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Keith Haring
'Haring in the Pop Shop, Manhattan', Hand Signed, New York School of Visual Arts

1987

Price:$5,250
$5,500List Price

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'Red Man/White Man', Large Pop Art Figural, First Nation, Native American, RCMP
By James Scott
Located in Santa Cruz, CA
'Red Man/White Man' by James Scott, 1979. Large Pop Art Figural, First Nation, Native American, RCMP ------ A substantial figurative oil painting showing two figures, a Royal Canadi...
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1970s Pop Art Figurative Paintings

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'Abstract, Silver and Blue', San Francisco Bay Area, Taos, NEA Fellowship, SFAI
Located in Santa Cruz, CA
'Abstract, Silver and Blue' by Charles Strong, 1989. San Francisco Bay Area, Taos, National Endowment for the Arts Fellowship, San Francisco Art Institu...
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1980s Abstract Abstract Prints

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Laid Paper, Monotype

'The Agony in the Garden', Paris, Salon d’Automne, Section d'Or, Gethsemane
By Jais Nielsen
Located in Santa Cruz, CA
'The Agony in the Garden' by Jais Nielsen, 1938. Paris, Salon d’Automne, Section d'Or, Gethsemane ----- Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-19...
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1930s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Charcoal, Watercolor, Gouache, Graphite

'Figural Interior', Paris, Académie Julian, Salon D’Automne, Benezit, Bordello
By André Dignimont
Located in Santa Cruz, CA
'Figural Interior' by André Dignimont. Paris, Académie Julian, Salon D’Automne, Benezit, Bordello ---- Signed lower right, "Dignimont" for André Digni...
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1950s Post-Impressionist Figurative Drawings and Watercolors

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'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
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1960s Abstract Abstract Drawings and Watercolors

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Fiberboard, Laid Paper, Oil

'La Taverne Pausset, Paris', Salon d'Automne, Salon des Indépendants, Benezit
By Edouard-Jean Dambourgez
Located in Santa Cruz, CA
'La Taverne Pausset, Paris' by Edouard-Jean Dambourgez. Salon d'Automne, Salon des Indépendants, Benezit ----- Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931), inscribed, 'Paris' and painted circa 1880. Titled with inscription, verso, on old backing, ''Taverne Pausset', grands boulevards a Paris". A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration. Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891. In 1888, the critic Albert Wolff recommended his painting, 'A Cheese Shop', for inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...
Category

1880s Impressionist Interior Paintings

Materials

Oil, Postcard

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