19th Century Landscape Prints
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Period: 19th Century
Dachsunds
Located in Columbia, MO
Dachsunds
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Rome, General View from the Cupola of St Peter's, Italy. Tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Roma, Veduta generale presa della Cupola di San Pietro'
Tinted lithograph by Philippe Benoist after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Linotte des Vignes / Oeuf de la Linotte des Montagnes / Lion / Liseron
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Landscape Prints
Materials
Engraving
"Hecate, " Second Cross from the Bulldog
Located in Columbia, MO
"Hecate, " Second Cross from the Bulldog
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
"Hermit, " a High-Bred Modern Foxhound
Located in Columbia, MO
"Hermit, " a High-Bred Modern Foxhound
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
"George" and "Romp, " Sussex Spaniels
Located in Columbia, MO
"George" and "Romp, " Sussex Spaniels
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist 19th Century Landscape Prints
Materials
Lithograph
Paysage; Azle D'Aligre
Located in Middletown, NY
Etching on Chine collé mounted to cream wove paper, 3 5/8 x 5 1/8 (90 x 129 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area), as we...
Category
Old Masters 19th Century Landscape Prints
Materials
Handmade Paper, Etching
(after) John Constable mezzotint "Stoke by Nayland, Suffolk"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
19th Century Landscape Prints
Materials
Mezzotint
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Romantic 19th Century Landscape Prints
Materials
Engraving
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
English School 19th Century Landscape Prints
Materials
Aquatint, Handmade Paper, Engraving, Etching
Hummingbirds: 19th C. Gould Hand-colored "Cyanifrons", Blue-capped Saucerottia
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Saucerottia Cyanifrons", Blue-capped Saucerottia Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two green, blue and a little brown colored hummingbirds about a plant with green leaves and pink flowers.
This beautiful Gould hand-colored hummingbird lithograph has a few very small faint spots, but it is otherwise in excellent condition. The original text page is included.
There are other unframed Gould hummingbird...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
"Cader, " a Deerhound of the Pure Glengarry Breed
Located in Columbia, MO
"Cader," a Deerhound of the Pure Glengarry Breed
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Whirlpool at Awa - Lithograph After Utagawa Hiroshige - 19th century
Located in Roma, IT
Whirlpool at Awa is a modern artwork realized in the Mid-20th Century.
Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th c...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
South Porch of Chartres Cathedral
Located in Middletown, NY
London: Charles Joseph Hullmandel, 1839.
Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discolora...
Category
English School 19th Century Landscape Prints
Materials
Oil Pastel, Handmade Paper, Lithograph
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Alloney - Lithograph By W.H. Bartlett - 19th Century
Located in Roma, IT
Alloney is a lithograph on paper realized by the artist W.H. Bartlett .
Signed on the plate on the lower left. Titled on the lower center.
The state of preservation is good, only a yellowed paper along the edge.
William Henry Bartlett...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
"Bit of a River Bank" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and Etchers". Image size: 4 x 6 1/4 inc...
Category
19th Century Landscape Prints
Materials
Etching
Retriever Crossed with a Setter
Located in Columbia, MO
Retriever Crossed with a Setter
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
English School 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Blowing Wind - Etching by Jeannette Deseglise - 1940
By Jeannette Deseglise
Located in Roma, IT
Blowing Wind is an etching on paper realized by Jeannette Deseglise in the 1950s.
Hand-signed and numbered, edition of 60 prints.
Very Good conditions.
The artwork is realized poe...
Category
Contemporary 19th Century Landscape Prints
Materials
Etching
Sketches from Western Summer Resorts Harper's Weekly
By Charles Graham
Located in Milwaukee, WI
"Sketches from Western Summer Resorts, Harper's Weekly" is a hand-colored wood engraving by Charles Graham. The artist engraved his signature into the piece. It depicts multiple scenes of summer leisure activities.
16 1/2" x 11 1/2" paper
23 1/4" x 18 1/4" frame
An itinerant, self-taught sketch artist...
Category
Victorian 19th Century Landscape Prints
Materials
Engraving
Terriers No. 1
Located in Columbia, MO
Terriers No. 1
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Antique Dog Lithograph in the Taste of Alfred De Dreux, France circa 1870
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Bulldog and Frog
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portr...
Category
Romantic 19th Century Landscape Prints
Materials
Lithograph
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
Realist 19th Century Landscape Prints
Materials
Engraving
Terriers No. 2
Located in Columbia, MO
Terriers No. 2
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Dalmation & Bull Terrier
Located in Columbia, MO
Dalmation & Bull Terrier
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Landschap Met Vierkante Toren - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Landschap Met Vierkante Toren is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1650. This wonderful piece of art belongs to...
Category
Old Masters 19th Century Landscape Prints
Materials
Etching
"Wallace, " and English Mastiff
Located in Columbia, MO
"Wallace, " and English Mastiff
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Mango Hummingbirds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
"Lady, " an English Terrier
Located in Columbia, MO
"Lady, " an English Terrier
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
"Rough" and "Puck, " Dandies
Located in Columbia, MO
"Rough" and "Puck, " Dandies
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Italian School 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
The Boarhound
Located in Columbia, MO
The Boarhound
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Dog and Fox Cross
Located in Columbia, MO
Dog and Fox Cross
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
The Spanish Pointer
Located in Columbia, MO
The Spanish Pointer
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
"Bellman, " an Otter-Hound
Located in Columbia, MO
"Bellman, " an Otter-Hound
1887
Etching
3 x 5
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Utagawa Kunisada - Woodblock Print by Utagawa Kunisada - Mid-19th Century
Located in Roma, IT
Samurai is an original Woodcut print realized in mid 19 century by Utagawa Kunisada.
Beautiful colored woodblock print, included a cardboard passpartout.
Includes frame: 45.5 x 35...
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illustrations for the Illustrated...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
A Family of Moorhens & Lilly Pad: A 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Gallinula Chloropus" (Moorhen) by John Gould, published in his "Birds of Great Britain", published in London between 1862 and 1873. The print, which was drawn by Gould and Henry Richter and lithographed by Walter & Cohn, depicts a family of Moorhens, including two adults and six babies in a beautiful landscape. The adults are in the water and the babies are lying on the leaves a flowering lilly pad.
This striking Gould hand-colored moorhen family lithograph is augmented with gum-arabic paint. The sheet measures 14.88" high and 21.75" wide. It is in excellent condition, other than a spot in the upper portion of the right margin and two small spots at the edge of the lower margin on the left. The original descriptive text pages from Gould's 19th century publication are included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
(after) John Constable mezzotint "Mill Stream"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
19th Century Landscape Prints
Materials
Mezzotint
Abbey of Arbroath - Lithograph By W.H. Bartlett - 19th Century
Located in Roma, IT
Abbey of Arbroath is a lithograph artwork on paper realized by the artist W.H. Bartlett .
Signed on the plate on the lower left. Titled on the lower center.
The state of preservati...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
(after) John Constable mezzotint "View on the River Stour"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
19th Century Landscape Prints
Materials
Mezzotint
(after) John Constable mezzotint "Autumnal Sun Set"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
19th Century Landscape Prints
Materials
Mezzotint
(after) John Constable mezzotint "A Dell, Helmingham Park, Suffolk"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
19th Century Landscape Prints
Materials
Mezzotint
Ancient View of Lisbon - Original Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of Lisbon is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: ...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Greenock - Lithograph By W.H. Bartlett - 19th Century
Located in Roma, IT
Greenock is a lithograph artwork on paper realized by the artist W.H. Bartlett.
Signed on the plate on the lower left. Titled on the lower center.
The state of preservation is good...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Landscape from Fugaku Hyakkei-Woodcut Print by Katsushika Hokusai-1878
Located in Roma, IT
Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849).
Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878.
Passepartout is included.
Publisher Eiraku Toshiro.
Sheet dimensions: 24 x 26 cm.
Good conditions. Signs of age and wear.
Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji.
Landscape from "Fugaku hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849) in the Second half of the XIX Century. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background.
This striking framed Gould...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Moulins de Hollande
Located in Middletown, NY
Etching on cream laid paper. 5 7/16x7 7/16 inches (137 x 188 mm). Scattered toning, age stain, and scattered minor defects consistent with age. Second state (of 3).
[Delteil 14]
Jo...
Category
Dutch School 19th Century Landscape Prints
Materials
Laid Paper, Etching
Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category
19th Century Landscape Prints
Materials
Engraving
Saint-Tropez-Le Port
By Paul Signac
Located in Fairlawn, OH
Saint-Tropez-Le Port
Color lithograph, 1897-1898
Signed in pencil lower right (see photo)
Numbered in pencil lower right: No. 68 (see photo)
From: Album des Peintres-Gravures, 1898
Published by Ambrose Vollard, Paris
Printer: Auguste Clot, Paris
Edition: 100
Numbered: No. 68
Reference: Una Johnson, Vollard, No. 188, reproduced pale 35
Kornfeld & Wick, No. 19 b/b
Condition: Very fresh colors
One tiny spot in the upper margin above the image (see photo)
Image size: 17 1/8 x 13 inches
Frame size: 32 3/4 x 27 1/4 inches
Archival framing by Galerie Maximilian, Aspen, CO
Museum glass
22K Gold leaf hand carved frame...
Category
Post-Impressionist 19th Century Landscape Prints
Materials
Lithograph
Enicure / Enoplie / Enoplose; Pl. 148
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Landscape Prints
Materials
Engraving
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist 19th Century Landscape Prints
Materials
Lithograph
(after) John Constable mezzotint "Jacques and the Wounded Stag"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
19th Century Landscape Prints
Materials
Mezzotint
(after) John Constable mezzotint "East Bergholt"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
19th Century Landscape Prints
Materials
Mezzotint
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