Small Landscape Prints

This limited edition contemporary seascape print by S.C. Aldo features a cool coastal palette. It depicts a lightly abstracted coastal scene with a light blue sky, thick, white abstr...

This limited edition contemporary seascape print by S.C. Aldo features a cool coastal palette. It depicts a lightly abstracted coastal scene with a light blue sky, thick, white abstr...

"Zarathustra" is an original color woodcut by Carol Summers. The artist signed the piece in the image. This woodcut depicts an erupting volcano in simplified color fields. The editio...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, textured abstract clouds and three small sailboats along the horizon. ...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, textured abstract clouds and three small sailboats along the horizon. ...

Inscribed "Tiepolo Clouds" at lower left, "A. P." at lower center and signed "Zolita Sverdlove '85" at lower right This monotype is printed on BFK Rives paper

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, abstract clouds and a small sailboat sailing along the horizon. This l...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, abstract clouds and a small sailboat sailing along the horizon. This l...

This limited edition seascape print by S.C. Aldo captures a coastal scene overlooking water from a sandy shore, with green trees lining part of the horizon and a sailboat sailing in ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...

Neufeld, Woldemar. THE HARBOR WORKHORSE. Woodcut in colors, not dated (c.1940s-50s). Edition size not known, but likely 50 or fewer. 17 1/2 x 12 inches, plu...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

Canot, P.C. (French, worked in England, 1710-1777), after Willem van de Velde and Ludolph Bakhuizen. "A BRISK GALE" and "A MODERATE GALE," engravings, ...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: "Lithograph" "Blacksmith Shop - Badenthal" Nea...

Hand painted mixed media on screen print. Edition size: 10 Painting based on a poem by 13th century Sufi mystic poet Rumi. "Tender words we spoke to one another Are sealed ...

Blue hue lithograph of a cathedral. The work is signed, titled, and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a Houston, Texas artist that...

Adams, Clinton (American 1918-2002). TWO SCREENPRINTS OF ITALIAN TOWNS. Signed in the matrix. Edition sizes not known. Each 16 x 12 inches (image), 20 x 13 inches (sheet). One with a...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

Saint Peter and Castel Saint Angelo is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil  and signed on plate G. Malandrino...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

This original drypoint is hand signed and dated in pencil by the artist "Emil Nolde" at the lower right margin. It is one of at least 18 impressions printed on Van Gelder Zonen pape...

This beautiful, limited edition original color woodblock is by the famous Showa Shin Hanga woodblock master Clifton Karhu (1927-2007). It bears the original frame and has a label on the back from a Tokyo gallery. The work is a beautiful impression with rich color. It and the frame are in excellent condition. The print measures 16 x 16 inches. The frame is 23 ½ x 23 ½ inches. It is numbered lower left as AP5 - Artist Proof #5 and is pencil signed and dated ‘74 lower right. An American of Finnish descent, Clifton Karhu was born in Minnesota in 1927. Raised together with his twin brother Raymond, Karhu was the son of painters Arne and Anna Karhu. After his graduation in 1946 he served in the military at an American Navy base in Japan. Returning to America following his military service in 1950, Karhu enrolled at the Minneapolis School of Art but quit two years later to pursue missionary work as a Lutheran minister. Karhu left the missionary work in 1958 and chose to move his new family to Gifu City, a small provincial town northwest of Kyoto, Japan where he set about returning to his art. Karhu soon found local success in 1961; obtaining first prize at the Chubu Taiheijo Bijutsu Kyokai Ten (The Middle Pacific Art Group Exhibition) and fixing his first single, professional exhibition at the Shin Gifu Gallery. In hopes of providing their three children with an international education, Karhu settled in Kyoto in 1963. The next few years proved heavily influential in Karhu’s work. Arguably forming the foundation for all his future success, Karhu found tutelage under recognized woodblock artist and gallery owner Tetsuo Yamada and colour theorist Stanton Macdonald-Wright. Responsible for shifting Karhu’s artistic doubts, Karhu proceeded to fulfill a very successful career in woodblock printing - carving his own works largely by himself. Clifton Karhu passed away in 2007 after an illustrious career that saw him viewed and celebrated as a local Kyoto celebrity, as well as having exhibited widely in many countries around the world. His woodblock prints have been collected by many famous museums including the Tokyo Modern Art...

'Beaver Lake Flowers' is an artist's proof giclée print after the 1996 original, signed by the artist in the lower right. Working in the organic and mutable hues of watercolor, Barnett's flowers emerge from out of the variegated undergrowth only to dissolve back into pure color just as quickly. Barnett's mastery over color and light reveals him as a student of the Impressionists, while his tendency towards abstraction highlights his appreciation of later Expressionists as well. Giclée print on watercolor paper after original 1996 watercolor painting...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

This 1958 lithograph by J.D. Carrick depicts an aerial encounter between two iconic World War I-era biplanes. The focal plane, likely representing a German Fokker D.VII fighter—known...

