Outdoors Landscape Prints

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 9.84 x 7.9 inches Edition Size: 85 Brooding landscape of a gorge with mist from a waterfall in the distance. Lawlor's ear...

The artwork will be sent unframed Linocut/monotype print „Soothig the soul” 2022 Linocut and monotype print technique Art print from 9 matrices Limited edition, print unique number ...

from a series of photographic works capturing the sea blue color palette of the ocean Seascape III by Frank Schott 48 x 64 inches / 122cm x 163cm signed edition of 7 30 x 40 inche...

Salt Marsh by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)

Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...

JUDGEMENT OF PARIS w 1924 LAGONDA is an original hand drawn lithograph by the American artist Henry C. Pearson (1914 - 2006), printed using hand lithography techniques on archival Ar...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...

Tiber River, Marmorata, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.48 x 11.02 inches Inscription: Unsigned and unnumbered, as issued No...

Original. SNCF Snowman Ski travel by French Railways poster. Archival linen backed and ready to frame. Je prefere le train SNCF For my snow vacations, I prefer the train, SNCF. T...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.08 x 11.02 inches Inscription: Unsigned and unnumbered, as issued No...

Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...

Jacques Thevenet was a French artist. He exhibited extensively throughout France and Europe and Latin America. He held several notable positions in the Paris art scene. This print is...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

C-print mounted on Plexiglass Edition of 30

Tiber River - Marmorata, Rome- Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

This is an original multi-layered silkscreen print by American artist Luke O'Sullivan. The paper measures 16.5”h x 11.25”w. The work is a 10 color silkscreen print and is part of an edition of 19. About the work // O’Sullivan’s recent screen prints introduce more color than his past collections, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games...

"Varenna Villa" is a limited edition ARTIST PROOF signed by the artist Howard Behrens. It is numbered 2/25.

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 48 x 48 inches ( 122 x 122cm ) signed edition of 7 58 x 58 inches ( 14...

large format photograph of iconic Icelandic hot springs by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Myvatn Nature Baths (2016) 61.25” x 81” / 156 cm x 206 cm signed, titled and dated verso edition of 6 + 2AP original archival photography print with diasec (acrylic glass) face mount in contemporary white gallery frame Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of humanity’s coastal habitats in the bright light of summer. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just published Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2021 'No Country For Old Men...

From a series of large format photographs capturing the soothing tones of nature's calming blue hour color palette 30 x 40 inches / 76cm x 102cm signed edition of 25 48 x 64 inches...

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

Modern Art Etc curates a series of original etchings from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her early eighties, and currently based in Spain a...

Beth Ganz, 'Mount Vesuvius, Italy', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Vesuvius (Italian: Vesuvio) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79, one of the most catastrophic eruptions of all time, destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of 33 km (21 mi). More than 1,000 people are thought to have died in the eruption. Vesuvius has erupted about three dozen times since. It is the only volcano on Europe's mainland to have erupted in the last hundred years (1929 and 1944). It is regarded as one of the most dangerous volcanoes in the world—3,000,000 people live near enough to be affected by an eruption, with at least 600,000 in the danger zone, the most densely populated volcanic region in the world. Eruptions tend to be violent and explosive; these are known as Plinian eruptions. Vesuvius has a long historical and literary tradition. It was considered a divinity of the Genius type (a divine nature much like a guardian angel) at the time of the eruption of AD 79: it appears under the inscribed name Vesuvius as a serpent in the decorative frescos of many household shrines, surviving from Pompeii. The Romans regarded Mount Vesuvius as being devoted to Hercules. The historian Diodorus Siculus relates a tradition that Hercules, in the performance of his labors, passed through the country of nearby Cumae on his way to Sicily and found there a place called 'the Phlegraean Plain' ('plain of fire') 'from a hill which anciently vomited out fire ... now called Vesuvius.' It was inhabited by giant bandits, 'the sons of the Earth'. With the gods' assistance, he pacified the region and continued his journey. The area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors, and the park authorities maintain a small network of paths around the volcano. There is access by road to within 200 meters (660 ft) of the summit and a spiral walkway around the volcano from the road to the crater. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Limited Edition Etching, EA. Measures 14 x 15 inches with border. Signed by Artist. Good/Fair Condition-shows signs of wear due to age and handling.

Tree Study I by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

"Philosopher’s Tree, Study 7, Biei, Hokkaido, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted...

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Working almost entirely in black and gray tones against white backgrounds, the artworks by Robert Kipniss exude a haunting and lonely quality to them, as though all of the people hav...

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full margins. Condition issues include minor uniform toning (worse at the sheet edges), hand...

Cottage in the Countryside is a splendid print in etching technique colored engraved by Luigi Kasimir (1881-1962). The state of preservation of the artwork is excellent. Sheet Dimension: 25.5 x 19 cm Image Dimensions: 15 x 15 cm This artwork represents a Cottage in the Countryside, with beautiful colors. Illegible original hand-signed, on the lower right. Luigi Kasimir (1881-1962): He was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch—usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate—all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition for monuments, street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

June Wayne, American (1918 - 2011) - Thou Shalt Not, Year: 1970, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 37/50, Image Size: 18.5 x 22 inches, Size: 2...

Linda Plotkin, American (1938 - ) - Four Views II, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 21/100, Image Size: 16.5 x 21.5 inches, ...

Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...

Linda Plotkin, American (1938 - ) - Costa Secca, Year: 1965, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 15 x 14.75 inches, ...

Linda Plotkin, American (1938 - ) - Early Fall, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 16/90, Image Size: 20.5 x 20 inche...

Linda Plotkin, American (1938 - ) - Fiesole, Year: 1965, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 15.5 x 15.5 inches, Siz...

Linda Plotkin, American (1938 - ) - Afterlight, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 76/175, Image Size: 26.5 x 19.75 i...

Linda Plotkin, American (1938 - ) - Poplars II, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/90, Image Size: 20.75 x 16.5 inc...

Aufbruch Zur Jagd is an Etching realized by Wilhelm Woernle in the 19th Century. Good condition.

This coastal seascape by contemporary realist Daniel Pollera captures a line of coastal homes at sunset. Along the horizon, four houses are visible with docks, while an orange sky wi...

"Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam-do South Korea, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna....