19th Century Landscape Prints

Uses and Customs - Etruria is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Uses and Customs - Temple is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Uses and Customs - Angles and men is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Uses and Customs - Temple of Sofia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Uses and Customs - Soldiers is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Uses and Customs - Dance in feast of Diana is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Uses and Customs - Bridge of Lodi is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Uses and Customs - Galbiate. The Mountains of Lecco is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - Baths of Bormio is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Uses and Customs - Trezzo Castle is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Uses and Customs - Interior of La Scala Theatre in Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the unive...

Uses and Customs -  Images of Priests Drawn from an Egyptian Manuscript.  Tombs, Mummies etc is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and cus...

Uses and Customs - Robes of Priests is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Uses and Customs - Piazza d'Armi and Amphitheater of the Arena of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peopl...

Map of Battle of Aboukir is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition.  and belongs to the sui...

Sainte Hélène is an Etching realized by P.Bellange in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "Atl...

Uses and Customs - Eastern Gate Barrier is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of...

Uses and Customs - Road of the Tombs in Pompei is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...

Uses and Customs - Consular Street in the Entrance of the City of Pompei is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peop...

Uses and Customs - Great Hospital of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Uses and Customs - Duomo of Arezzo in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histor...

Uses and Customs - Castel of Lavenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Uses and Customs - Cathedral in Carrara is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of...

Uses and Customs - Alberonian College of San Lazzaro out of Piacenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples ...

Uses and Customs - Massa Carrara is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the ...

Uses and Customs - Palace of S.E. the Count D. Maria Scotti from S.Siro in Piacenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of a...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - Ducal Palace of Piacenza, called the Citadel is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of th...

Uses and Customs - Church of San Giovanni in Pistoja is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

First Edition lithograph Full plate: 98 Presented in a acid free mount

Uses and Customs - Cathedral Square in Florence is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...

Uses and Customs - Back and North Side of the Cathedral of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of t...

Uses and Customs - Palace of the Podestà in Florence is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Uses and Customs -  Square of San Michele in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Uses and Customs - Exterior of Santa Maria Maggiore is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - Dressing Table in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histor...

Uses and Customs - Devotion of Saint Antonio in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the univers...

Uses and Customs - Saint Lawrence is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Uses and Customs - Santa Maria delle Grazie in Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Etching by Adolfo Bignami in the late 19th Century. Printed by Carlo Lovera Very good condition.

Philippe BENOIST Paris : Saint Paul and Saint Louis Church - 1861 Original two tones stone lithographs Printed name of the artist bottom right On vellum 33.5 x 49 cm (c. 13 x 20 inc...

Lithograph, realized by Dolfino in the mid-19th Century. Very good condition.

Walking along the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip t...

Sailing on the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...

Minaret on the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...

Oriental scene is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt ...

The Temple is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt betw...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Before the printmaking boom of the 1830s, however, such inexpensive memorial images were not widely available. These prints became popular as ways of remembering loved ones, an alternative to portraiture of the deceased or to meticulous hand-embroidered memorials often made by female academy students. In the image, the urn-topped monument contains a space where a family could inscribe the name and death dates of a deceased loved one, though this example was never used. In the variations of this image type produced by the Kellogg...

James Pollard 1892-1867, was an English painter, watercolourist and engraver whose artistic talents were the depiction of coaching, hunting, fishing and horse racing scenes. He is fa...

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

The Country House is an artwork realized in Last 19th Century. B./W. Etching on paper. Signed  on plate on the left corner. 

View of Cupang Bazaar in Timor Island is a hand colored lithograph realized in 1864. Good condition. The artwork belongs to ththe Suite Uses and customs of all the peoples of the u...

Tombs of Ajax and Patroclus is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of t...

James Abbot McNeill Whistler (1834-1903), The Unsafe Tenement, etching, 1858. [signed in the plate lower right]. References: Kennedy 17. Glasgow 18, fourth state (of four). In very good condition, printed on a very thin (two ply?) Japan paper, with margins, 6 1/8 x 8 3/4, the sheet 8 1/4 x 11, archival mounting. A brilliant, black impression printed with astonishing clarity and exquisite detailing, on an ivory Japan paper. Presumably this is a proof impression before the relatively large edition published in this state (the edition was not on this paper). Provenance: Inscribed “To Otto J. Schneider from his friend Frederick Keppel”. Schneider (1875-1946) was an American artist, noted for his realism, influenced by Whistler. Keppel was of course the well-known American dealer, one of whose specialties was Whistler prints. Keppel had a good relationship with Whistler until, as in most of his relationships, Whistler became inordinately troublesome – at which point Keppel wrote Whistler a longish, mocking poem, with lines such as these: “Like cackling hens or cocks a-crowing Your tireless trumpet keeps a-blowing. ” After this, Keppel wrote “at this point all my intercourse with this extraordinary man came to an end.” (In the lower right is the ghost of another inscription, now erased, apparently to another friend from Edna (?) Schneider who presumably owned this print after Otto Schneider...

Hontrose is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good conditions with sli...

Dunnottar Castle, Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good...

Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good conditions with s...

Cullercoats is an etching realized in 1845 by George Balmer. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully real...