Thomas Moran was born in 1837 in Bolton, England. He was an American painter and printmaker of the Hudson River School in New York, whose work often featured the Rocky Mountains. Moran and his family took residence in New York, where he obtained work as an artist. A talented illustrator and exquisite colorist, he was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator of the magazine, a position that helped him launch his career as one of the premier painters of the American landscape. Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group. He began his artistic career as a teenage apprentice to the Philadelphia wood-engraving firm Scattergood & Telfer. He found the engraving process "tedious" and spent his free time working on his own watercolors. By the mid-1850s, he was drawing the firm's illustrations for publication rather than carving them and he began studying with local painter James Hamilton, who introduced him to the work of British artist J. M. W. Turner. Moran traveled to England in 1862 to see Turner's work and he often acknowledged that the artist's influence on his use of color and choice of landscapes. During the 1870s and 1880s, Moran's designs for wood-engraved illustrations appeared in major magazines and gift oriented publications. He was married to Scottish born Mary Nimmo Moran (1842–99), an etcher and landscape painter. The couple had two daughters and a son. His brothers Edward (1829–1901), John (1831–1902) and Peter (1841–1914), as well as his nephew Jean Leon Gerome Ferris (1863–1930), were also active as artists. He died in Santa Barbara, California on August 26, 1926. Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park. In 1871, Dr. Ferdinand Hayden, director of the United States Geological Survey, invited Moran, at the request of American financier Jay Cooke, to join Hayden and his expedition team into the unknown Yellowstone region. Hayden was just to embark on his arduous journey when he received a letter from Cooke presenting Moran as.. "an artist of Philadelphia of rare genius. . ." Funded by Cooke (the director of the Northern Pacific Railroad) and Scribner's Monthly, a new illustrated magazine, Moran agreed to join the survey team of the Hayden Geological Survey of 1871 in their exploration of the Yellowstone region. During 40 days in the wilderness area, Moran visually documented over 30 different sites and produced a diary of the expedition's progress and daily activities. His sketches along with photographs produced by survey member William Henry Jackson captured the nation's attention and helped inspire Congress to establish the Yellowstone region as the first national park in 1872. The paintings of Moran along with the photographs of Jackson revealed the scale and splendor of the beautiful Yellowstone region more than written or oral descriptions, persuading President Grant and the US Congress that Yellowstone was to be preserved. Naturally proud of the role he played, Moran adopted a new signature: T-Y-M, Thomas "Yellowstone" Moran thereafter. After his involvement with Hayden expedition, Moran began publishing his work in various periodicals and produced several large paintings, including The Grand Canyon of the Yellowstone (1872) and Chasm of Colorado (1873–74), which were purchased by the US Congress to hang in the U.S. Capitol (now on view at the Smithsonian American Art Museum). Over the next 40 years, he traveled extensively. He was elected to the membership of the National Academy of Design in 1884 and produced numerous works of art in his senior years. Legacy The Thomas Moran House in East Hampton, New York is a National Historic Landmark. Mount Moran in the Grand Teton National Park is named for Moran.
Thomas Moran 1912 Grand Canyon Chromolithograph, “Hermit Rim” View
By Thomas Moran
Located in Denver, CO
This early 20th-century color chromolithograph by celebrated American landscape artist Thomas Moran (1837–1926) captures the awe-inspiring vistas of the Grand Canyon from Hermit Rim....
Lithograph, Color
THOMAS MORAN Grand Canyon of Arizona from Hermit Rim Road 1912 Chromolithograph
By Thomas Moran
Located in Rancho Santa Fe, CA
IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...
Paper, Lithograph
"Twilight in Arizona" original etching
By Thomas Moran
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and publ...
Etching
Thomas Moran Chromolithograph Print 1893 of the Grand Canyon
By Thomas Moran
Located in Rome, IT
Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...
