Drawing Landscape Prints

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Cathedral of Dignes is an artwork realized by Ossi Czinner.  Hand signed. Artist's proof, plus 25 prints in Roman numbers. 70 x 50 cm. Good conditions!

Landscape is a beautiful lithograph realized by the Italian artist Giuseppe Zancan (Turin, January 14, 1936 - Turin, June 8, 2016). Hand-signed in pencil on the lower right margin and signed on plate. Numbered on the lower right in pencil, copy 72 from an edition of 100 prints. Good conditions. This contemporary artwork represents a poetical landscape created through quick and confident short strokes, in well-balanced composition. Giuseppe Zancan (Turin, January 14, 1936 - Turin, June 8, 2016), was an Italian journalist and artist, His first personal exhibition of engravings dates from this period, in 1967, ordered at the L’Arte Antica gallery in Turin. These were engravings closely related to the work of Beppi Zancan's ideal teacher, Rembradt. In 1971 he exhibited again at the Ancient Art of Turin and at the Cabinet of Prints in Milan and in 1974 at the Casino of Sanremo. In 1974, he became a professional journalist and, in 1975, he was entrusted with the direction of Il Mago, one of the most important Italian comic...

Really I have to believe that if you are as accomplished a composer as Johannes Brahms (1833-1897), you would have taken to driving without any problems at all. So perhaps this is a ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...

Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...

Colleggio Nazzareno is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for margins with som...

Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...

Brenda Cripps Oxford Spires Lithograph 20 x 29 cm Titled, signed and dated to lower right hand corner. This lithograph depicts a view over the Oxford skyline. The Old Tom Tower ...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Gromaire, 1958. Published by Editions d'Art Man...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

St. Helena is an etching that belongs  to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of the m...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 60 x 44 cm This engraving was originally published by the Society of Antiquaries of London, an...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...

Harbor View is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Artist's proof. The artwork is depicted through confident stro...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Bath of Titus is an artwork realized by Giuseppe Vasi in the late 18th century. Etching, 33 x 45 cm. "Vasi and Piranesi dis.e inc" in the lower left part. Good conditions! Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Shepherds with Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edit...

Richard DAVIES (1945-1991) The Belvedere Original etching and mezzotint Handsigned in pencil Numbered / 50 On vellum 51 x 66 cm (c. 20 x 26 inch) REFERENCES : Catalog Raisonne Plum...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Rue St. Nicolas a Blois is a black and White etching realized by Emile Louis Vernier in 1863  Titled in the lower Image Size: 31x23 Very good impression. Realized for the "Sociét...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

James Basire & John Carter Architectural details of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an o...

Goats in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25...

Royal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Hand Signed. Edition of 45 prints. Reference: Catalogue Battisti n.4. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in 1946, and fro...

Hand signed and numbered. Edition of 50 prints. Reference: Catalogue Battisti n.43. Armando Buratti (Rome, 1924), is an italian artist and painter. His works are now part of privat...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 61 x 80 cm Numbered 37/75 lower left, titled below, marked as artist's proof, and signed lower right, all in pencil. A blue- and grey-hued linocut of King's. A version of this print, owned by the Government Art Collection, hangs in the British Embassy in Tunis. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from...

A very fine, well contrasted impression of the 1st State, before the addition of the number, present when the work later was included in Bol’s River Series.

 Paris along the River Seine is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six origina...

Jean FRELAUT Superlative Sunrise Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

James Basire & Robert Blemmel Schnebbelie The Holy Sepulchre at Northwold in the county of Norfolk Engraving 45 x 60 cm This engraving was originally published by the Society of ...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Landscape is an etching realized in the Early 20th Century by Albert Decaris. Good condition. The artwork is strong through soft strokes with perfect hatchings in a well-balanced ...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Image dimensions: 10.2 x 10.8 cm. Landscape is a black and white etching on paper, realized after 1960 by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-signed in pencil on the lower right margin and monogrammed on the reverse and on plate (lower-right corner) This original print represents a natural landscape with a little and peaceful town in the distance (maybe it is Urbino) with a sober language and a delicate sign. With an excellent inking on a straw-yellow background, this contemporary artwork is in excellent conditions, including a cream-colored passepartout, cm 39.8 x 30.2 Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second lieutenant in the infantry and began writing a war diary that would then be lost. After the Greek campaign, he was transferred, with the German troops, to Crete. With the announcement of the armistice of 8 September 1943 and the disbanding of the Italian army, he was taken prisoner by the Germans and sent to concentration camps first in the Netherlands, then in Poland and Germany. During his imprisonment, he made drawings of the lager and portraits from life of Italian and German soldiers, he also began writing a prison diary. In 1944, he managed to escape and returned to Italy. After the war, Biasion resumed teaching and exhibited some works in a Venetian art gallery, arousing the appreciation of the poet and essayist Sergio Solmi. The tragic experiences of war and imprisonment are transfused in writings, drawings, paintings and engravings. He also began composing a series of stories, equally inspired by the memories of war, which would give life to Sagapò, a novel that Elio Vittorini had printed in Einaudi's I Gettoni collection in 1953. And it is in Sagapò (in Greek I love you), his most famous literary work, that the Mediterranean film inspired to, directed in 1991 by Gabriele Salvatores, winner of the Oscar for best foreign language film in 1992. There are numerous collaborations as an art and literary critic in periodicals such as Il Verri, Le Vie d'Italia, newspapers: Gazzetta del popolo, Il Resto del Carlino, Corriere d'Informazione. On the weekly paper Oggi, he edited an art column for thirty-five years. Renzo Biasion and the etching: Renzo Biasion's etchings have been made since the 1960s and the dominant features of all his art are visible in them. With a sober language, he represents interiors and landscapes immersed in the silence that is stillness is not solitude. The artist himself writes about the magic art...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Jean-Emile LABOUREUR The Road with Pine Trees Original etching Handsigned in pencil Numbered / 150 (here n° 89) On vellum Van Gelder vellum 27.5 x 30.5 cm Authenticated by the dry stamp of the editor Marcel Guiot (Paris) REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #390 The etching is part of the set 'Cahier de...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Et...