18th Century and Earlier Interior Prints
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Period: 18th Century and Earlier
Double Chest of Drawers, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Double chest of Drawers'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplew...
Category
English School 18th Century and Earlier Interior Prints
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Engraving, Handmade Paper
Ancient Roman Painting - Etching by N. Orcity, N. Vanni - 18th Century
Located in Roma, IT
Ancient Roman painting- Offering Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nic Orcity an...
Category
Modern 18th Century and Earlier Interior Prints
Materials
Etching
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Rococo 18th Century and Earlier Interior Prints
Materials
Engraving, Etching
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Color, Engraving
Set of Two 18th Century Engravings from William Hogarth's "Analysis of Beauty"
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving, Etching
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Handmade Paper, Engraving
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Etching
Logge di Rafaele nel Vaticano (Raphael's Loggia in the Vatican) Plate X Pilaster
Located in San Francisco, CA
Artists: Raffaello Sanzio d’Urbino.(1483 – 1520)
Gateano Savorelli, artist. (unk.- 1791)
Ludovico Teseo, draughtsman. (1731-1782)
Pietro Camporesi, architect (1726 - 1781)
Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers
Title: Delle Logge di Rafaele nel Vaticano, Plate X (10)
Year: 1772-1777
Medium: Hand-colored copperplate engraving
Sight size: 42 x 16 inches.
Framed size: 55.5 x 28.5 inches
Condition: Very good
Frame: Frame in very good condition
A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...
Category
Renaissance 18th Century and Earlier Interior Prints
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831).
The Pio-Clementino museum, named after the two popes wh...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Color, Engraving
In a tavern. Paper, engraving, 21x25 cm
Located in Riga, LV
In a tavern.
engraver Jan De Visscher (1933-1692)
Paper, engraving, 21x25 cm
Category
Realist 18th Century and Earlier Interior Prints
Materials
Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Handmade Paper, Engraving
Set of 6 French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 6 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Baroque 18th Century and Earlier Interior Prints
Materials
Etching, Engraving
The Heidelberg Tun: A Framed 17th Century Engraving of a Huge Wine Cask
Located in Alamo, CA
"The Heidelberg Tun" is a 17th century engraving by an unknown artist. It depicts a famous huge ornamental wine cask that resided in the wine cellar of Heidelberg Castle. The cask shown here, built in 1664, is the second of four Heidelberg Tuns; the first was destroyed during the Thirty Years' War, between 1618 and 1648. This cask was built in 1664 when Karl Ludwig ordered Heidelberg cellar master...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic 18th Century and Earlier Interior Prints
Materials
Handmade Paper, Engraving
La Devineresse - Original Etching by J-L Vauzelle - End of 18th Century
Located in Roma, IT
La Devineresse is an original artwork realized by Jean-Lubin Vauzelle in the second half of the XVIII century.
Original etching on paper. Passepartout included (39 x 28.5 cm). Sign...
Category
Modern 18th Century and Earlier Interior Prints
Materials
Etching
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Etching
Frontispiece from "Carceri d'Invenzione" - Etching by G. B. Piranesi - 1749/59
Located in Roma, IT
Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778).
Original Etchin...
Category
Modern 18th Century and Earlier Interior Prints
Materials
Etching
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Etching
"De Ys Breker [The Icebreaker], " Antique Print, Canal Barge, Boat Cross-Section
Located in Mount Vernon, NY
Unique engraving on laid paper with hand-coloring by Tileman van der Horst (Dutch, active 18th century) illustrating a three-quarters, cross-section, and...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Rococo 18th Century and Earlier Interior Prints
Materials
Engraving, Etching
Set of 3 Copper Plate Engravings, by Giovanni Battista Piranesi
Located in New York, NY
G. B. Piranesi in his fifties was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving, Handmade Paper
"Inside of a House in Nootka Sound" (Canada) from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included.
Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
Category
Realist 18th Century and Earlier Interior Prints
Materials
Engraving
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving
Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573).
Good conditions, except for some foldings.
Included a Passepartout: 34 x 49 cm
The artwork repres...
Category
Baroque 18th Century and Earlier Interior Prints
Materials
Etching
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Located in San Francisco, CA
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Late 18th century hand colored engraving after Thomas Rowlandson
A scene of a young student asking ...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Engraving, Etching
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava.
