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19th Century Landscape Prints

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Period: 19th Century
"Twilight in Arizona" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and publ...
Category

19th Century Landscape Prints

Materials

Etching

The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856. Ima...
Category

Realist 19th Century Landscape Prints

Materials

Ink, Woodcut

Rue Furstenberg
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category

Impressionist 19th Century Landscape Prints

Materials

Lithograph

The Mersey at Liverpool - Etching by J.C. Armytage - 1845
Located in Roma, IT
The Mersey at Liverpool is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.
Category

Modern 19th Century Landscape Prints

Materials

Etching

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Category

Symbolist 19th Century Landscape Prints

Materials

Handmade Paper, Engraving

Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category

French School 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

Realist 19th Century Landscape Prints

Materials

Lithograph

View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807. The f...
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Modern 19th Century Landscape Prints

Materials

Etching

Pug, Greyhound, Terrier
Located in Columbia, MO
Pug, Greyhound, Terrier 1883-84 Chromolithograph 8.5 x 11 inches
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category

Naturalistic 19th Century Landscape Prints

Materials

Engraving

Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
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Naturalistic 19th Century Landscape Prints

Materials

Engraving

"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
By (after) Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category

Impressionist 19th Century Landscape Prints

Materials

Ink, Oil

Impressionism : Girls Dancing - Original lithograph, 1898
Located in Paris, IDF
Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...
Category

Impressionist 19th Century Landscape Prints

Materials

Lithograph

"Boat Horses" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category

19th Century Landscape Prints

Materials

Etching

Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718. Depicts a ceiling design commissioned for the Hot...
Category

Naturalistic 19th Century Landscape Prints

Materials

Engraving

The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category

Romantic 19th Century Landscape Prints

Materials

Engraving

19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category

19th Century Landscape Prints

Materials

Lithograph

"A Burro Train, New Mexico" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: White 1. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 6 1/2 x 9 3/8 inches; the sh...
Category

19th Century Landscape Prints

Materials

Etching

Quadra, Vancouver Island, Canada, North America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei' (Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut) Italian lithograph, c184...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...
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Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Located in Soquel, CA
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...
Category

Impressionist 19th Century Landscape Prints

Materials

Rice Paper, Woodcut

Minarets of Metwaleys, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large ...
Category

Realist 19th Century Landscape Prints

Materials

Lithograph

Passaic Meadows (In the Newark Meadows)
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Category

Realist 19th Century Landscape Prints

Materials

Laid Paper, Etching

Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category

Romantic 19th Century Landscape Prints

Materials

Engraving

A Burro Train, New Mexico
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category

American Realist 19th Century Landscape Prints

Materials

Laid Paper, Etching

Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category

Realist 19th Century Landscape Prints

Materials

Lithograph

Hiroshige (1797-1858) - Horie and Nekozane - Meisho Edo Hyakkei
Located in BRUCE, ACT
Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858) Title: No.96 "Meisho Edo Hyakkei" Series: One Hundred Famous Views of Edo (名所江戸百景) Size: O-ban 大判 Age: 1856
Category

19th Century Landscape Prints

Materials

Woodcut

A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...
Category

Naturalistic 19th Century Landscape Prints

Materials

Color

LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category

Realist 19th Century Landscape Prints

Materials

Photographic Paper, Etching

Original vintage poster "Truth" weekly magazine art nouveau lithograph
Located in Spokane, WA
Original vintage.poster: TRUTH CHRISTMAS. NOTE that this is the turn of the century original poster and is Not a magazine cover. The poster for a gossip magazine focusing on New...
Category

Art Nouveau 19th Century Landscape Prints

Materials

Lithograph

Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Il Campidoglio (Capitoline Hill), Rome. Tinted lithograph, 1870
Located in Melbourne, Victoria
Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', circa...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Original Vichy stone lithograph vintage French poster
Located in Spokane, WA
Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...
Category

Art Nouveau 19th Century Landscape Prints

Materials

Lithograph

Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category

Realist 19th Century Landscape Prints

Materials

Photographic Paper

Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category

Post-Impressionist 19th Century Landscape Prints

Materials

Lithograph, Mulberry Paper

The Ferry at Sakasai - One Hundred Famous Views of EDO 名所江戸百景
Located in BRUCE, ACT
Hiroshige (1797-1858) - One Hundred Famous Views of EDO 名所江戸百景 Artist: 広重 Hiroshige (1797-1858) Series: One Hundred Famous Views of EDO (名所江戸百景) Title: The Ferry at Sakasai (逆井のわたし...
Category

19th Century Landscape Prints

Materials

Woodcut

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

American Impressionist 19th Century Landscape Prints

Materials

Engraving, Woodcut

Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821
Located in Middletown, NY
The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate. A Prospect of the Inside of Westminster Hall; The Grand Coronati...
Category

English School 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Watercolor

Stephen Parrish (1846-1938) - American School 19th Century Etching, Hastings
Located in Corsham, GB
A finely detailed coastal scene by American artist Stephen Parrish (1846-1938). The beach is a bustling hive of activity, with various figures working along the shore. In the backgro...
Category

19th Century Landscape Prints

Materials

Etching

A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category

Romantic 19th Century Landscape Prints

Materials

Engraving

Sedans used by the Japanese Ladies of Quality – English School, 19th century
Located in Middletown, NY
Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...
Category

English School 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Dusky Squirrel: An Original 19th C. Hand-colored Lithograph by John J. Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Dusky Squirrel", No. 24, Plate CXVII, from Audubon's "Quadrupeds of North America", dr...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category

Old Masters 19th Century Landscape Prints

Materials

Etching, Aquatint

Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Newfoundland
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Newfoundland France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits...
Category

Romantic 19th Century Landscape Prints

Materials

Lithograph

Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...
Category

English School 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Watercolor

“Thebes, Great Hall at Karnak”
Located in San Francisco, CA
This lithograph titled "Thebes, Great Hall at Karnak" is a notable work by the Scottish painter David Roberts (1796-1864). This particular scene is part of Roberts' most famous colle...
Category

English School 19th Century Landscape Prints

Materials

Paper, Lithograph

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Naturalistic 19th Century Landscape Prints

Materials

Engraving

Jamestown, St Helena. French seascape ship lithograph, 1844
Located in Melbourne, Victoria
'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...
Category

Victorian 19th Century Landscape Prints

Materials

Lithograph

Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category

Edo 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings Ancient Greek views and monument landmarks including the Pantheon, Athens. each paper : 9 x 12 inches...
Category

Renaissance 19th Century Landscape Prints

Materials

Engraving

Eagle or Horned Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Paris - Eglise de L'abbaye de St Denis, French lithograph, 1861
Located in Melbourne, Victoria
'Eglise de L'abbaye de St Denis', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', p...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...
Category

Naturalistic 19th Century Landscape Prints

Materials

Lithograph

Pilgrimage to Enoshima
Located in Middletown, NY
Tokyo: Matsuki Heikichi, 1893 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...
Category

Edo 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category

Edo 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

Salon des Cents: A 19th C. Lithograph from Maitres de l'Affiche by Feure/Cheret
Located in Alamo, CA
This is a 19th century color lithograph entitled "Expo Salon des Cents" (Salon of the Hundred) created by Georges de Feure and published between 1898 in Paris, France by Jules Cheret...
Category

Art Nouveau 19th Century Landscape Prints

Materials

Lithograph

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