Outdoors Landscape Prints

Artist: Roger König (1968) OriginalTitle: "1393 Hawaii Beach Series" Year: 2020 Medium: Fine Art Print, Paper Hahnemühle Photo Rag 308 g/m² matt, Dimensions: W 39.37“ x H 27.55“x ...

Water is the New Black Signed and dated in pencil Edition 179/450 Screenprint on cream speckle tone paper Published by Obey Giant. image: 17 by 23 in. (43.2 by 58.7 cm.) sheet: 18...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...

Francisco Toledo Luna Tortilla (Moon Tortilla), 2014 Poster 35.40 x 23.60 inches Edition of 33 This poster is part of a series called "No a los Transgénicos” - a visual arts campaig...

The Inside of a Hippah in New Zealand is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook John...

The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Maurice Brianchon Saint-Jean-de-Luz : La Plage 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot,...

An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See a...

Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

Hand embellished by the artist, "Along Lake Como I" is in excellent condition and hand signed by the artist. It is an ARTIST PROOF. Framing options are always available with The Loft Fine Art.

Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...

This artwork Titled "Fishing Boats in Cap Muroto" c.1950, is an original woodcut on paper by Japanese artist Gihachiro Okuyama, 1907-1981. It is hand signed and inscribed in Japanese...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

'The Sea of Tiberias', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s p...

Gardens in Scilla is a beautiful original lithograph on cardboard, realized by the Italian artist Giovanni Omiccioli (Rome, 1901-1975) in 1971. Signed and dated in pencil, on the lo...

An idealized American suburb, but without an exit... Werger's mezzotint prints are masterful at capturing a mood and suggesting a story for the viewer to complete. He is known for h...

Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...

Two artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...

Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Over the River (From Underneath) Project for the Arkansas River, Colorado Offset lithograph in colors on smooth paper Signed by ...

Signed and numbered from the edition of 88. This tranquil scene of the moon at night by the waters' edge shows Schwaberow's technicque at its best. The grain of each piece of wood plays into the image perfectly. Micah Schwaberow was born in Eugene, Oregon and currently resides In Santa Rosa, California. The rolling hillsides, cloudscapes and coastline of Sonoma County are a major motif in his woodcuts. Seascape with light reflecting on the water just after sunset. Micah learned the art of Japanese woodblock art...

Mark A Pearce Orchard Stripes Limited Edition Linocut Print Edition of 42 Artwork Size: H 40cm x W 40cm x D 0.5cm Sold Unframed Please note that in situ images are purely an indicati...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

Yang Mingyi (Chinese, b. 1943) Passing Through at Winding Gates by Moonlight, 1980 Lithograph Sight: 19 1/4 x 16 5/8 in. Framed: 22 5/8 x 22 1/4 x 3/4 in. Signed, dated, inscribed, a...

A well executed, crisp silkscreen print showing a back street canal in Venice with boats reflecting in the rippling water. The artist has signed and numbered (11/300) to the lower ed...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

This coastal seascape limited edition print captures a cropped view of rolling waves below an ocean horizon line and a clear blue sky. Highly detailed and realistic, it balances the ...

Image dimensions: 31.2 x 21 cm. Diagonal Landscape is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly r...

This is an exclusive handprinted limited edition cyanotype. "Tempestuous Tidal in Blue" is an original cyanotype diptych portraying the tidal behavior during a storm. Details: + T...

The Sea and the Sky is an original Contemporary Artwork realized in 1974 by Claudio Cintoli, with the pseudonym of Marcanciel Stupro. Plate-signed on the center. Numbered on the lo...

Whirlpool at Awa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th c...

Metropolis by Richard Florsheim, American (1916–1979) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 300 Size: 34.5 in. x 44.5 in. (87.63 cm x 113.03 cm)

Hiroshi Sugimoto Photogenic Drawings (Hand Signed), 2012 Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto) Unframed This offset lithograph poster was hand-signed by photogr...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

Golden Tree by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 2/25 Size: 25 in. x 33 in. (63.5 cm x 83.82 cm)

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

'Sister' , by contemporary printmaker and artist Rosie McLay (British) Edition 59 of 75 in total, handmade etching by the artist. Ink on paper layed on Dutch gold leaf. Hand etched ...

Gordon Hunt Wild swim Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication o...

This abstract landscape limited edition print by Ken Elliott features deep violet hillside complemented by warm yellow trees and yellow and mint-green grass in the foreground. "Golde...

Panoramic View of Saruhashi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

Tomas Sanchez Inner Love, 2024 Print Ed. 510 of 630 23 x 18 in Includes a certificate of authenticity signed by the artist

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

Food is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

Created in 2018 by Alexandra Buckle. A reduction linocut of marsh marigolds next to a rippling pool of water with a reflected tree. This is one of a s...

This abstract landscape limited edition print by Ken Elliott features deep violet hillside complemented by warm yellow trees and yellow and mint-green grass in the foreground. "Golde...

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

Devil's Bridge is a hand colored lithograph realized in 1864. Good condition. The artwork belongs to ththe Suite Uses and customs of all the peoples of the universe, or History of ...

Red Sand by Rod Nelson [2022] Please note that insitu images are purely an indication of how a piece may look Red Sand is a beautifully crafted woodcut prin...