Chris Keegan Art

This is a large Limited Edition, truly brings impact to your space! wowing the visitors and delight your daily life. A Limited Edition of only 5 is offered as an alternative to this original piece. The painting captures two major spring trees in the artist’s garden, painted plein-air in the garden for three days, later on, Yi added the important locations of London that are dear to her memories; in this painting St Paul...

Alex Katz, Yellow Tulips Contemporary, 21st Century, Silkscreen, Limited Edition Edition of 50 122,5 x 195,7 cm (48.2 x 77 in.) Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher Unframed “Yellow Tulips” is part of the famous flower painting series by Alex Katz. The aesthetics of flowers such as flags, tulips, and roses has been continuously explored by the artist throughout his career. "I generally start with oil sketches, because I can paint more quickly than I can draw. In this way I try to capture the sensation of what I’m doing, getting into the unconscious and creating the images, and then figuring out what I did." — Alex Katz Katz has been painting flowers since the 1960s, often during his summer residencies in Maine. The cropped, flattened composition displays a debt to Japanese woodblock art printing. The American artist is well-known for his large paintings, whose bold simplicity and unmodulated colours are now seen as precursors of Pop Art. "Yellow Tulips" is another of Katz's wonderfully bright exploration of nature and the landscape. He represents the volumes and colors created by the natural light, this artwork breathes nature, the radiant yellow delights the vision against the limitless black background. The painting “Tulips 4” which this edition is based on belongs to the Collection of Museum of Modern Art (MoMA) in New York. ALEX KATZ Alex Katz (American, born 1927) is the outstanding protagonist of figurative painting and one of our era's most acclaimed artists. In the late 1950s, the artist began to develop his mature style, characterized by elegance, simplicity, and stylized abstraction, which typifies his entire production. Alex Katz’s paintings...

Alex Katz, Yellow Tulips Contemporary, 21st Century, Silkscreen, Limited Edition Edition of 50 + 5 PP + 15 AP 122,5 x 195,7 cm (48.2 x 77 in.) Signed and numbered on the front In mint condition, as acquired from the publisher (Lococo) PLEASE NOTE: Edition numbers could vary from the one shown in the images. All edition available come from the edition /50 The pictures are only for illustrative reasons, the work is offered unframed. “Yellow Tulips” is part of the famous flower painting series by Alex Katz. The aesthetics of flowers such as flags, tulips, and roses has been continuously explored by the artist throughout his career. "I generally start with oil sketches, because I can paint more quickly than I can draw. In this way I try to capture the sensation of what I’m doing, getting into the unconscious and creating the images, and then figuring out what I did." — Alex Katz Katz has been painting flowers since the 1960s, often during his summer residencies in Maine. The cropped, flattened composition displays a debt to Japanese woodblock art printing. The American artist is well-known for his large paintings, whose bold simplicity and unmodulated colours are now seen as precursors of Pop Art. "Yellow Tulips" is another of Katz's wonderfully bright exploration of nature and the landscape. He represents the volumes and colors created by the natural light, this artwork breathes nature, the radiant yellow delights the vision against the limitless black background. The painting “Tulips 4” which this edition is based on belongs to the Collection of Museum of Modern Art (MoMA) in New York. ALEX KATZ Alex Katz (American, born 1927) is the outstanding protagonist of figurative painting and one of our era's most acclaimed artists. In the late 1950s, the artist began to develop his mature style, characterized by elegance, simplicity, and stylized abstraction, which typifies his entire production. Alex Katz’s paintings...

To coincide with this global show of hope, David Hockney has created this new limited edition lithographic printed poster with a yellow silkscreen overlay. This May, outdoor screens...

Artist: Helen Frankenthaler (1928-2011) Title: Solar Imp (Lincoln Center Salute’s the New York City Ballet) Year: 2001 Medium: Silkscreen on extra thick Some...

