil ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Four colour lithograph on Somerset Velvet Warm White 400gsm. From the ‘Tate Modern 21 Years Print Portfolio’. Published by Counter Editions, Margate, UK. Edition of 100. Signed, titl...

Lithograph. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable plants o...

Redemption is a splendid etching artwork realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signed in pencil on the lower right margin "R. Tommasi F." and num...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Unsigned and unnumbered, as issued Notes: ...

Etching and drypoint on japanese paper applied on cardboard.  One of 10 artist's proofs, numbered I/X, aside of the edition of 100. Hand signed and numbered. Very Good condition.

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

We Are London Landscape by London contemporary artist Laura Jordon. 84 x 118cm – Unframed. Printed on archival paper with a hand finished overlay of pencil watercolour and collage. S...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...