Small Landscape Prints

"Iron Steam Ship Great Britain" is an original hand-colored lithographed published by Currier & Ives. It depicts a large British steam ship on the water. The caption below says "3500 Tons. Engine 1000 Horse power. Weight of Iron used in the Ship and Engine is 1500 Tons. THE LARGEST IN THE WORLD. Length from Figurehead to Tafrail 322 Fe3et. Main breadth 50' 6" ... Depth 32' 6" Lieut. Jaf. Hosken R.N. Commander." 8" x 12 3/4" art 17 1/8" x 21 1/2" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone...

Wengenroth, Stow. BLACK WEATHER. Stucky 25. Lithograph, 1932. Edition of 25. Signed in pencil, lower right. 6 1/2 x 14 inches (image), 11 1/2 x 16 inches...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "San Ygnacio - Vela Mercantile" Biography Ancel Nunn (1928-1999)...

Mary Faulconer, American (1912 - 2011) - Restaurant au Vieux Paris, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14.5 x 1...

Paris 27th Salon International de la Machine Acricole. Original 1955 vintage poster lithograph created by Henri Faivre. Paris, 27th Salon International de la Machine Agricole. ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

A beautiful brand new handcolored etching of a morning ride in Upstate New York. 18x24 in. Hand-painted etching Provenance: from artist. Gallery curates a series of original etchings from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. ETCHINGS Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a buril until the image is completed. For each individual print a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet French Arches paper 100% cotton covering the plate to pass through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. Every etching in the limited edition is then signed and numbered in pencil by the artist. On CMF Fabiano paper. Size specified is the size of the copper plate, I.e. the image size. Exhibition (selection) 1933 Born in Madrid, SPAIN (age 81) 1952-55 Fashion Illustrator, SPAIN Prize - Galerias Preciado , Sindicato Nacional Textil, Madrid, SPAIN 2nd Prize - Salon Nacional de Dibujos de Alta Costura...

This portfolio, entitled "Notre Pain Quotidien", consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963. These lithographs were printed by Daniel Jacomet and the four pages of typography about the artist were written by Pierre Bouchet. The portfolio begins with a forward written by French author, Georges Duhamel, as well as a justification page and a page of the artwork titles (see below). Each piece from this portfolio is numbered from the edition of 250 on Rives vellum paper, aside the editions numbered from 1 to 50 on Richard de Bas paper, and eleven numbered copies in Roman numerals reserved for the collaborators. The twelve pieces in the portfolio measure 17 x 20 inches and the lithograph on the cover of the portfolio measures 10.25 x 8.75 inches. Please see the artwork titles below: 1. Auto-portrait de l'artiste (located on the cover of the portfolio) 2. Les boutiques 3. Chemin forestier 4. Le bassin 5. Les chalands 6. Fleurs des champs 7. Proletariat 8. Le grand comptoir 9. Route du village 10. Sous la neige 11. Place de l'eglise 12. Le petit pont...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Unsigned and unnumbered, as issued Notes: ...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette with warm yellow accents, and captures a landscape scene...

Inscribed "Tiepolo Clouds" at lower left, "A. P." at lower center and signed "Zolita Sverdlove '85" at lower right This monotype is printed on BFK Rives paper

This original 1930s lithograph by renowned modernist artist Arnold Ronnebeck (1885–1947) captures a historic home at Gregory Point, near Central City, Colorado. Part of a limited edi...

Vue de Rome Prise de Mont Palatin is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

Vue de Rome Prise des Jardins Farnesiens is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

Taos Artist Howard Cook original woodcut print, 1927. Title: “Hopi House.” Duffy #47. Signed in pencil lower right. Image size: 8"h x 8"w. Paper size: 10 x 8 3/4. Mat size: 20 x 16....

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

Les  Etrennes du Bebe is a black and White etching realized by Armand Queyroy in the 1860s.  Titled in the lower. Image size:21x28. Very good impression with wide margins and a ve...

Vue de Saragosse is a black and White etching realized by Henry Charles Landrin in the 1860s.  Titled in the lower. Image size: 17x32. Very good impression with wide margins and a...

Vue de Varennes en Argonne is a black and White etching realized by Alphonse Beaujoint in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margin...

Canards et Poules is a black and White etching realized by Francisco Gimenez in the 1860s.  Titled in the lower. Image size: 32x13. Very good impression with wide margins and a ve...

Entree d'Okelle is a black and White etching realized by E. Dufeu in the 1860s.  Titled in the lower. Image size: 32x23. Very good impression with wide margins and a very fresh in...

