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19th Century Landscape Prints

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Period: 19th Century
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category

Realist 19th Century Landscape Prints

Materials

Drypoint, Etching

White-throated Hummingbirds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

The Little Wheelwright's
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category

American Impressionist 19th Century Landscape Prints

Materials

Etching

Windmills in Holland - Original etching - Ed. Durand Ruel, 1873
By Claude Monet
Located in Paris, IDF
Claude MONET (after) Windmills in Holland, 1873 Original Etching Engraved by Gaucherel under the supervision of Monet Printed signature in the plate (with misspelled signature Monnet) On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category

Impressionist 19th Century Landscape Prints

Materials

Etching

Greenwich (London), 1835
Located in Middletown, NY
A couple seen in the hills of Greenwich with the Thames and London in the distrance. London: 1835. Lithograph with hand coloring in watercolor on heavy wove paper, 13 x 18 1/4 inch...
Category

English School 19th Century Landscape Prints

Materials

Watercolor, Lithograph

In Cemetery - Lithograph by Auguste Raffet - 1854
Located in Roma, IT
In Cemetery is a Lithograph realized by Auguste Raffet in 1854. Signed in the plate. Good condition with foxing.
Category

Modern 19th Century Landscape Prints

Materials

Lithograph

Remains of a Triumphal Arch, Petra, Jordan. David Roberts lithograph, 1849.
Located in Melbourne, Victoria
'Remains of a Triumphal Arch, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in t...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Une bourrasque
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...
Category

French School 19th Century Landscape Prints

Materials

Handmade Paper, Etching

Bridge - London, Southwark & Blackfriars... By W.H. Bartlett - 19th Century
Located in Roma, IT
Bridge - London, Southwark & Blackfriars Bridges (from the Surrey side of the River) is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on t...
Category

Modern 19th Century Landscape Prints

Materials

Lithograph

Bois de la Haye
Located in Middletown, NY
Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image ...
Category

French School 19th Century Landscape Prints

Materials

Handmade Paper, Etching, Lithograph

Medinet Abou, Thebes, Egypt. David Roberts Oriental lithograph, 1847.
Located in Melbourne, Victoria
'Medinet Abou, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s ...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Prise de la Ville Pamfili - Etching by Auguste Marie Raffet - 1852
Located in Roma, IT
Prise de la Ville Pamfili is an artwork realized by Auguste Marie Raffet in the 1852. Etching on paper. Signed on plate on the left margin. Belongs to the series "Souvenir d'Italie...
Category

Modern 19th Century Landscape Prints

Materials

Etching

Japanese Beauty Admiring Kirifuri Waterfall
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category

Edo 19th Century Landscape Prints

Materials

Handmade Paper, Mulberry Paper, Woodcut

The Acropolis, Lower End of the Valley, Petra. David Roberts lithograph, 1849.
Located in Melbourne, Victoria
'The Acropolis, Lower End of the Valley, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Hol...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Souvenir d'Italie - Etching by Camille Corot - 1860s
Located in Roma, IT
Souvenir d'Italie is a black and White etching realized by Camille Corot in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Realized for the "Société des ...
Category

Modern 19th Century Landscape Prints

Materials

Etching

New Bridge and Bromielaw, Glasgow - Lithograph By W.H. Bartlett - 19th Century
Located in Roma, IT
New Bridge and Bromielaw, Glasgow is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of pr...
Category

Modern 19th Century Landscape Prints

Materials

Lithograph

"Church of San Miguel, Santa Fe, New Mexico" original etching
Located in Henderson, NV
Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 x 6 3...
Category

19th Century Landscape Prints

Materials

Etching

Original Outing July 1895 magazine poster Sailboat
Located in Spokane, WA
Original Outing, July 1895 poster for the Outing magazine. Archivally linen backed in very fine condition. Ready to frame. Images are of the exact poster you will receive. A- ...
Category

Art Nouveau 19th Century Landscape Prints

Materials

Lithograph

Art Nouveau : Golden Age, Peaceful Life in the Forrest - Original lithograph
Located in Paris, IDF
Henri RIVERE (1884-1951) Art Nouveau : Golden Age, Peaceful Life in the Forrest, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On paper 90 x 120 cm ...
Category

