Photography Figurative Prints

Image dimensions: 19.3 x 17.5 cm. Antonio Canova is a beautiful black and white etching on paper, realized between 1770-1810 by the Italian old master, Giovanni Elia Morghen (1721-1789), after a painting by Pellegrini, as the inscriptions on plate report. Title on plate on the lower margin at the center. This original print represents Antonio Canova the Italian sculptor and painter, the greatest exponent of Neoclassicism in sculpture and for this reason called "the new Phidias", in the official portrait reserved to the great personalities. Realized with full mastery of the technique, this old master's print is in excellent condition, as good as new. Absolutely to collect! Giovanni Elia Morghen (Florence, 1721) Giovanni Elia Morghen came from a family of engravers in Florence. According to the testimony of Raphael, the most illustrious member of the family, his grandfather was originally from Montpellier and, after marrying a Genoese woman, he moved to Florence, where he opened a lace shop. Both their sons, Giovanni Elia and Filippo, specialized in chalcographic art: Giovanni was predominantly a draftsman, whilst Filippo mastered the art of carving. In Florence, Giovanni Elia Morghen was a pupil of Giovan Domenico Ferretti, and he probably also worked at the workshop of Carlo Bartolomeo Gregori. Indeed, he, with the other artists of the school, made 26 of the engravings present in the second Florentine edition (1766) of the Salon paintings at the palace of Florence. He then moved to Naples with his brother. From 1756, he began participating in the creation of the tables of the Antiquities of Herculaneum, a work of several volumes published in Naples with various interruptions in the late nineteenth century. In 1767, he published six tables with representations of the temples of Paestum, taken from drawings by Antonio Joli...

20.5" x 26" Unframed Limited Edition Giclee of 100 Hand Signed by Joseph Lorusso 2002

Indus playing the Pennack (Indo che suona il Pennack) is an original watercolored lithograph on paper, realized in 1848 ca. by Anonymous Artist of 19th Century. In very good conditi...

Démidoff is an original Litograph realized by Denis Auguste Marie Raffet in 1837. Hand-signed and dated in china ink by Anatole de Démidoff (Anatolij Nikolaevic Demidov) on the lowe...

Image dimensions: 6 x 5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anselm...

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

Portrait of Fabre d'Eglantine is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and...

Portrait of Anacharsis Cloots is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and ...

Man at the Window is an Original Etching realized by Robert Carrol in 1976. The artwork is in good condition on a yellowed cardboard. Hand-signed by the artist on the lower right c...

Moses is an original etching on paper realized by Gian Paolo Berto in 1974. Good conditions . Hand-signed with and numbered on the lower left. edition 5/40. Sheet dimension: 61 x ...

The Surrender is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Original Lithograph. Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 7/75 prints. Good conditions, except for some foldings. Pietro Morando (Alessandria 1889- 1980). He occasionally studies at the Albertina Academy in Turin; a scholarship (1913) allows him to enroll in painting courses at the Brera Academy of Fine Arts in Milan. He meets Angelo Morbelli whose studio he frequents and temporarily shares the passion for pointillism.His love for drawing led him to produce numerous works, even using the poor means of luck that the First World War allowed him. He thus realizes tragic war drawings (almost a reportage) which will then be published in the volume "The Giants", with the presentation of the sculptor Leonardo Bistolfi...

Auguste De Sainson is an original Litograph realized by Denis Auguste Marie Raffet in 1848. Signed and dated in plate on the lower right corner. Good condition included a cream col...

"Aiutante di Camera con la Mazza" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and date...

Psyche et L'Amour is an original print in etching technique, realized after Narcisse Virgilio Diaz (French Painter; 1807-1876) by Gusman (French...

Self-Portrait is an original lithograph realized by Bettino Craxi in 1992. The artwork is from the portfolio "The World", Ed. Serigraph, 1992. Signed and numbered in the bottom by ...

Hand-painted original on paper with spray paint - on Mirri - STARDUST - SILVER (holographic paper) - 220gsm - (50 x 50 cm) - edition of 2 -Signed and comes with COA

Alfieri is an original modern artwork realized by Henri Grevedon in 1826. Original Black and White Lithograph on paper. Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri. Fair conditions: some foxings on the surface. Alfieri is an original modern artwork realized by Henri Grevedon in 1826. Original Black and White Lithograph on paper. Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri. Quite good conditions: some foxings on the surface. Magnificent lithograph depicting the portrait of the great Italian author and playwright Vittorio Alfieri. The figure is in pose and express a great magniloquence and monumentality. This work has been realized by the French artist and engraver Henri Grévedon (Paris, 1776 - Paris, 1860). Grévedon studied painting in the Parisian workshop of Jean-Baptiste Regnault, professor of painting at the École des Beaux-Arts in Paris. Henri Grévedon exhibited from 1798 to 1806 and received a second medal in 1790. He was a first class gold medal in 1805 and won the first prize of the torso in 1806. He competed without success for the Prix de Rome in 1805 and 1806. According to Henri Beraldi, he "traveled the world, going to seek success in Russia in 1806 where he became an associate of the Academy of Saint Petersburg. He stayed in Stockholm in 1812, then in London, finally retured to Paris in 1816. Soon he devoted himself completely to lithography, and found there a reputation which would not have come to him with painting". He executed many painted portraits, paintings and miniatures, then he drew directly on the lithographic stone, working in particular for the workshop of Charles Motte during the 1820s. At the Salon of 1824, he won for the second time a gold medal for first class. Among the personalities he represented between 1825 and 1845, there were many actresses and dancers of his time such as the Taglioni, Fanny Elssler...

Landscape is an original etching realized by Jean-Claude Bédard. Hand-signed. Numbered. Edition, 43/145. The artwork is realized in a well-balanced composition.

Woman with Dove is an original zincography on paper realized after M. Sichel in 1905. This Specially Zincography representing a woman with dove. The t...

Portrait of Erasmus of Rotterdam is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and ...

Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Smoker and the Drinker Year: 1650 Medium: Etching Paper: Laid paper Image (plate mark) size...

All Ends Here is an original etching realized by M. G. Poncelet. Hand-signed. Numbered. Edition, 11/30. The artwork is realized in a well-balanced composition.

Peter The Wild Boy Peter the Wild Boy, Found in the woods of Haemlin', 1821. Portrait of Peter the Wild Boy (c1713-1785) who was found in 1725 living an entirely feral existence in ...

Bardot Blur Lavender 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width / 112 x 101 cm Paper Type : Archival Pigment print unframed Artwork of the French cinema...

Portrait is an original lithograph realized by Bettino Craxi in 1992. The artwork is from the portfolio "The World", Ed. Serigraph, 1992. Signed and numbered in the bottom by the a...

This artwork titled " Cheh-Ayeh: Prey" 1989 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We-...

Portrait of Man is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

Artist: Jacques Callot (French, 1592-1635) Title: Cap. Cerimonia, Sig. Lauinia Year: 1622 Medium: Etching Paper: Laid paper Size of paper: 3.15 x 3.85 inches Condition: Very good con...

Portrait of Enrico Camangi is an original Woodcut realized by Giannetto Malmerendi (1895 – 1979) Good conditions. The artwork is depicted through perfect hatching in a well-balance...

Thomas Britton, the musical small coal-man, 1644-1714. Famous for his concerts, library of antiquarian music, collection of musical instruments. Depicted with his coal sack and measu...

Matthew Robinson-Morris, second Baron Rokeby, an eccentric. Stipple engraving by R. Page "His political independence was matched by his singular appearance and eccentric habits. He ...

The pill is an original artwork realized in the half of 20th century by Mino Maccari. Mixed colored lithograph on paper. Hand signed on the lower. Titled o...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artist in the 18th Century. S...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th ce...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...

Internationale Automobil is a vintage offset print realized in 1937 in Germany. Original B/W Offset. Mint conditions.

The Physiognomy - The anger is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...

Nude is an original artwork realized in 1970 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on ivory-colored cardboard. Not signed. In t...

"Black Tulip II #3/20" (2017) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally known for ...

Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lon...

Image dimensions: 34.2 x 45.5 cm. Sleeping Diana is an original print, realized in 1898. Black and white woodcut print on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light folds on lower left side. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

The still life is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25 copies. Good c...

The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...

The Physiognomy - The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...

Head of a man is an original artwork realized by John Hall for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Be...

Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece title...

Henry Fuseli Esqrra is an original etching artwork realized in 1796 by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...

Regiment of Hunters on Horseback is a lithograph by Antonio Zezon. Naples 1854. Interesting colored lithograph which describes two members of the Regiment of Hunters on Horseback: a...

Portrait of a man is an original artwork realized by James Caldwall for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", L...

Portrait of a man is an original artwork realized by John Hall for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", ...

Portrait of Duke of Weymar is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Kno...

Portrait of M...after Raphael is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the ...

Portrait of Bentivoglio is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowle...

Portrait of Sir Thomas More is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Kn...

Image dimensions: 13.5 x 11.5 cm. Japanese Mask is a beautiful etching realized by the French painter, engraver, lithographer, and typographer Henri Charles Guérard...

The Surrender is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Hand-signed on the lower right in pencil, titled. ...

“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...