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Size: Small
Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

The House of Naiads - Woodcut Print by G. Verna - 1946
Located in Roma, IT
Image dimension 36.5 x 18 cm. Hand Signed. Edition of 100 pieces.
Category

1940s Contemporary Landscape Prints

Materials

Woodcut

Donald Baechler Blue Muffin 1999 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...
Category

1990s Contemporary Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 148 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

1810s Old Masters Figurative Prints

Materials

Etching, Aquatint

Tim Southall, Snow on the Hill, Landscape Art, Affordable Art, Winter Scene Art
Located in Deddington, GB
Tim Southall Snow on the Hill Limited Edition Screen print Edition of 50 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

GROVE #2
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...
Category

1960s Landscape Prints

Materials

Etching

Une Rue à Sienne - Etching by L.-A. Leconte de Roujou - 1863
Located in Roma, IT
Une Rue à Sienne is an original artwork realized by Louis-Auguste Leconte de Roujou in 1863. Original etching. The sheet is glued on cardboard. Titled on the lower margin. The name...
Category

1860s Landscape Prints

Materials

Etching

Framed lithograph of Paysage d'automne pastel by artist Aristide Maillol
Located in Boca Raton, FL
Framed lithograph of "Paysage d'automne" (Autumn Landscape) pastel by artist Aristide Maillol. Image size: 15 x 10 1/2 inches. Framed under glass in wooden frame.
Category

20th Century Modern Landscape Prints

Materials

Lithograph

Red Monochromatic Abstract Woodblock Monoprint of a Web of Trees Landscape
Located in Houston, TX
Red toned abstract woodcut monoprint by Japanese printmaker Joishi Hoshi. This work is a fantastic example of Hoshi's iconic interlocking web of bare trees. Signed and dated by artis...
Category

1970s Abstract Abstract Prints

Materials

Woodcut, Monoprint

The Sea - Original Lithograph by Denise Bonvallet Philippon
Located in Roma, IT
The Sea is an original contemporary artwork realized by Denise Bonvallet-Philippon in the half of the XX Century by the French artist Denise Bonvallet-Philippon (1906-1994). Origina...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Landscape - Original Etching - Mid-20th Century
Located in Roma, IT
Landscape is an original etching artwork by an anonymous artist. Hand-signed on the lower right (illegible) Numbered, edition 36/99. The state of preservation is very good. Sheet...
Category

Mid-20th Century Contemporary Figurative Prints

Materials

Etching

Frank Sinatra IV, Screenprint Art, Celebrity Art, Yellow Art, David Studwell
Located in Deddington, GB
Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist
Category

21st Century and Contemporary Pop Art Portrait Prints

Materials

Paper, Screen

View of Gorlitz - Etching by G. Braun and F. Hogenberg - Late 16th Century
Located in Roma, IT
This View of Gorlitz is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of C...
Category

16th Century Figurative Prints

Materials

Etching

Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio

Kameya - Tea House
Located in Chesterfield, MI
Kameya - Tea House Lithography by Utagawa Hiroshige (Ando Hiroshige) Print in Good Condition Measures 12.5 in x 19 in
Category

Early 18th Century Landscape Prints

Materials

Lithograph

Alhambra XII
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category

1960s American Modern Landscape Prints

Materials

Woodcut

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...
Category

1770s Baroque Landscape Prints

Materials

Etching

Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Located in Soquel, CA
Detailed hand colored landscape lithograph of a stone bridge in the countryside by French artist Albert Aristide Seguin. Signed illegibly in the lower right corner, matches other e...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Paper, Color Pencil, Drypoint, Lithograph

Plate 1, from Derriere Le Miroir #156
Located in Washington, DC
Alexander Calder Derriere le Miroir #156 (Plate 1) Artist: Alexander Calder Title: (Plate 1) Derriere le Miroir #156 Portfolio: Derriere le Miroir #156 Medium: Original lithograph Ye...
Category