19th Century Landscape Prints

Materials

Lithograph

Jacques and the Wounded Stag. Mezzotint by Lucas after John Constable, 1855
Located in Melbourne, Victoria
'Jacques and the Wounded Stag, Scene from 'As you like it'' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. ...
Category

Victorian 19th Century Landscape Prints

Materials

Mezzotint

Canada Pouched Rat: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Ph...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Les Demoiselles de Village - Etching by Gustave Courbet - 1870s
Located in Roma, IT
Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...
Category

Modern 19th Century Landscape Prints

Materials

Etching

George's Dock, LIverpool.
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat. -------------------------------------------------------------------------------------- George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr. In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category

Modern 19th Century Landscape Prints

Materials

Etching

L'Hotel de Ville, Arras
Located in Middletown, NY
Lithograph in colors on card stock (as issued), 15 x 10 5/8 inches (380 x 268 mm), full margins. In good condition with some minor toning and some extremely minor and unobtrusive edg...
Category

English School 19th Century Landscape Prints

Materials

Lithograph, Handmade Paper

Pyrenees Orientales, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Pyrenees Orientales', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'. This area is well-known wine producing reg...
Category

Naturalistic 19th Century Landscape Prints

Materials

Engraving

Kom Ombo - David Roberts - Orientalist
Located in London, GB
David Roberts 1796 - 1864 Kom Ombo First Edition lithograph Full plate: 210 Presented in an acid free mount
Category

19th Century Landscape Prints

Materials

Lithograph

Jan Six by Pierre François Basan, after Rembrandt
Located in Middletown, NY
Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...
Category

Old Masters 19th Century Landscape Prints

Materials

Laid Paper, Etching, Handmade Paper

Claude Lorrain Landscape with Hermes and the Muses, Aquatint by Richard Earlom
Located in Greven, DE
Claude Lorrain landscape with the God Hermes, Amor and the Muses. Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Countryside with ...
Category

Baroque 19th Century Landscape Prints

Materials

Paper

L'Affûteur
Located in Middletown, NY
Paris: Cadart, 1876 Etching on watermarked D & C Blauw cream laid paper, 6 x 9 1/4 inches (151 x 234 mm), full margins. Significant toning, handling creases and some mottling due to ...
Category

Victorian 19th Century Landscape Prints

Materials

Laid Paper, Etching

"The Jaguar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Le Matin
Located in Middletown, NY
Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...
Category

French School 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Etching

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category

American Impressionist 19th Century Landscape Prints

Materials

Engraving, Woodcut

Paysage - Etching by Léo Drouyn - 1870s
Located in Roma, IT
Paysage is an artwork realized by Léo Drouyn in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred C...
Category

Modern 19th Century Landscape Prints

Materials

Etching

Arabes d'Oran - Etching by Eugene Delacroix - 1860s
Located in Roma, IT
Arabes d'Oran is a black and White etching realized by E. Delacroix in the 1860s.  Titled in the lower. Image size: 17x21. Very good impression with wide margins and a very fresh ...
Category

Modern 19th Century Landscape Prints

Materials

Etching

"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category

Naturalistic 19th Century Landscape Prints

Materials

Engraving

Revue - Lithograph by Auguste Raffet - 1837
Located in Roma, IT
Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition
Category

Modern 19th Century Landscape Prints

Materials

Lithograph

Hiroshige (1797-1858) - Horie and Nekozane - Meisho Edo Hyakkei
Located in BRUCE, ACT
Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858) Title: No.96 "Meisho Edo Hyakkei" Series: One Hundred Famous Views of Edo (名所江戸百景) Size: O-ban 大判 Age: 1856
Category

19th Century Landscape Prints

Materials

Woodcut

Blashaw Dam - Etching by Joseph Banks - 1837
Located in Roma, IT
Blashaw Dam is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Edition by  R...
Category