Lithograph
Passaic Meadows (In the Newark Meadows)
By Thomas Moran
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Laid Paper, Etching
Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Laid Paper, Etching, Aquatint
19th century etching black and white seascape print boats water buildings signed
By Thomas Moran
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Parchment Paper, Etching
H 24 in W 16.25 in D 0.01 in
La Vilaine, France
By Roger Hebbelinck
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912) Title: La Vilaine Year: Circa 1965 Medium: Color etching with aquatint Edition: Numbered 30/350 in p...
Aquatint
H 31.5 in W 44 in D 0.01 in
Dust Time, large lithograph
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...
Lithograph
H 20 in W 16.25 in D 0.63 in
"Une Partie de Campagne": 19th Century Honore Daumier Caricature
By Honoré Daumier
Located in Alamo, CA
This is a 19th century Honore Daumier lithographic caricature/satire entitled "Une Partie de Campagne" (Part of the Campaign), plate 59 from the ser...
Lithograph
H 16.25 in W 16 in
Orange Shell
By Fanny Brennan
Located in Greenwich, CT
Orange Shell is a lithograph on paper with an image size of 3.75 x 3.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fra...
Paper, Lithograph
H 22.25 in W 27.75 in D 1.35 in
Three Chairs
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Three Chairs Year: 1978 Medium: Original color lithograph Edition: Numbered 61/185 in pencil Paper: ...
Lithograph
H 6.75 in W 8.875 in
WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Aquatint
H 27.75 in W 18.75 in
Carrera de Veleros Regata original sailing sports vintage poster
Located in Spokane, WA
Carrera de Veleros Regata, an original vintage sailing poster: Carrera de Veleros, Corpus Christi to Tampico Regata, April 17th. Texas - U.S....
Lithograph
H 5.38 in W 4.25 in
Un coin de cour
By Charles-Emile Jacque
Located in Middletown, NY
Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 5 3/8 x 4 1/4 (137 x 108 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm),...
Handmade Paper, Engraving, Etching
H 38 in W 26 in
The Three Graces — Figurative Etching with Aquatint of Women Underwater
By Art Werger
Located in Palm Springs, CA
A print from his series titled "Submerged". The Three Graces is a richly colored etching with aquatint by Art Werger, depicting three female figures moving beneath the surface of wat...
Etching, Aquatint
H 23.5 in W 30.5 in D 1.25 in
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is a framed original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high, 30.5" wide and 1.25" deep. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Lithograph
H 23 in W 30 in
Sunset Profile Lithograph, Pop Art, Hand Signed Artist Proof, 1980, Framed
By Peter Max
Located in Aventura, FL
Lithograph in colors on paper. Hand signed, dated and numbered by the artist. Artist Proof (AP) edition. Sheet size 23 x 30 inches. Custom framed as pictured. Artwork is in excell...
Paper, Lithograph
H 27 in W 22 in
"Village Hamlet" Color Lithograph on Paper of Coastal Village Town Square Houses
By Heshi Yu
Located in Austin, TX
Color Lithograph on Paper Image Size: 27 x 22 in. Frame Size: 29 x 36 in. Signed in Pencil, Bottom Right Numbered in Pencil, Bottom Left "77/150" A cheerful and energetic scene of a...
Archival Paper, Lithograph
H 28.5 in W 24.25 in D 1.5 in
Grand Canyon by Thomas Moran
By Thomas Moran
Located in New Orleans, LA
Grand Canyon by Thomas Moran Thomas Moran 1837-1926 American Grand Canyon Signed with initials in monogram and dated “T Moran 1908” (lower left) and signed, inscribed and dated “Moran/To Mr. & Mrs. Carl Brant/Grand Canyon/July 12 1908” (on reverse) Oil on canvas Thomas Moran’s Grand Canyon...
Canvas, Oil
H 9.25 in W 11.5 in
"The Pass of Glencoe, Scotland" original etching
By Thomas Moran
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klackner 29. Executed in 1883, this impression is printed on laid paper. Signed in the plate with Thomas Moran's monogram (not by hand)...
