Outdoors Landscape Prints

Pomerrigio (Afternoon) by Karen Keogh [2020] original Etching on Paper Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:58 cm x W:65 cm x D...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Lorna Patrick, American - Pueblo, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm), Description: Set beneath...

Clare Halifax I is for Iguana Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pap...

This artwork titled "Pineapple Hill, The old Day, Kapalua Maui" 1986, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and num...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Portofino Evening is a serigraph on paper, image size 27 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered 171/ 175 (there wer...

S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...

Stardust is a lithograph on paper with an image size of 2.5 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...

'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in...

large scale original photograph from a series of conceptual motivational messages on classic Americana signs in landscape of the American West BACK IN ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

"High Noon 2" Photography 20" x 16" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fash...

Antarctica #30 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...

Dufza - Paris - Le Vert Galant - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm

A pair of of prints that form a cohesive landscape when displayed side by side. Each piece is 28 x 22 inches. Together they are 28 x 44 inches over all. Each of the two prints are si...

David Lee, Chinese (1944 - ) - Lake (18), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm), Descript...

Forest Road, paper, etching, 21.5x28.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on a moody autumn day in the American West 40 x 40 inches ( 102 x 102cm) edition of 7...

Urbain HUCHET Lavender Fields in Provence Original lithograph Signed in pencil Numbered on /300 On vellum 37.5 x 47.8 cm (c. 14.5 x 18.5 inch) Excellent condition

Four Years out of a Life Sentence (Desert) 40 x 60 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 40 x 60 in ...

From Isles of Greece Suite. Serigraph on paper. Hand signed and numbered by the artist. Image size 25 x 32 inches Edition of 300. Artwork is in excellent condition. Certificate of...

John McNulty, Irish/American (1949 - ) - Horizon I, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 x 22 in. (48.26 x 55.88 cm)

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Richard Claude Ziemann (American, b 1932) 'Weland Grasses' 1980 Etching on wove paper Edition 138/175 Titled in pencil lower left Signed and dated in pencil lower right Image (plate)...

Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...

This woodcut print on paper evokes the peacefulness of looking across a stream towards a thicket of trees in a forest in shades of violet, from lilac to dark eggplant purple. The mon...

ARAQUÉM ALCÂNTARA Jalapão, Tocantins, Brazil, 2013 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas Also available in 60 x 40 inches...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

Jean Michel Mathieux-Marie Notre-Dame de Paris Original drypoint etching Handsigned in pencil On BFK Rives vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch) Numbered /100 copies Excellent...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

Lawrence Beall Smith Windy Hill, 1948 Signed in pencil lower right margin Lithograph on wove paper Image 10 3/8 x 13 1/16 inches Sheet 11 15/16 x 16 inches From the edition of 250 ...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Breaking Dawnis a colored screen print hand-signed (whole signature) and numbered in pencil in the lower margin. Edition of 250 prints. In excellent conditions. This beautiful prin...

Hank Laventhol, American (1927 - 2001) - Castle Eye, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 20 x 16 inches,...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Cloud Forest...

Sepia-toned architectural photograph of San Zavier Mission, a historic Spanish Catholic mission located near Tucson, Arizona, on the Tohono O'odham Nation San Xavier Indian Reservati...

Panoramic view from the entrance of the Josaphat park in Brussels made from 12 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my h...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

Printed in Italy by Roberto Hoesch-Milano. Measures 14.75 x 18.75 inches and is Unframed. Good Condition.

An Ohio native Witonski made his home in the Chelsea neighborhood of New York City and this subject may well be a Chelsea scene. But mostly it is a homage to intaglio printmaking. It...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

Between full and last quarter moon, late at night or in the early morning, you may see the moon in its waning gibbous phase: less than full but more than half-lighted. A full moon ri...

The artwork will be sent unframed Linocut print „ Shrouded in fog - I rise” 2023 Reduction linocut print technique Limited edition, print unique number 3/9 Paper Fabriano Rosaspina ...

This artwork titled "Shadows" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 20 x 16 inches, sheet size is 28 x 20 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Morris Cox (1903-1998) Poem 5 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.5 x 41.5 cm Provenance: Morris Cox Archive Morris C...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Linda Plotkin, American (1938 - ) - Stone Valley, Year: circa 1965, Medium: Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: TP, Image Size: 8 x 7.75 inches...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Large and unique print titled Can Not Be Pictured – OH NO OH NO! (The Sequoias). Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted o...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

These artwork titled "Twin Lake and Lake view" 1986 are two original color serigraphs on different papers by American artist Virgil Trasher b.1943. One is ...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...