Outdoors Landscape Prints

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...

FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...

Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

After Marc Chagall (1887 - 1985) By Charles Sorlier (French, 1921-1990) "Bataille de Fleurs (Carnaval of Flowers)" (from Nice and the Côte d’Azur), 1967 Reference: CS 33 Color Lithograph Image Size: 24 7/16 in x 18 in (62 cm x 45.8 cm) Sheet Size: 29 9/16 in x 20 11/16 in (75 x 52.5 cm) Framed Size: approx. 34 x 27 inches Edition: Numbered 1 of 150 in pencil in the lower left margin and printed on Arches wove paper (aside from an edition of 75 signed and numbered in Roman numerals and 10 artist's proofs). Signature: This work is hand signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin. Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Mel Hunter, American (1927 - 2004) - Valley Farm, Year: 1976, Medium: Lithograph, signed in pencil, Size: 15 x 20 in. (38.1 x 50.8 cm)

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

A stunning example of American printmaking, “Red Mountain Relic” is an original etching with drypoint by acclaimed artist Gene Kloss (1903–1996). This atmospheric composition capture...

Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...

Duane Bryers, American (1911 - 2012) - Blue Harmonica, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 22 in., Size: 21.5 in....

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.13 x 12.24 inches. Inscription: Signed in the plate and unnumbered, as issued....

ABOUT THIS PIECE: Continuing the story of polar melt, which is the main cause of rising seas, I followed the meltwater from the Arctic to the equator. I spent September 2013 in the M...

Linda Plotkin, American (1938 - ) - Oh What a Lovely Day IV, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/100, Image Size: 18...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.93 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

"Galumlee Beach Tree Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is ma...

Fine di settembre (Albairate, Pisani Dossi) Ref. 395 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Original vintage poster: Alitalia Airlines, Italy. Archival linen-backed, vintage travel poster to take you skiing in the Italian Alps. The image features two young children on skis preparing for a great day on the slopes. This original poster is in fine condition and ready to frame. Transform your space into a nostalgic ski resort paradise with this original vintage Alitalia Airlines ski...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a sunset view of Narumi, in what is now Aichi Prefecture, circa 1850. Signed in Kanji lower right, "Hiroshige Ga" fo...

Linda Plotkin, American (1938 - ) - Clouds IV, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.75 x 8.75 inches, Size: ...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...

David Lee, Chinese (1944 - ) - Birds in a Valley, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 in. x 21 in. (73.66 cm x 53.34 cm), ...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...

This grand mural unveils a mesmerizing Baroque-style etching that commands attention with its celestial drama. The expansive sky serves as a vast canvas, adorned with flowing circula...

This original vintage color aquatint etching captures the breathtaking beauty of Longs Peak and Mount Meeker, as seen from Rocky Mountain National Park near Estes Park, Colorado. Cre...

The Art of Modern Living is a digital pigment print on paper, image size 24 x 38.5 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotat...

The Grand Canyon in Arizona from Hermit Rim by Thomas Moran. Early 20th century vintage color lithograph printed in 1912, signed and dated within plate lower left, titled lower cent...

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...

"Scotland 0030" Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture ...

FARM WOMAN, by JONATHAN GREEN, is a hand drawn, limited edition lithograph printed in 19 colors using hand lithography techniques on archival printmaking paper, 100% acid free. FARM ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), titled 'Au Loin un Campanile' lower center and inscribed 'Epreuve d'Artiste' with number and limitation '1/25', lower left. Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...

HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

HIROSHIGE UTAGAWA I, Edo 1797 - 1858 Shoheibashi Seido Kandagawa (Seido and Kanda river from Shohei bridge) No. 47 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei...

Medium: mezzotint Year: 2018 Edition: 30 Image Size: 19 x 19 inches Signed, titled and numbered in pencil by the artist Montage of scenes of the street below as seen from the artist...

Eyvind Earle (1916-2000) Ocean Splash, 1991 Serigraph in colors on wove paper Edition 119/150 Signed lower right With publishers/printers stamp to lower left margin Image: 36in H x ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers passing beside a tea-house between steep slopes in Okabe, Shi...

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

This is an exclusive handprinted limited edition cyanotype. "Abstract Ripples Under Moonlight" is a handmade cyanotype print portraying the subtle movements and abstract ripples of t...

Safety Pin Cloud is a lithograph on paper with an image size of 3 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...

Linda Plotkin, American (1938 - ) - Poplars III, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/80, Image Size: 21 x 16.5 inche...

This screen print was commissioned by Lincoln Center in 1981 to celebrate the Chamber Music Society in a signed and numbered edition of 144. Born in 1941, Long Beach, CA, Jennifer B...

La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...

SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. SINGLIN' OUT is a realistic Western landscape scene set in Wyoming with a backdrop of Wyoming's majestic purple gray Grand Teton mountains...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...