Etching
H 27 in W 35 in
Grand Canyon of Arizona from Hermit Rim Road 1912 (Color Chromolithograph)
By Thomas Moran
Located in Rancho Santa Fe, CA
A Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting commissioned by the AT&SF railroad. According to Nancy K. Anderson,...
Paper, Lithograph
H 5 in W 7.5 in D 0.5 in
"Morning"
By Thomas Moran
Located in Southampton, NY
Historic original etching by the famous American artist, Thomas Moran. Done in 1883. The scene is Hook Pond in East Hampton, New York. The Maidstone Club golf course was later built on this site and remains today. Signed lower right in pencil "etching by Thomas Moran". Titled in pencil lower left. Sight size 5 by 7.5 inches. 0verall in most likely original thin black with gilt frame 9.75 by 12.5 inches. Condition is good. Not examined out of frame .Thomas Moran (February 12, 1837 - August 25, 1926) from Bolton, England was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. A talented illustrator and exquisite colorist, Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator of the magazine, a position that helped him launch his career as one of the premier painters of the American landscape.[1] Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.[2] Biography Thomas Moran began his artistic career as a teenage apprentice to the Philadelphia wood-engraving firm Scattergood & Telfer. Moran found the engraving process "tedious" [3] and spent his free time working on his own watercolors.[4] By the mid 1850s he was drawing the firm's illustrations for publication rather than carving them and he began studying with local painter James Hamilton who introduced him to the work of British artist J. M. W. Turner. Moran traveled to England in 1862 to see Turner's work and he often acknowledged that artist's influence on his use of color and choice of landscapes. During the 1870s and 1880s Moran's designs for wood-engraved illustrations appeared in major magazines and gift oriented publications. Moran was married to Scottish born Mary Nimmo Moran (1842–1899), an etcher and landscape painter. The couple had two daughters and a son. His brothers Edward (1829–1901), John (1831–1902) and Peter (1841–1914), as well as his nephew Jean Leon Gerome Ferris (1863–1930) were also active as artists. He died in Santa Barbara, California on August 26, 1926. Yellowstone images Thomas Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park. In 1871 Dr. Ferdinand Hayden, director of the United States Geological Survey, invited Moran, at the request of American financier Jay Cooke, to join Hayden and his expedition team into the unknown Yellowstone region. Hayden was just to embark on his arduous journey when he received a letter from Cooke presenting Moran as.. "an artist of Philadelphia of rare genius.."[5] Funded by Cooke (the director of the Northern Pacific Railroad), and Scribner's Monthly, a new illustrated magazine, Moran agreed to join the survey team of the Hayden Geological Survey of 1871 in their exploration of the Yellowstone region. During forty days in the wilderness area, Moran visually documented over 30 different sites and produced a diary of the expedition's progress and daily activities. His sketches, along with photographs produced by survey member William Henry Jackson, captured the nation's attention and helped inspire Congress to establish the Yellowstone region as the first national park in 1872. The paintings of Moran along with the photographs of Jackson revealed the scale and splendor of the beautiful Yellowstone region more than written or oral descriptions, persuading President Grant...
Laid Paper, Etching
H 27 in W 35 in
Grand Canyon of Arizona from Hermit Rim Road 1912 (Color Chromolithograph)
By Thomas Moran
Located in Rancho Santa Fe, CA
A Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting commissioned by the AT&SF railroad. According to Nancy K. Anderson,...
Paper, Lithograph
Grand Canyon of Arizona from Hermit Rim Road
By Thomas Moran
Located in Rancho Santa Fe, CA
A Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting commissioned by the AT&SF railroad...
Paper, Lithograph
Grand Canyon of Arizona from Hermit Rim Road
By Thomas Moran
Located in Rancho Santa Fe, CA
A Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting commissioned by the AT&SF rail...
Paper, Lithograph