Truands de Campagne is a black and White etching realized by Jules Laurens in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide margins and a very...

La Lettre is a black and White etching realized by Smits in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide margins and a very fresh inking. Re...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...

"Malibu Pier" Photography 14.5" x 20" inch Edition of 20 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 28.8" x 4...

Untitled (Nr. 0006) Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

"Venise" is an original etching and chine colle by Edgar Chahine. This is an artist's proof, the third state of the etching, and the artist signed the piece in pencil lower right. Th...

Lee Wells End of the World Party #5 2023 Archival pigment print Edition of 5 Caption: Opulent Enigmas: Amidst the lush embrace of a paradisiacal oasis, eccentric luminaries, Donatel...

La Priere is a black and White etching realized by Jacques-Joseph Lecurieux in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide margins and a ver...

Lee Wells Flirting with Excess: End of the World Party #1 2023 Archival pigment print Edition of 5 Caption: At Beverly Hills' Chateau Oasis, stars Li Wei Ellington, Rissa Montclair,...

Lee Wells End of the World Party #2 2023 Archival pigment print Edition of 5 Caption: Time-travelers’ Tea Party: In a serene garden oasis, three eclectic souls, donned in retro-futu...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

A wonderful regionalist etching and aquatint by Charles Capps (1898-1981) Titled "Sunlit Towers," depicts the Kansas grain elevators. A Prairie Printmake...

Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...

Bords de l'Oudon is a black and White etching realized by Tancrède Abraham in 1863.  Titled in the lower Image Size: 22x36 Very good impression. Realized by Cadart for the "Socié...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...

This contemporary seascape limited edition print by S.C. Aldo depicts a lightly abstracted coastal scene with a light blue sky, textured abstract clouds and two small white sailboats...

This contemporary seascape limited edition print by S.C. Aldo depicts a lightly abstracted coastal scene with a light blue sky, textured abstract clouds and two small white sailboats...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

This limited edition contemporary seascape print by S.C. Aldo features a cool coastal palette. It depicts a lightly abstracted coastal scene with a light blue sky, thick, white abstr...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

Looking Back Etching with hand coloring by the artist, 1994 Signed, dated, and numbered in pencil lower left (see photo) Edition: 67 (49/67) (see photo) References And Exhibitions: Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53. Note: An important print by the artist Joel Stewart Biography Museum Collections: • Los Angeles County Museum of Art, Los Angeles, California, USA Cleveland Museum of Art, Cleveland, Ohio, USA. Portland Art Museum, Portland, Oregon, USA Library of Congress, Washington D.C., USA Allen Memorial Art Museum, Oberlin, Ohio, USA Hoehn Family Galleries, University of San Diego, USA Group Exhibitions: 2020 The Terminal, Kyoto, “Kyoen” 2019 Rijksmuseum, Amsterdam, “Long Live Rembrandt” Alt Space POST Gallery, Kyoto, “The Echo Of Songs” 2018 Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru” CWAJ Print Show, Tokyo, Japan 2017 Kyoto Municipal Museum Of Art – “Kyoten 2017” CWAJ Print Show, Tokyo, Japan 2016 CWAJ Print Show, Tokyo, Japan 2015 CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition 2014 Kyoto Municipal Museum Of Art – “Kyoten 2014” The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection 2012 CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition 2011 CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition 2008 Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints” 2007 Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints” 2006 Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists” LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings” CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition 2005 CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition 2004 CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition 2003 CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition 2002 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2001 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2000 Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1999 Tolman Collection Gallery, Tokyo, Japan – “Miyabi” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1998 Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1997 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1996 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1995 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1994 Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters” 1993 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1992 Kato Gallery, Tokyo, Japan – Spring Show 1990 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1987 Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition Osaka Modern Art Center, Osaka, Japan – Biennale 1986 Voice Gallery, Kyoto, Japan – 3 Man Show 1983 Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show 1983 Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show One Person Exhibitions: 2020 Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation 2019 Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation 2017 Hakuhou-Doh Gallery Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series” 2015 Hakuhou-Doh Gallery 2013 Nishi Bijutsu Gallery 2011 Azuma Gallery, Seattle, Washington, USA ,“Recent Works” 2010 Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation” 2005 Azuma Gallery, Seattle, Washington, USA , “Recent Works” 2004 Kato Gallery, Tokyo, Japan 2002 Kato Gallery, Tokyo, Japan Azuma Gallery Seattle, Washington, USA 2001 Keihan Art Salon, Osaka, Japan 2000 Azuma Gallery, Seattle Washington, USA, “New Works” Ren Brown...