This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Realist 18th Century and Earlier Interior Prints
Materials
Engraving
Scène de Bistrot - Unknow Artist After Adrian Van Ostade - 18th Century
Located in Roma, IT
Image dimensions: 15 x 12 cm.
Scène de bistrot is a black and white etching with burin interventions on paper realized by an anonymous artist, after the Flemish artist Adrian Van Ostade...
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Etching
L'Acte d'Humanité - Etching Jean De Fraine by Robert Delaunay - 1786
Located in Roma, IT
L'Acte d'Humanité is an original artwork realized by Robert De Launay in 1786.
Original Etching on paper after Jean De Fraine.
Lettered in French with names of designer and engra...
Category
18th Century and Earlier Interior Prints
Materials
Etching
Antique French Copper Engraving - Doric Order Architectural Style
Located in Houston, TX
Beautifully-detailed antique copper engraving depicting a traditional building in the Doric Order architectural style from Recueil d'Architecture, 1780.
O...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique French Copper Engraving - Cathedral
Located in Houston, TX
Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780.
Original artwork on paper displayed on a whi...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Engraving, Ink
Allegory of the four seasons. Four engravings on two framed sheets.
Located in Paris, FR
Allegory of the four seasons. A pair of engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Different ornam...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
Ceiling designs. A set of three architectural engravings.
Located in Paris, FR
Ceiling designs. A set of three architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication publishe...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
Chandelier designs. A pair of engravings
Located in Paris, FR
Chandelier designs. A pair of architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Different o...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
Architectural designs. A set of nine architectural engravings.
Located in Paris, FR
Architectural designs. A set of nine architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Diff...
Category
18th Century and Earlier Interior Prints
Materials
Engraving
Antique Copper Engraving - Massimi Palace
Located in Houston, TX
Over 350 year old exquisite antique copper engraving of the architectural floor plans to Massimi Palace in Italy by Giovanni Giacomo de' Ross...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Italian Engraving - Crescenzi Palace
Located in Houston, TX
Antique copper engraving of the floor plan to Crescenzi Palace in Rome, Italy by Italian Giovanni Giacomo de' Rossi, 1650.
Original artwork on paper displayed on a white mat with a...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique French Copper Engraving - Portico Architectural Details
Located in Houston, TX
Beautifully-detailed French antique copper engraving showing the architectural details of a portico from Recueil d'Architecture, 1780.
Original ...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Architectural Engraving - Santo Spirito Palace
Located in Houston, TX
Antique Architectural engraving of the floor plan of the Santo Spirito Palace located in Florence, Italy by Italian, Giacomo Rossi, 16...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Italian Engraving - Cardinal Este Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the floor plan to the Palace of Cardinal Este located in Tivoli, Italy by Italian Giovanni Giacomo de Rossi, 1650.
Original artwork on ...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Italian Engraving - Cardinal Spada Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the floor plan to the Spada palace in Rome, Italy by Italian Giacomo Rossi, 1650.
Original artwork on paper displayed on a white mat wi...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique French Copper Engraving - Horse Stables
Located in Houston, TX
Crisp antique copper engraving of a unique floor plan of French horse stables from Recueil d'Architecture, 1780.
Original artwork on paper displayed on a...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Architectural Engraving - Asti Palace
Located in Houston, TX
Over 350 year old antique architectural engraving of the floor plan of the Asti Palace located in Italy by Italian Giacomo Rossi, 1650...
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
Antique Copper Engraving - Sacchetti Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650....
Category
18th Century and Earlier Interior Prints
Materials
Paper, Ink
The Card Players, Late 18th Century British Etching
Located in London, GB
Etching laid on paper
Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm)
This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist.
This wonderful etching shows a gr...
Category
18th Century and Earlier Interior Prints
Materials
Etching
Jan Uytenbogaert, The Goldweigher
Located in Boston, MA
Bartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.
Category
Old Masters 18th Century and Earlier Interior Prints
Materials
Drypoint, Etching
The Death of the Virgin
Located in San Francisco, CA
A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...
Category
Old Masters 18th Century and Earlier Interior Prints
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