19th Century Landscape Prints
to
81
1,441
431
104
39
16
Overall Width
to
Overall Height
to
896
81
66
15
7
5
3
2
59
54
33
28
22
982
2,046
10,393
4,096
113
170
682
525
660
1,287
1,813
1,767
1,117
555
638
1,423
600
6
1,192
433
361
279
236
182
180
167
141
132
131
128
108
100
98
95
91
81
80
77
1,019
652
291
188
101
182
1,222
845
633
Period: 19th Century
Dundee, from the Opposite Side of the Tay By W.H. Bartlett - 19th Century
Located in Roma, IT
Dundee, from the opposite side of the Tay is a lithograph on paper realized by the artist W.H. Bartlett.
Signed on the plate on the lower left. Titled on the lower center.
The stat...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Impressionism : Girls Dancing - Original lithograph, 1898
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
Impressionism : Girls Dancing, 1898
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFO...
Category
Impressionist 19th Century Landscape Prints
Materials
Lithograph
Souvenir d'Italie
Located in Greenwich, CT
Etching "Souvenir d'Italie” by Jean Baptiste Camille
printed on laid paper (partial watermark Annonay).
rich impression
size : sight 11.5 x 9 in. , matted 17 x 14 in.
A remarkab...
Category
Romantic 19th Century Landscape Prints
Materials
Etching
La Durance a A St. Paul - Etching by Paul Guigou - 1860s
Located in Roma, IT
La Durance a A St. Paul is a black and White etching realized by Paul Guigou in the 1860s.
Titled in the lower.
Image size: 24x31.
Very good impression with wide margins and a ve...
Category
Modern 19th Century Landscape Prints
Materials
Etching
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching
Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper
Located in Soquel, CA
Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper
Full Title:
Kyoto: Kiyomizu Temple (Kyô Kiyomizudera), from the series Scenes of Famous Places along...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
French School 19th Century Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings
Ancient Greek views and monument landmarks including the Pantheon, Athens.
each paper : 9 x 12 inches...
Category
Renaissance 19th Century Landscape Prints
Materials
Engraving
Limehouse
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
Realist 19th Century Landscape Prints
Materials
Etching
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Romantic 19th Century Landscape Prints
Materials
Engraving
Lake Constance ; The Oberstadt at Bregenz with Lake Constance (the Bodensee) Bey
Located in Middletown, NY
Lake Constance
c 1850.
Watercolor on cream wove paper mounted on thin card stock, 10 x 12 1/2 inches (255 x 320 mm), wide margins. Adhesive residue aro...
Category
Victorian 19th Century Landscape Prints
Materials
Watercolor
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist 19th Century Landscape Prints
Materials
Lithograph, Watercolor, Gouache
$1,120 Sale Price
20% Off
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Ancient View of Bordeaux - Original Lithograph - Mid-19th Century
By Leo Guida
Located in Roma, IT
Ancient View of Bordeaux is an original modern artwork realized in the Mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower central margin: Im hafen v...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
Impressionist 19th Century Landscape Prints
Materials
Drypoint, Etching, Aquatint
Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category
Edo 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
Located in Alamo, CA
This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint.
This beautiful Gould hummingbird...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
La Place de la Pucelle.
By Samuel Prout
Located in Middletown, NY
A market scene; the spot on which the execution of Joan of Arc took place.
London: R. Bower, 1825.
Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...
Category
English School 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Aquatint
Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category
Naturalistic 19th Century Landscape Prints
Materials
Engraving
19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category
19th Century Landscape Prints
Materials
Lithograph
Spring - Original Etching by Telemaco Signorini - 1873
Located in Roma, IT
Landscape and figures. Signed on plate.
Image Dimensions : 15x21 cm.
Publisher : Editore Lovera
Excellent conditions
This artwork is shipped from Italy. Under existing legislation, ...
Category
Realist 19th Century Landscape Prints
Materials
Etching
Fallen Rider - Etching by Max Klinger - 1881
By Max Klinger
Located in Roma, IT
Fallen Rider is a modern artwork realized by Max Klinger in 1881.
The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...
Category
Symbolist 19th Century Landscape Prints
Materials
Etching
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Miss Ida Heath
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
La Loge au mascaron doré
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
Post-Impressionist 19th Century Landscape Prints
Materials
Lithograph
19th century woodcut engraving print figurative American forest trees scene
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category
Victorian 19th Century Landscape Prints
Materials
Woodcut, Engraving
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 19th Century Landscape Prints
Materials
Etching
Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
Edo 19th Century Landscape Prints
Materials
Woodcut
L'Église Saint-Jacques de Dieppe
Located in BOULOGNE-BILLANCOURT, FR
Artiste polyvalent, Paul Helleu connaît le succès de son vivant avec ses tableaux, ses pastels et ses dessins aux trois crayons, mais également en tant que graveur. En témoigne le ti...
