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Period: 19th Century
Veillot's Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Clinton Township, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
Impressionist 19th Century Landscape Prints
Materials
Lithograph
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background.
This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category
Modern 19th Century Landscape Prints
Materials
Etching
L'Église Saint-Jacques de Dieppe
Located in BOULOGNE-BILLANCOURT, FR
Artiste polyvalent, Paul Helleu connaît le succès de son vivant avec ses tableaux, ses pastels et ses dessins aux trois crayons, mais également en tant que graveur. En témoigne le ti...
Category
Post-Impressionist 19th Century Landscape Prints
Materials
Paper, Etching
Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen'
(Euphorbia)
German chromolithograph, circa 1895.
240mm by 155mm (sheet)
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Virginian Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Dundee, from the Opposite Side of the Tay By W.H. Bartlett - 19th Century
Located in Roma, IT
Dundee, from the opposite side of the Tay is a lithograph on paper realized by the artist W.H. Bartlett.
Signed on the plate on the lower left. Titled on the lower center.
The stat...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
New Bridge, Glasgow - Etching by W. H.Bartlett - 1845
Located in Roma, IT
New Bridge, Glasgow is an etching realized in 1845 by W. H. Bartlett.
Signed on the plate.
Titled on the lower center.
Good conditions with slight foxing.
The artwork is beautif...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category
Edo 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
Plantes tropicales [Tropical Plants]
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...
Category
French School 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
![Plantes tropicales [Tropical Plants]](https://a.1stdibscdn.com/jules-ferdinand-jacquemart-2-prints-works-on-paper-plantes-tropicales-tropical-plants-for-sale/a_19792/a_138073821705694714828/957_1_master.jpg?width=240 "Jules-Ferdinand Jacquemart - Plantes tropicales [Tropical Plants]")
Plan de la Nouvelle Orléans - Original Lithograph - 1880
Located in Roma, IT
Image dimensions: 9.3 x 16 cm.
Plan de la Nouvelle Orléans is an interesting black and white lithograph on paper, realized in 1880 by an anonymous artist.
Original Title: Plan de l...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Kabuki Actor - Woodcut by Utagawa Kunisada - 1848/49
Located in Roma, IT
Kabuki Actor is a woodcut print realized by Utagawa Kunisada in 1848/49.
Lifetime impression in very good condition, except for some very minor sign of time.
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic 19th Century Landscape Prints
Materials
Etching
Ryoanji Temple in the Snow at Sunset- Woodcut by Hasegawa Sadanobu-1850
Located in Roma, IT
Ryoanji Temple in the Snow at Sunset is an original artwork realized in 1850 by Hasegawa Sadanobu (1809-1979).
Chuban yokoe.
From the series "Miyako meisho no uchi", Famous Viws o...
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
The Venetian Mast
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
American Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Impressionist 19th Century Landscape Prints
Materials
Ink, Oil
Approach of the Simoon - Desert of Geezah, 19th Century Subscription Edition
Located in London, GB
After David Roberts R.A. 1796 - 1864
Approach of the Simoon - Desert of Geezah
Subscription Edition lithograph Full plate: 240
Presented in a acid free mount
An original 19th Ce...
Category
19th Century Landscape Prints
Materials
Lithograph
Spring - Original Etching by Telemaco Signorini - 1873
Located in Roma, IT
Landscape and figures. Signed on plate.
Image Dimensions : 15x21 cm.
Publisher : Editore Lovera
Excellent conditions
This artwork is shipped from Italy. Under existing legislation, ...
Category
Realist 19th Century Landscape Prints
Materials
Etching
Island of Philae, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments'
(Island of Philae : View of the east building and other monuments)
Elephant folio engraving, by Baltard after...
Category
Other Art Style 19th Century Landscape Prints
Materials
Engraving
Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
White-collared Flycatcher Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right
This striking framed Gould...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School 19th Century Landscape Prints
Materials
Paper, Engraving
The Battery and Castle Garden
Located in Middletown, NY
Society of Iconophiles, 1898.
Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...
Category
American Modern 19th Century Landscape Prints
Materials
Lithograph
La Grenouille et le Boeuf - Etching by Théophile Chauvel - 1870s
Located in Roma, IT
La Grenouille et le Boeuf is a black and white etching realized by Théophile Chauvel (1831-1909) in 1870s.
Titled in the lower.
Image size: 15cmx20.5cm.
Very Good condition.
Sign...
Category
Modern 19th Century Landscape Prints
Materials
Etching
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
English School 19th Century Landscape Prints
Materials
Paper, Ink
Opus IV, Simplicius in der Waldeinode - Etching by Max Klinger - 1881
By Max Klinger
Located in Roma, IT
Opus IV, Simplicius in der Waldeinode (Simplicius in the Wilderness) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881.
...
Category
Symbolist 19th Century Landscape Prints
Materials
Etching
Portico of The Temple of Dendera
Located in London, GB
Portico of The Temple of Dendera
Subscription or First Edition in stock
Full plate: 161
Presented in an acid free mount
£2,000
Scroll down for more information.
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Romantic 19th Century Landscape Prints
Materials
Engraving, Etching
Caribou or American Reindeer: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Caribou or American Rein Deer", No. 26, Plate CXXVI, from Audubon's "Quadrupeds of Nor...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
View of Quirinale Garden, Rome - Etching on Paper - 19th century
Located in Roma, IT
View of Quirinale Garden is an original etching on paper realized by an Anonymous artist of the XIX century, singed and titled on the plate with inscription below, Plate no. 72
Dime...
Category
Modern 19th Century Landscape Prints
Materials
Etching
Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
French School 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
St Jean D' Acre. David Roberts Holy Land lithograph, 1843.
Located in Melbourne, Victoria
'St Jean D'Acre', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s produc...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Great Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Courtiers under a wisteria draped pine tree
Located in Middletown, NY
Tokyo: Yokoyama Ryohachi, 1892
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...
Category
Edo 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist 19th Century Landscape Prints
Materials
Lithograph, Watercolor, Gouache
David Roberts' 19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"
Located in Alamo, CA
"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition.
The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left.
There are four additional listings of David Roberts engravings of Egypt...
Category
Realist 19th Century Landscape Prints
Materials
Lithograph
Entrance to the Tomb of the Kings. Tinted lithograph after David Roberts, 1855.
Located in Melbourne, Victoria
'Entrance to the Tomb of the Kings', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts tr...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Category
French School 19th Century Landscape Prints
Materials
Laid Paper, Etching, Engraving
"Esquimaux Curlew": A Framed Original Audubon Hand-colored Folio Engraving
Located in Alamo, CA
This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
The Fountain of Job. Tinted lithograph after David Roberts, 1855.
Located in Melbourne, Victoria
'The Fountain of Job', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travelled throug...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Ince's Paradise Flycatcher Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Utagawa Kunisada - Woodblock Print by Utagawa Kunisada - Mid-19th Century
Located in Roma, IT
Samurai is an original Woodcut print realized in mid 19 century by Utagawa Kunisada.
Beautiful colored woodblock print, included a cardboard passpartout.
Includes frame: 45.5 x 35...
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
Le Ministere De La Marine
Located in New York, NY
Charles Meryon (French, 1821-1868), "Le Ministere De La Marine", Landscape Etching, 7 x 6.38 Interior Matte ( 20.25 x 16.25 In Matted Frame), Mid 19th Cen...
Category
Other Art Style 19th Century Landscape Prints
Materials
Etching
Set of Four French Antique Marine Prints
Located in Lake Worth Beach, FL
Set of Four Antique Marine engravings plates hand colored.
Each measure 18x21x1 framed.
Benard Direxit is a French 19Th Century artist, engraver. Benar...
Category
French School 19th Century Landscape Prints
Materials
Engraving
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters 19th Century Landscape Prints
Materials
Mezzotint