Pescara's Pine-wood is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithogr...

Scilla is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 29/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno The state of preservation of the artwork is very good. Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

In The Shell - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself ...

A beautiful handcolored etching of a morning ride in Upstate New York. Gallery curates a series of original etchings from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. ETCHINGS Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a buril until the image is completed. For each individual print a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet French Arches paper 100% cotton covering the plate to pass through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. Every etching in the limited edition is then signed and numbered in pencil by the artist. On CMF Fabiano paper. Size specified is the size of the copper plate, I.e. the image size. Exhibition (selection) 1933 Born in Madrid, SPAIN (age 81) 1952-55 Fashion Illustrator, SPAIN Prize - Galerias Preciado , Sindicato Nacional Textil, Madrid, SPAIN 2nd Prize - Salon Nacional de Dibujos de Alta Costura...

General View of the Island of Philae, Nubia Subscription and first edition lithographs in stock Full plate: 151 Presented in a acid free mount £2080 Scroll down for more information....

19th century original watercolor piece depicting quaint market. Piece is framed, wired, and hand signed by artist - Angelini. Fully framed, this piece measures 18.75 in x 12 in. Both...

Unknown/ Unidentified Artist, "Untitled: Purple and Gold Abstract Landscape" Edition 49/100, Abstract Woodcut Print signed and numbered in Pencil, 15 x 20.50 (Image: 12 x 16.50), Mid...

Jean HELION Fishermen and People at the Harbor Original lithograph Handsigned in pencil Numbered / 50 On BFK Rives vellum 38 x 53 cm (c. 15 x 21 in) Excellent condition

"Figures at the Obelisk" is an original etching by Jan Frans van Bloemen. It depicts two people conversing in front of a monument. Behind them, an expansive landscape sprawls. 9 1/4" x 6 3/4" art 21 3/4" x 19 3/8" frame Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition. Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn, Thomas Wyck...

‘Corvids Watching’ 2020 Image 49.5 x 44.5 cm woodcut (available from edition of 40. 35 prints Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

See-saw, Margery Daw, 1994 Paula Rego Etching with aquatint and hand-colouring, on velin Arches Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford P...

"L'Apparition (The Vision)" is an original etching by Claude Lorrain (Claude Gellee). This print depicts a religious vision near the edge of a river. The publisher is Mannocci #5 and...

Wipe Out - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 more colorways available This masterwork is exhibited in the Zimmerman Gallery, Carmel C...

Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...

A wonderful regionalist etching and aquatint by Charles Capps (1898-1981) Titled "Sunlit Towers," depicts the Kansas grain elevators. A Prairie Printmake...

Harbor View is a lithograph realized by Paul Petit in the Mid-20th Century. Hand-signed. Numbered, 19/75 The artwork is depicted through confident strokes in a well-balanced compo...

Il Tevere e S.Pietro   is a black and white etching realized by  Nazareno Gattamelata  in the 1985. Hand signed by the artist on the lower right margin:  Gattamelata . Numbered on ...

Antarctica #35 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Philippe BENOIST Paris : Saint Paul and Saint Louis Church - 1861 Original two tones stone lithographs Printed name of the artist bottom right On vellum 33.5 x 49 cm (c. 13 x 20 inc...

Signed , dated and titled in pencil by the artist Artist proof from the second printing by Jon Clemens Annotated "To Jon from Ray"

Maurice de Vlaminck - Original Handsigned Etching Title: L'Oise à Cergy Reference: Catalogue raisonné Walterskirchen, n°110. Original etching, hand-signed in pencil by the artist ; ...

Surf Goddess - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself ...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: 34/60 Hand Signed and Numbered

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...

Saint Peter is an artwork realized by Giuseppe Malandrino. Print in etching technique Hand-signed by the artist in pencil on the lower right corner. Numbered edition,57/199. Good...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Piazza Navona is an artwork realized by Giuseppe Malandrino. Print in etching technique Hand-signed by the artist in pencil on the lower right corner. Numbered edition,26/199. Go...

Saint Peter and Castel Sanit Angelo is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbe...

Saint Peter is an artwork realized by Giuseppe Malandrino. Print in etching technique Hand-signed by the artist in pencil on the lower right corner. Numbered edition,80/199. Good...

This abstract landscape limited edition print by Ken Elliott features a warm palette and impressionistic style. It pictures a forest-scape with thin, dark tree trunks, surrounded by ...