Category
Post-Impressionist 19th Century Landscape Prints
Materials
Paper, Etching
Blanche et Noire
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
Blanche et Noire
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
Post-Impressionist 19th Century Landscape Prints
Materials
Lithograph
Vue de Mantes - Etching after C. Corot by C. Pinet - 19th Century
Located in Roma, IT
Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century.
This etching represents a natural landscape with some...
Category
Old Masters 19th Century Landscape Prints
Materials
Etching
Great Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category
Realist 19th Century Landscape Prints
Materials
Engraving
Original "Cycles Omnium" turn of the century vintage bicycle poster
Located in Spokane, WA
Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris
The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...
Category
Art Nouveau 19th Century Landscape Prints
Materials
Lithograph
$1,758 Sale Price
20% Off
Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856.
Ima...
Category
Realist 19th Century Landscape Prints
Materials
Ink, Woodcut
Portico of The Temple of Dendera
Located in London, GB
Portico of The Temple of Dendera
Subscription or First Edition in stock
Full plate: 161
Presented in an acid free mount
£2,000
Scroll down for more information.
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Glimpse of the City - Lithograph by Federico Moja - 19th Century
Located in Roma, IT
Glimpse of the city is a modern artwork realized by Federico Moja in 19th Century.
Mixed colored lithograph.
Name of the artist on the lower margin.
S...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
French School 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking.
This original 1st octavo edition hand-colored Audubon lithograph...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Courtiers under a wisteria draped pine tree
Located in Middletown, NY
Tokyo: Yokoyama Ryohachi, 1892
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...
Category
Edo 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
St Jean D' Acre. David Roberts Holy Land lithograph, 1843.
Located in Melbourne, Victoria
'St Jean D'Acre', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s produc...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Edo Landscape Japanese Woodblock Print
Located in Houston, TX
Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...
Category
Edo 19th Century Landscape Prints
Materials
Woodcut
Approach of the Simoon - Desert of Geezah, 19th Century Subscription Edition
Located in London, GB
After David Roberts R.A. 1796 - 1864
Approach of the Simoon - Desert of Geezah
First Edition lithograph Full plate: 240
Presented in a acid free mount
An original 19th Century l...
Category
19th Century Landscape Prints
Materials
Lithograph
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right
This striking framed Gould...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Colossi of Memnon, Thebes, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Vue des Deux Colosses. Thebes, Memnonium'
Elephant folio engraving, by Baltard after Dutetre, from 'Description de l'Egypte', published after Napoleon's expedition to colonize Egyp...
Category
Other Art Style 19th Century Landscape Prints
Materials
Engraving
Entrance to the Tomb of the Kings. Tinted lithograph after David Roberts, 1855.
Located in Melbourne, Victoria
'Entrance to the Tomb of the Kings', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts tr...
Category
Victorian 19th Century Landscape Prints
Materials
Lithograph
La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903)
Etching
7.6 x 10.9 cm (3 x 4 ¹/₄ inches)
Stamped with initials C.P. lower left, and numbered 13/18 lower right
This work was crea...
Category
Impressionist 19th Century Landscape Prints
Materials
Etching
Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category
Realist 19th Century Landscape Prints
Materials
Photographic Paper
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple.
Mat size: 16"H x 20"W
Paper size: 14.75"H x 9.88"W
Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category
Edo 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Sphinx of Giza - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Sphinx of Giza is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt ...
Category
Modern 19th Century Landscape Prints
Materials
Lithograph
Japanese Woodcut Print - Original Woodcut Print by Utagawa Hiroshige - 19th Cent
Located in Roma, IT
This is a superb polychrome woodblock print (nishiki-e, ink and color on paper), likely realized by Utagawa Hiroshige (Japanese, 1797-1858) at the middle of 19th century. This plate ...
Category
Modern 19th Century Landscape Prints
Materials
Woodcut
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Romantic 19th Century Landscape Prints
Materials
Engraving
Art Nouveau Lithograph 1800s Landscape Romantic Figure Floral
Located in Milwaukee, WI
"Retour (L'Estampe Moderne I)" is a color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the Art Nouveau...
Category
Art Nouveau 19th Century Landscape Prints
Materials
Lithograph
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Naturalistic 19th Century Landscape Prints
Materials
Photogravure
Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884.
Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category
French School 19th Century Landscape Prints
Materials
Laid Paper, Engraving, Aquatint
Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category
Naturalistic 19th Century Landscape Prints
Materials
Lithograph
