Items Similar to Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Want more images or videos?
Request additional images or videos from the seller
1 of 10
UnknownStone Bridge Landscape, Mid Century Hand Colored Lithographmid-20th Century
mid-20th Century
About the Item
Detailed hand colored landscape lithograph of a stone bridge in the countryside by an unknown European artist. Signed "Clym" in the lower right corner. Numbered "134/275" in the lower left. Presented in a new buff mat. Image size: 16.25"H x 21.5"W
- Creation Year:mid-20th Century
- Dimensions:Height: 18 in (45.72 cm)Width: 23 in (58.42 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some tonal ageing to paper.
- Gallery Location:Soquel, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1986
1stDibs seller since 2014
2,514 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Soquel, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Palm Springs Courtyard with Fountain - Drypoint Etching on PaperLocated in Soquel, CAPalm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...Category
1920s American Impressionist Landscape Prints
MaterialsPaper, Ink, Drypoint
- "St. Nicolas du Chardonnet" Etching in Ink on PaperLocated in Soquel, CA"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...Category
1910s American Impressionist Landscape Prints
MaterialsPaper, Ink, Drypoint
- Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on PaperLocated in Soquel, CAKaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...Category
Mid-20th Century Impressionist Landscape Prints
MaterialsPaper, Ink, Drypoint
- "Whisperings at a Cross Point" - Doorway Arch Drypoint EtchingBy Susan VarjavandLocated in Soquel, CACharming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...Category
1980s American Impressionist Interior Prints
MaterialsPaper, Ink, Drypoint
- Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California AdobeLocated in Soquel, CADelicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...Category
1930s American Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor, Drypoint
- "In the Forest" Aquatint - Mid Century Engraving LandscapeLocated in Soquel, CACharming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...Category
1930s Impressionist Landscape Prints
MaterialsEngraving, Aquatint, Paper, Ink
You May Also Like
- Crab Boats, Southampton Water /// Impressionist British Seascape Ship MaritimeBy Aileen Mary ElliotLocated in Saint Augustine, FLArtist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching, Laid Paper, Intaglio
- BillingsgateBy James Abbott McNeill WhistlerLocated in Middletown, NYEtching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...Category
Mid-19th Century Impressionist Landscape Prints
MaterialsDrypoint, Laid Paper, Etching
- Days Like These I, Emma Reynolds, Limited Edition Print, Pink Landscape ArtworkBy Emma ReynoldsLocated in Deddington, GBDays Like These i [2021] limited_edition Screenprint with watercolour pencils Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these i is the first in a series of coastal print editions seeking to connect to memories of moments away from our busy urbane lives. For the aesthetic of reverie and reflection, a vintage colour palette is used to capture the feeling of Halcyon Days. This series capture a stillness and a sense of calm where we can pause and catch a breath. This small limited edition of 15 prints is hand printed with multiple layers, using blends and experimental techniques to achieve a piece that is reminiscent of a painting. For contemporary, fine-art print-maker, Emma Reynolds...Category
21st Century and Contemporary Impressionist More Prints
MaterialsPaper, Watercolor, Pencil, Color Pencil, Screen
- Early 20th Century European Architecture Drypoint Etching c.1930Located in San Francisco, CAEarly 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see i...Category
Early 20th Century Impressionist Landscape Prints
MaterialsDrypoint
- Un Debarquement en Angleterre (A Disembarking in England)By Félix Hilaire BuhotLocated in Fairlawn, OHUn Debarquement en Angleterre (A Disembarking in England) etching, drypoint, aquatint, roulette and spirit ground, 1879 Signed with the artist’s red owl stamp, Lugt 977 (see photo) ...Category
1870s Impressionist Landscape Prints
MaterialsDrypoint
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
Recently Viewed
View AllMore Ways To Browse
Hand Colored
Stone Bridge
Stone Bridges
H 275
Dark Red Backpack
Donald Sultan Oranges Print
Perego Vintage
Van Braam
Kind Of Cyan Palm
Peter Max Brown Lady
Peter Max Mini
Mother And Child Cartier
Ann Burnham
Hiroshige Bridge
Prince Charles Signed Lithographs
Piranesi Pantheon
Retro Musical Theatre Posters
Chamonix Vintage Posters