ROBERT MOTHERWELL (1915-1991) A leading exponent of American abstract expressionism, Robert Motherwell has served as a vital spokesman for the avant-garde of the mid-twentieth centur...

JASPER JOHNS (1930- ) Painter, sculptor, and print-maker, Jasper Johns became one of America's best-known post-Abstract Expressionists and Minimalists, though he is often considered within the Pop Art movement. Johns’ subject matter often includes images and objects from popular culture including the classical iconography of everyday symbols. His name is most associated with images of flags and numbers, Pop-Art subjects that he depicted in Minimalist style focusing on interrelationships of color and shapes of recognizable subject matter. His style is lush and painterly, and is famous for incorporating such media into his surfaces as encaustic and wax-based paint and plaster relief. Lithograph on Satin-Finish Extra Thick 100% Acid Free Archival Museum paper, 1981. Paper Size: 39.5" x 27." Published by Albright Knox Gallery...

Modern abstract landscape lithograph by Texas artist David Adickes. The work features Chartres Cathedral, the iconic French landmark, with beautiful red foliage and a dove. Signed an...

JASPER JOHNS (1930- ) Painter, sculptor, and print-maker, Jasper Johns became one of America's best-known post-Abstract Expressionists and Minimalists, though he is often considered within the Pop Art movement. Johns’ subject matter often includes images and objects from popular culture including the classical iconography of everyday symbols. His name is most associated with images of flags and numbers, Pop-Art subjects that he depicted in Minimalist style focusing on interrelationships of color and shapes of recognizable subject matter. His style is lush and painterly, and is famous for incorporating such media into his surfaces as encaustic and wax-based paint and plaster relief. Original Edition Offset Lithograph on premium satin paper, 1991. Paper Size: 26" x 28.25." Published by New York Graphic...

Artist: Helen Frankenthaler (1928-2011) Title: Mary Mary (Lincoln Center Honorary) Year: 1991 Medium: Offset lithograph on extra thick Somerset paper Edition: 2000 Size: 49 x 32 inc...

1976 hand pencil signed limited edition (AP XVII) on BFK Rives paper. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery, Los Angeles Galerie Ricke, Kassel, Germany, Obelisk Gallery, Boston, Minami Gallery, Tokyo, Württembergischer Kunstverein, Stuttgart, Germany Lambert Gallery, Paris Albright-Knox Art Gallery, Buffalo, Museum of Contemporary Art, Chicago, Marlborough GalleryPatricia Moore Gallery, Aspen, Colorado Hokin Gallery, Chicago Grace Borgenicht Gallery, Retrospettiva, Palazzina dei Giardini, Modena, Italy Mitchell Innes & Nash, Beyond Pop: Allan D'Arcangelo, Hollis Taggart Galleries, Garth Greenan Gallery, New York, Pi in the Sky, Waddington Custot, London, UK, Select Group Exhibitions Allan D'Arcangelo: Bilder und John Chamberlain: Plastiken, Galerie Rudolf Zwirner, Arakawa, Allan D'Arcangelo, Mark di Suervo, Robert Grosvenor, Anthony Magar, Neil Williams, Dwan Gallery, Los Angeles, American Painting Now, ACA Gallery, Boston Contemporary Drawings, New York University Pop Art Americana: D'Arcangelo, Jim Dine, Kelly, Lichtenstein, Claes Oldenburg, Phillips, Mel Ramos, James Rosenquist, George Segal, Warhol, John Wesley, Tom Wesselman, Galleria De' Foscherari, Bologna, Italy Frank O'Hara / In Memory of My Feelings, Museum of Modern Art, New York, Annual Exhibition of Contemporary American Painting Whitney Museum of American Art Beyond Literalism: An Exhibition of Painting and Sculpture by Allan D'Arcangelo, Charles Fahlen, Jack Krueger, Naoto Nakagawa...

Artist: Michael Knigin, American (1942 - 2011) Title: Art Deco 1925 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 33.5 x 21 in. (85.09 x 53.34 cm)