1960s Abstract Prints

Materials

Lithograph

Platform Nine and Three Quarters and Current Affairs, London Cityscape Art
Located in Deddington, GB
Platform Nine and Three Quarters and Current Affairs Diptych by Laura Jordan [2016] Please note that insitu images are purely an indication of how a piece may look Platform Nine and Three Quarters and Current Affairs Diptych are limited edition prints of London and Paris by Laura Jordan. This artwork is printed on archival paper with a hand finished overlay of pencil watercolour and collage. The process in which Laura Jordan creates her work is that she produces lots of small illustrations which are then layered on top of each other to create a larger cityscape. The drawings are scanned and rescaled to create the print. Laura Jordan art...
Category

2010s Contemporary Landscape Prints

Materials

Watercolor, Pencil

View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category

1720s Landscape Prints

Materials

Paper

Vote! Stop Fascism 20 Shepard Fairey / Ernesto Yerena Fine Art Urban Art Street
Located in Draper, UT
Edition Details Year: 2020 Class: Art Print Status: Official Run: 67/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbered
Category

2010s Street Art Portrait Prints

Materials

Screen

The Berkeley Hunt hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Berkeley Hunt...
Category

1920s Landscape Prints

Materials

Lithograph

La Via Sacra, Rome, Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'La Via Sacra, Arco di Constantino e Tempio di Venere e Roma, colla Meta Sudante, Veduta presa del Colosseo' Tinted lithograph by Eugene Cicero af...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Anna Harley, St Pauls, Limited Edition Silkscreen Print, London Art, Art Online
Located in Deddington, GB
Anna Harley St Pauls Limited Edition Silkscreen Print Edition of 12 Size: H 56cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pie...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

September Equinox by Jennifer Jokhoo
Located in Deddington, GB
September Equinox [2021] limited_edition and hand signed by the artist Reduction linocut Edition number AP Image size: H:30.3 cm x W:59.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look In celebration of the Autumn equinox! We are so fortunate to experience such dramatic skies in the Surrey hills...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Linocut

Shepard Fairey "Respect Our Ocean" Screenprint Pacifico Beer Collaboration Urban
Located in Draper, UT
Edition Details: Year: 2021 Class: Art Print Status: Official Numbered Run: 73/150 Technique: Screen Print Paper: Thick Cream Speckletone Size: 24 X 18 Markings: Numbered "Shepard F...
Category

2010s Pop Art Landscape Prints

Materials

Screen

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

OLIVE TREES, CAPRI
Located in Portland, ME
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...
Category

1930s Landscape Prints

Materials

Aquatint

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Days Like These II, Emma Reynolds, Seascape Print, Beach Art, Contemporary Art
Located in Deddington, GB
Days Like These ii [2021] limited_edition Screenprint Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these ii is the second in a series of coastal print...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

Untitled (Mangold 1977.02; Parasol RM12), Robert Mangold
Located in Fairfield, CT
Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...
Category

1990s Abstract Geometric Figurative Prints

Materials

Screen

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

H.O. Miethke Das Werk folio "Farm Garden With Sunflowers" collotype print
Located in Palm Beach, FL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Landscape Prints

Materials

Paper

Ostend Bathing Machine.
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing. The bathing machine...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching

The original Whitney, Marcel Breuer Building (now Sotheby's), Woodcut engraving
Located in New York, NY
Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category

1970s Realist Figurative Prints

Materials

Engraving, Etching

Glance of a Landscape-Poster, New York Graphic Society. Printed by U.S.A.
Located in Chesterfield, MI
New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.
Category

1970s Landscape Prints

Materials

Lithograph

STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category

2010s Landscape Prints

Materials

Etching, Monotype

Le Cheval Bleu (The Blue Horse)
Located in Chicago, IL
Edition of 110, signed and numbered lower right
Category

1970s Contemporary Landscape Prints

Materials

Lithograph

Art Nouveau Lithograph 1800s Landscape Romantic Figure Floral
Located in Milwaukee, WI
"Retour (L'Estampe Moderne I)" is a color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the Art Nouveau...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category

