Guido Reni

The pictorial drafting is very much in the style of Caravaggio, and it is typical of a young Guido Reni. So, this head inspired by the so-called “Ripa Grande slave” was executed by G...

After Guido Reni's "The Archangel Michael Defeating Satan" by a talented hand.

Nicknamed "Le Guide" by the French, Guido Reni (1575–1642) was an Italian painter of the Baroque period.

A good antique Italian Grand Tour miniature hand-painted portrait on a porcelain plaque of Beatrice Cenci after the original by Guido Reni (1575-1642), the painting in a gilt brass m...

The Triumph Of Aurora, 19th Century after GUIDO RENI (1575-1642) Large 19th Century Italian scene of the Triumph Of Aurora, oil on canvas.

Saint Mary Magdalene in Ecstasy, circle of Guido Reni (1575–1642) Italian School, 17th century Unsigned Charming oil on panel depicting Saint Mary Magdalene in an attitude of deep c...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait pa...

Anatomy Studies after Guido Reni is an etching realized by Nicholas Cochin in 1755.

Anatomy Studies after Guido Reni is an etching realized by Nicholas Cochin in 1755.

A delightful illustration by the Italian artist Guido Reni Bach (1826-1905). The scene depicted is that of the 16th century fairytale 'Babes in the Wood'.

Wonderful image after Guido Reni Fine steel engraving. Published by A.H.

This exquisite lithograph and pochoir after Guido Reni (1575–1642), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants.

Follower of Guido Reni (1575-1642) "Mater Dolorosa" 17th Century Oil on canvas Italian School Size: +/- 74 x 60 cm Good condition The image depicts the Virgin Mary with an expressio...

Raffaello Sanzio Morghen (Italian, 1758-1833) Apollo in his Chariot preceded by Aurora, engraving after Guido Reni, c.1787. A rare original engraving with most examples being house...

Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 x 18 inches Provenance: private col...

A finely painted 19th century miniature portrait in the style of Guido Reni, depicting a scholarly gentleman in profile.

An accomplished 19th century copy of Guido Reni's (1575–1642) Self-Portrait, created around 1630-1635.

Catherine of Alexandria that Guido Reni painted around 1638 - in pendant with a St.

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

An exceptionally fine and detailed, nineteenth century oil painted after the seventeenth-century, Baroque ceiling fresco by Guido Reni created for the garden house of Rome's Palazzo ...

Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640 Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...

Part of Giancarlo Impiglia's iconic "camouflage" series in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about the...

Saint Michael the Archangel Workshop of Guido Reni (1575–1642) First half of the 17th century Oil on canvas Dimensions: 132 x 90 cm.

This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene, with eyes cast to the heave...

"il genio de la musica vince per fin Cupido" / the Genius of Music triumphant over Love, based on a 17th century work by Guido Reni, kept at the Palazzo Spinola in Genoa.

A late XVII Century Italian School head of a young man (Circle of Guido Reni). A sensitively rendered portrait figure in profile, echoing soft modelling and restrained elegance chara...

This superb Italian religious Old Master portrait oil painting is attributed to follower of Guido Reni. Painted circa 1620, it is a head and shoulders portrait of Saint Jerome (about...

Peter, a subject that Guido Reni replicated several times.

Archangel Michael Guido Reni (Bologna 1575–1642) Follower of 17th–18th century Oil on canvas 134 x 96 cm. - Framed 147 x 108 cm.

She was found guilty and was beheaded on 1599. Guido Reni, an Italian Baroque period painter immortalized her with this portrait.

Similar in style to Guido Reni's late masterpiece "The Baptism of Christ," circa 1623, this painting by a follower of Guido Reni captures Reni's unique balance of strictly discipline...

This is a particularly high-quality version of the famous ‘Saint Catherine’ painted by Guido Reni around 1606, which can now be admired in the collection of the Hunterian Art Gallery...

Guido Reni (Bologna 1575–1642) workshop Ecce Homo oil on canvas 59 x 47 cm. - framed (defects and minor losses) 76 x 66 cm.

This stunning print is set within its original and mottled rectangular Giltwood frame and is modeled after the original fresco by Guido Reni painted in 1613 and located at the Palazz...

It is the iconographic prototype of the Chariot of Dawn, which Guido Reni frescoed in 1614 for the ceiling of the central hall of the Casino adjacent to the Palazzo Pallavicini-Rospi...

The work, created in 1848 by the French artist Adele Pinot, re-elaborates the famous Madonna in adoration of the Child by Guido Reni (Bologna, 1575 - 1642) now preserved in the Doria...

It draws inspiration from the renowned Italian master Guido Reni (1575–1642) and his painting created around 1620–1625, currently housed in the Pinacoteca dei Girolamini in Naples.

It may be a 19th century copy of two decorative panels painted by a 17th century Italian artist in the circle of Guido Réni. The decorative effect is very beautiful with a powerful d...

He is inspired by the works of Italian painter and engraver Guido Reni, one of the greatest exponents of seventeenth-century classicism.

The composition draws inspiration from a painting then attributed to Guido Reni (acquired by Louis XIV in 1682), but the execution and characterization clearly reveal Corneille’s hand.

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

An 18th century French Louis XVI style trumeau mirror with a large oil painting depicting The Abduction of Deianira after Guido Reni. Gilded wood frame with bright gilt finish is in ...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and T...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

It is hand painted in extraordinary quality with polychrome enamel on an oval porcelain plaque after the original painting -Head of Christ- by the Italian artist Guido Reni (1575-164...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...

Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, G...