Men Figurative Prints

Elvis Presley Music Film Legend NYT Published King of Rock and Roll Grammy Award Al Hirschfeld (1903-2003) Elvis Presley Etching and Aquatint Sight 12 x 9 3/4 inches Framed 21 3/4 x...

Juan Alcalde Alonso (Spain, 1918-2020) 'El maldito', 2003 silkscreen on paper 22.9 x 19.7 in. (58 x 50 cm.) Edition of 100 ID: ALC1002-035-100 Hand-signed by author Excellent conditi...

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

Mother and Daughter 1997 Signed and numbered, recto 8 color screenprint on paper (Edition of 100) 12 x 9 inches

This artwork titled "Le Cirque (The Circus) IV" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed I/...

Original 1979 “HAIR let the sun shine in!" vintage musical movie poster. Archival linen backed with the original fold marks restored. Grade A condition. Size: 27” x 41”. Se...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 42 x 32 inches. Image size 35.5 x 26.5 inches. Edition of 275. Artwork is in excellent condition. Certific...

This double-page etching with contemporary coloring, entitled Nova Persiae, Armeniae, Natoliae et Arabiae, was realized by the cartographer Frederick de Wit for the famous Atlas publ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...

This etching is a reverse copy after Dürer's original (ca. 1495-1496), executed in 18th century. Dürer's monogram at the bottom centre. Provenance: Aglietti Gallery, 1969 Passepar...

Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...

Normand Hudon 1929-1997 LA SORTIE DE L’ÉCOLE Lithograph 18 x 24 in INSCRIPTIONS Signed, titled and numbered in pencil framed

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "9/70" lower left, signed in pe...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

The Light 2022 by Blank Barbie A young lady reveals her swimwear at an all male crowd on a Bikini competition TV show in the 1980s. Blank Barbie is a ...

Original screen printing after Dolona Roberts numbered IIII / C . 45 in X 40 . Custom framed Born in 1936 in Santa Fe, New Mexico, Roberts has had a life-long fascination with t...

16 x 16 - Edition 5 of 7 with 2 APs framing is an additional $265. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in t...

Kurdish is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Kurde". The work is part of Suite Moeurs...

Etching and Aquatint by German artist Kathe Kollwitz. Titled: “Junges Paar.” Matted and unframed. Created in Berlin, 1904. Image measures: 11 3/4"h x 12 ½” w. Signed in pencil lower ...

A Scene in the New Farce —as performed at the Royalty Theater London: George Humphrey, 1821. Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Claires, Paris; printed by Raymond Jacquet, Paris, 1965 in an edition of 250. OSSIP ZADKINE (1888-1967) was a Russian-French artist of the School of Paris. He is best known as a sculptor, but also produced paintings and lithographs. In 1921 he obtained French citizenship. Zadkine served as a stretcher-bearer in the French Army during World War I, and was wounded in action. He spent World War II in the US. His best-known work is probably the sculpture The Destroyed City (1951–1953), representing a man without a heart, a memorial to the destruction of the center of the Dutch city of Rotterdam in 1940 by the Nazi-German Luftwaffe. He taught sculpture classes at Académie de la Grande Chaumière until 1958, students of his included artists Geula Dagan (1925–2008), Gunnar Aagaard Andersen...

Byzantine Court is an artwork realized from 1856 to 1862 . Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell'universo", Milano Borroni and Scotti...

20" x 40" Unframed Limited Edition Giclee on Canvas Hand Signed by Todd White "A perfect example of White's interpretation of human expression and character is seen in Colorful keys...

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

Original World War 1 vintage military poster: YOUR WAR SAVINGS PLEDGE. Archival linen backed, very good condition; ready to frame. For War Savi...

Yvon TAILLANDIER The Parisian : the Iron Lady Original screen print Handsigned in pencil Numbered / 25 copies On paper 59 x 46 cm (c. 23.2 x 18.1 in) Very good condition, slight v...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Monkey is an original artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Edition of 150 pieces.

Lithograph on vélin realized by Giacometti for Derrière le Miroir n. 127, in 1961. Ref. lust 152; ADG (Alberto Giacometti's Database) 334 Very good condition.

This artwork titled "Le Cirque (The Circus) II" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed C/...

Pablo Picasso, After, Spanish (1881 - 1973) - The Dance of Youth, Year: of original: 1961, Medium: Poster, Size: 26 x 20 in. (66.04 x 50.8 cm), Description: Encircling a dove i...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Print Offest Ink on Linen Ships in a well-protected tube from Nigeria Signed on the front side and accompanied by a Certificate of Authenticity.

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Auguste ROEDEL (1859-1900) Romance, Woman with a Harp, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

"Le Schpountz" original 1952 movie poster by artist Albert Dubout. Created for 1952 revival by the French Société Nouvelle des Films of the 1938 movie, "...

SALE ONE WEEK ONLY Marc Chagall is clearly a Modernist. Though titled "Summer Night" it could just as easily be identified as a scene from Shakespeare...

Hand signed, titled and numbered by the artist. Ginestet Pouillon 390. Sheet size 10.7 x 7 in. Image size 8 x 6 in. Framed. Edition of 140. Artwork is in excellent condition. Certi...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Skier I Wayland Moore, American (1935) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 246/300 Image Size: 29.5 x 21 inches Size: 36 x 27.5 in. (91.44 x 69.85 cm)

Portrait of Young Garibaldi is an original mixed colored lithograph realized by Anonymous artist in the XIX century. Hand colored lithograph. The State of preservation is very good...

Al Hirschfeld, 'Kris Dancer, Bali', color lithograph, 1941, edition 1,000. Signed in the stone, lower right. A fine, clean impression, with fresh colors, on cream wove paper, the ful...

Nudes of Women is a mixed colored photype print by the Sicilian artist Renato Guttuso. Good condition. Image Dimensions: 23 x 29 cm. Not signed. Renato Guttuso (Bagheria, Palerm...

Mileto and Giulia in a Green Carriage is an etching realized by Giacomo Manzù in the 1970s. Hand Signed. Edition of 125 prints. Published in the artwork series: "Giacomo Manzù: Fif...

Screen print, hand-finished with spray paint on hand-torn archival art paper. Each print is unique. Hand signed and numbered on front, thumb print on verso by the artist. Edition 5...

Pablo Picasso Les Trois Graces, II 1922/23 This is numbered 74/100 Published by Marcel Guiot, Paris. Original etching, hand signed in pencil by Pica...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

HARRY STERNBERG (American, 1904-2001) THOMAS BENTON, 1943. Color screenprint on gray card stock wove paper. Edition of 30. Signed "Benton by Sternberg" in ink, by hand by the artist...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

CURRIER & IVES (LOUIS MAURER) 1860 LINCOLN ELECTION CAMPAIGN THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270) Lithograph...

Will Barnet Ariadne - 1980 Print - Silkscreen on Heavy Paper 31 ¼'' x 23 ½' inches Edition: Signed, Titled, and Marked  in Roman numeral XXX ( from the edition to 50 - L) unframed ex...

Léon SCHULZ (1872-1969) Horseman ; the Cowboy , 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edito...

Georges BRUYER (1883-1962) Market: the Orange Seller, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Jules CHADEL (1870-1941) Mythology : Fight with a Centaur, 1929 Original woodcut Handsigned in pencil Numbered /160 On Perrigot vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...