Modern 19th Century Landscape Prints

Materials

Etching

The Round Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
The Round Wood is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed in the plate . Beautiful engraving with contemporary colouring. Editio...
Category

Modern 19th Century Landscape Prints

Materials

Etching

The Crow Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...
Category

Modern 19th Century Landscape Prints

Materials

Etching

West End of the Four Acre - Etching by Joseph Banks - 1837
Located in Roma, IT
West End of the Four Acre  is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colour...
Category

Modern 19th Century Landscape Prints

Materials

Etching

East End of the Four Acre - Etching by Joseph Banks - 1837
Located in Roma, IT
East End of the Four Acre is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouri...
Category

Modern 19th Century Landscape Prints

Materials

Etching

Howick from Blashaw Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
Howick from Blashaw Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colourin...
Category

Modern 19th Century Landscape Prints

Materials

Etching

The Hangsman Bank - Etching by Joseph Banks - 1837
Located in Roma, IT
The Hangsman  Bank is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edi...
Category

Modern 19th Century Landscape Prints

Materials

Etching

The Pilgrimage Procession to Kinryuzan Temple at Asakusa in the Eastern Capital
Located in Soquel, CA
Japanese Parade - Woodblock Print Japanese woodblock print by Utagawa Kuniyasu (歌川 国安) (Japan, 1794–1832). Japanese women, dressed in blue and red kimonos, are the focal point. A vi...
Category

Edo 19th Century Landscape Prints

Materials

Paper, Ink, Woodcut

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860
Located in Soquel, CA
Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...
Category

Romantic 19th Century Landscape Prints

Materials

Paper, Ink, Watercolor

Modern Art - Lithograph (Les Maîtres de l'Affiche), 1895
Located in Paris, IDF
Arthur Wesley DOW (1857-1922) Modern Art Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 36 of "Les Maîtres de...
Category

Art Nouveau 19th Century Landscape Prints

Materials

Lithograph

Architectural view of Exeter Cathedral (1797), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural view of Exeter Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisa...
Category

Realist 19th Century Landscape Prints

Materials

Engraving

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Japanese Woodblock - Street Scene
Located in Houston, TX
Lively Japanese woodblock print featuring street life. Ink on paper, circa 1860. Original artwork on paper displayed on a white mat with a gold ...
Category

19th Century Landscape Prints

Materials

Paper, Woodcut

William Hogarth . Original engravings 155 pсs., 1 piece with blend. 1822 London
Located in Riga, LV
William Hogarth (1697-1764) Original engravings 155 pсs., 1 piece with blend. 1822 London From A. Neibergs collection
Category

Realist 19th Century Landscape Prints

Materials

Paper, Engraving

Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Campagne boisée (Wooded countryside)
Located in Middletown, NY
1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category

Barbizon School 19th Century Landscape Prints

Materials

Etching

Entrée du Port de Honfleur - Etching by Jongkind - 1863
Located in Roma, IT
Entrée du Port de Honfleur is a black and white etching realized by Jongkind (1819-1891) in 1863. Titled in the lower. Image size: 30.5cmx22cm. Good condition. Signed and dated o...
Category

Modern 19th Century Landscape Prints

Materials

Etching

Cat Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Cat Squirrel, No. 4, Plate XVII", from John James Audubon's Quadrupeds of North America, published in Philade...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

1870 View of Proposed Brooklyn Bridge and New York City
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Category

Naturalistic 19th Century Landscape Prints

Materials

Woodcut

A Dell, Helmingham Park, Suffolk. Mezzotint by Lucas after John Constable, 1855
Located in Melbourne, Victoria
'A Dell, Helmingham Park, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category

Victorian 19th Century Landscape Prints

Materials

Mezzotint

St. Paul's From Ludgate Hill, from Original Views of London As It Is
Located in Middletown, NY
Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...
Category

English School 19th Century Landscape Prints

Materials

Handmade Paper, Watercolor, Lithograph

MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
Located in Santa Monica, CA
(After) JOHN JAMES AUDUBON (1785 - 1851) MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20 Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
Category

American Realist 19th Century Landscape Prints

Materials

Lithograph

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