19th Century Landscape Prints

Hand-colour sporting plate by James Pollard (1792-1867) Title: Epsom, The Betting Post Published 1836 by Ackermann & Co Print Sz: 14"H x 19 1/2"W Frame Sz: 20"H x 26"W w/ birds...

Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Le Gue is a black and White etching realized by Charles François Daubigny in the 1860s.  Titled in the lower. Image size: 30x37. Very good impression with wide margins and a very ...

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...

Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...

'Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing wa...

This is a superb polychrome woodblock print (nishiki-e, ink and color on paper), likely realized by Utagawa Hiroshige (Japanese, 1797-1858) at the middle of 19th century. This plate ...

Tokyo: Matsuki Heikichi, 1893 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...

Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and publ...

This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...

'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...

'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

'Entrance to the Temple of Amun, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land ...

Medium: original etching. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and Etchers". Image size: 4 x 6 1/4 inc...

'Australia' With decorative border surrounds and vignettes including a view of Sydney, Kangaroos, Natives of Australia Felix, Australian Parrots and Cockatoos and Natives of the Tri...

The Retreat of Constantine is a Lithograph realized by Auguste Raffet in 1836. Signed on the plate. Good condition with foxing.

To Us Second Light is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition with foxing.

Square Drives is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

In Cemetery is a Lithograph realized by Auguste Raffet in 1854. Signed in the plate. Good condition with foxing.

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition with foxing.

St. Helena is an etching that belongs  to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of the m...

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full margins. Printed by Delâtre, Paris, with the blindstamp in the center-sheet, lower margi...

This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

Puer Expossitus is an artwork realized by E. Ulm in the 1870s. Etching. Image size:31x23 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...

Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition w...

The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate. A Prospect of the Inside of Westminster Hall; The Grand Coronati...

Jean Francois MILLET (after) The Angelus, 1873 Original Etching Engraved by Martinez under the supervision of PUVIS DE CHAVANNES Printed signature in the ...

La Répétition is an artwork realized by Edouard Moyse in the 1870s. Etching. Image size:19x29 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiati...

This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...

This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...

'Vue perspective du temple au nord d' Esnee' Engraving by Rousseau and Lorieux after Devilliers and Jollois, 1820. View of the temple to the north of Esne. From Napoleon's Descript...

Mezzotint with etching, stipple, and roulette work on woven paper. Good conditions.

This is a framed 19th century color lithograph entitled "Mothu et Doria" created by Theophile Alexandre Steinlen and published between 1896 and 1899 in Paris, France by Jules Cheret in his famous series of miniature colored stone lithographs of popular Belle Epoch posters...

This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...

Paris: J & A Lamercier, 1885. Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins. Seventh state (of 7), after the remo...

Foro Romano, Rome is an original etching on paper, realized by the Italian engraver F. Gilii in the 19th Century. Signed on the plate. Titled in the lower. Good conditions with fo...

Une Mare is an artwork realized by Appian in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadar...

Etching realized bu Alexandre Segé (1818-1885) in 1860 ca.  Rare and in good condition except for some foxing.

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

HENRI DE TOULOUSE-LAUTREC Cecy Loftus 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Landscape is an artwork realized in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the ...

Le Matin is an artwork realized by E. Delatre in the 1870s. Etching. Image size:16x25 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of th...

'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. B...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

The Head is an original Woodcut from ""quaderni dell'Eroica", realized by Giorgio Wenter Marini in 1925. Good conditions. The artwork is depict...

Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.

HIROSHIGE UTAGAWA I, Edo 1797 - 1858 Night Rain at Karasaki (Karasaki yau), from the series Eight Views of Ômi (Ômi hakkei) Nishiki-e. Color woodcut, signed in plate: Hiroshige ga Se...

William Hogarth (1697-1764) Original engravings 155 pсs., 1 piece with blend. 1822 London From A. Neibergs collection

North Dock is a black and White etching realized by Mathew White Ridley in the 1860s.  Titled in the lower. Image size: 12x21. Very good impression with wide margins and a very fr...

La Chasse aux Canards is a black and white etching realized by Charles Émile Jacque (French, 1813–1894) in 1870s. Titled in the lower. Image size: 30.5cmx16cm. Very Good condition...