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Art Subject: Drawing
Commencement
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil.
Durieux shared her feeling about this piece with these reflections.
“The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire".
The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground.
When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty".
This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy.
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
1930s Modern Landscape Prints
Materials
Lithograph, Stencil
Landscape - Etching by Enrico Paulucci - Mid-20th Century
Located in Roma, IT
Etching and drypoint on paper realized by Paulucci.
Edition of 20.
Good condition except for some diffused foxing.
Category
Mid-20th Century Modern Landscape Prints
Materials
Etching
Picasso, Bacchanal with an Owl (Orozco 214), Grabados al linóleo (after)
Located in Auburn Hills, MI
Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...
Category
1960s Cubist Figurative Prints
Materials
Linocut
Picasso, Le Crapaud, Histoire naturelle (after)
Located in Auburn Hills, MI
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Chagall, Contes de Boccace, Verve: Revue Artistique et Littéraire (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 24, 1...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
The Master Smith
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Lithograph
Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
Toulouse-Lautrec, Anna Held dans Toutes ces Dames, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
Composition, Les Biches, Marie Laurencin
Located in Auburn Hills, MI
Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...
Category
1920s Modern Landscape Prints
Materials
Lithograph, Stencil
Composition, Alternance, Valentin Hugo
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category
1940s Modern Landscape Prints
Materials
Engraving
Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Composition, Réflexions Simples Sur Le Corps, Hans Erni
By Hans Erni
Located in Auburn Hills, MI
Lithograph on vélin chiffon de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Réflexions Simples Sur Le Corps, Ayant Inspiré Des Lithographie...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category
1920s Modern Landscape Prints
Materials
Lithograph
Picasso, Femme assise et deux danseuses, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Figurative Prints
Materials
Engraving
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Landscape Prints
Materials
Drypoint
Chagall, Contes de Boccace, Verve: Revue Artistique et Littéraire (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 24, 1...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Landscape Prints
Materials
Etching
Picasso, The Aubade, Sleeping Woman (Orozco 214), Grabados al linóleo (after)
Located in Auburn Hills, MI
Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...
Category
1960s Cubist Figurative Prints
Materials
Linocut
Chagall, Composition (Mourlot 411; Cramer 59), Derrière le miroir (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 147. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category
1960s Expressionist Figurative Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 37 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Figurative Prints
Materials
Lithograph
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
1920s Romantic Landscape Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 24 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Figurative Prints
Materials
Lithograph
The Walker from the Past, 1987 - Black, White + Pink Print with Figure + Trees
By Carel Weight
Located in Kingsclere, GB
Carel Weight was born in Paddington, West London in 1908. His mother, who was of German and Swedish descent, was a chiropodist, and his father was a cashier at a bank. As they both w...
Category
20th Century Landscape Prints
Materials
Lithograph
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
1930s Modern Landscape Prints
Materials
Lithograph, Stencil
Chagall, Composition (Cramer 33), Derrière le Miroir (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 99-100. Published by Aimé Maeght, Éditeur, Paris; printed by Éditi...
Category
1950s Expressionist Figurative Prints
Materials
Lithograph
Saint Louis en Ile, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
Signed, titled and numbered, from the edition of 180.
A view of a bridge over the Seine River in Paris wit...
Category
1970s Contemporary Landscape Prints
Materials
Drypoint
Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Landscape Prints
Materials
Etching
Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
La Promenade en Bateau - Lithograph by Raoul Dufy - 1930s
By Raoul Dufy
Located in Roma, IT
La Promenade en Bateau is an original modern artwork realized by Raoul Dufy in 1930s
Original Lithograph.
Good conditions.
Raoul Dufy (1877-1953) He was a French artist and design...
Category
1930s Modern Figurative Prints
Materials
Lithograph
North East View of Pembroke, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'North East View of Pembroke'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
The Bay La baie - Paris French Russian Bay
By Marc Chagall
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist “Marc Chagall” at the lower right margin.
It is also numbered in pencil from the edition of 75, at the lowe...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
Notre Dame, Framed Modern Lithograph by Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999)
Title: Notre Dame
Year: 1968
Medium: Lithograph, signed in the plate
Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)
Frame Size: 31 x 25.5 inches
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Chagall, Contes de Boccace, Verve: Revue Artistique et Littéraire (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 24, 1...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Landscape Prints
Materials
Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
One’s Identity, Signed Surrealist Lithograph and Etching by Salvador Dali
Located in Long Island City, NY
A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...
Category
1970s Landscape Prints
Materials
Etching, Lithograph
Braque, Composition, Verve: Revue Artistique et Littéraire (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Chagall, Bouquet pour Fernand, Souvenirs et portraits d'artistes (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...
Category
1970s Modern Landscape Prints
Materials
Lithograph
RUE ST. JACQUES
Located in Portland, ME
Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...
Category
1920s Landscape Prints
Materials
Alkyd, Lithograph
Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...
Category
1920s Modern Landscape Prints
Materials
Lithograph
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category
1930s Figurative Prints
Materials
Drypoint, Etching
THE BIG HORSE CHESTNUT TREE
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category
1920s Landscape Prints
Materials
Etching
Chagall, Contes de Boccace, Verve: Revue Artistique et Littéraire (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 24, 1...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Animal Prints
Materials
Drypoint, Etching
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
1920s Romantic Landscape Prints
Materials
Lithograph
The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Corner of Cheyne Walk, Chelsea
Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category
1880s Realist Landscape Prints
Materials
Etching
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Kollwitz, Death Seizes a Woman (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Modernist FOLK ART Original Pencil Lithograph "GRAY DAY AT THE BEACH"
By Doris Lee
Located in New York, NY
Doris Lee
Lithograph
1964
Edition Size: 250
Image Size: 12 x 9.5 inches
Sheet Size: 16.75 x 13 inches
Reference: AAA 1532
Signed lower left
Condition: Good
Provenance: ASA
Doris Emr...
Category
1960s Folk Art Landscape Prints
Materials
Lithograph, Archival Pigment