Mid-20th Century Surrealist Landscape Prints

Materials

Lithograph

Split Rock Lighthouse
Located in Chesterfield, MI
"Split Rock Lighthouse" is a limited edition lithograph 38/500 signed by the artist Leo Kuschel and remarqued with a commemorative lighthouse stamp. The fr...
Category

Late 20th Century Realist Landscape Prints

Materials

Lithograph

Split Rock Lighthouse
Split Rock Lighthouse
$180 Sale Price
20% Off
H.O. Miethke Das Werk folio "Fruit Trees" collotype print
Located in Palm Beach, FL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Landscape Prints

Materials

Paper

Dufy, Composition, Les Côtes Normandes (after)
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Queens' College, Cambridge punting lithograph by Edwin La Dell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Days Like These II
Located in Deddington, GB
Days Like These ii [2021] limited_edition Screenprint Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these ii is the second in a series of coastal print...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Screen

H.O. Miethke Das Werk folio "Golden Apple Tree" collotype print
Located in Palm Beach, FL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Landscape Prints

Materials

Paper

Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category

Mid-20th Century Surrealist Landscape Prints

Materials

Lithograph

Valerio Adami, Composition, L'édition de tête (after)
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...
Category

1970s Pop Art Landscape Prints

Materials

Lithograph

The Belvoir Hunt hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...
Category

1920s Landscape Prints

Materials

Lithograph

Max, Sailing 2000, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: Sailing, 2000 Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 18 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issue...
Category

1990s Pop Art Figurative Prints

Materials

Offset

Dreamcloud, Blue Art, Contemporary Skyscape Artwork, Blue and White Lakeside Art
Located in Deddington, GB
This Four colour screen print illustrates a mesmerizing Blue cloudscape. The surreal and imaginary cloudscape is brought to life with the use of subtle mark-making techniques, creati...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Screen

On the Kedgwick
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s Impressionist Figurative Prints

Materials

Etching

H.O. Miethke Das Werk folio "Farmhouse With Birch Trees" collotype print
Located in Palm Beach, FL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Landscape Prints

Materials

Paper

Demeter (L. L.146), Sam Francis
Located in Fairfield, CT
Artist: Sam Francis (1923-1994) Title: Demeter (L. L.146) Year: 1972 Medium: Lithograph in colors on Rives BFK paper Edition: A.P. III; 34, plus proofs Size: 18 x 24 inches Condition...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category

1870s Landscape Prints

Materials

Drypoint, Etching

Camp et Fête en Roumanie - Lithograph by Auguste Raffet - 1840s
Located in Roma, IT
Lithograph, c. 1840s Image dimension 19.5x32 cm. Signed in the plate. A dynamic and finely observed lithograph by Auguste Raffet, depicting a festive gathering in a Romanian milit...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Campement en Valachie - Lithograph by Auguste Raffet - 1840s
Located in Roma, IT
Lithograph, c. 1840s. Signed in the plate. Image dimension: 17x27.5 cm. A finely detailed lithograph by Auguste Raffet, representing a bustling encampment in Wallachia. In the cen...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Le Château de Georges, Valachie - Lithograph by Auguste Raffet - 1839
Located in Roma, IT
Lithograph, c. 1840s Signed and dated in the plate. Image dimension: 17x29 cm. A rare lithograph by Auguste Raffet, depicting the Château de Georges in Wallachia. The composition ...
Category

1830s Modern Figurative Prints

Materials

Lithograph

Tour à Rhotaye - Lithograph by Auguste Raffet - 1839
Located in Roma, IT
Lithograph, c. 1840s Signed and dated in the plate. Image dimension: 23x21 cm. An evocative lithograph by Auguste Raffet, depicting a tall defensive tower rising starkly against t...
Category

1830s Modern Figurative Prints

Materials

Lithograph

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