Outdoors Landscape Prints

Scilla is a beautiful etching on cardboard, realized in 1971 by the Italian artist Giovanni Omiccioli (Rome, 1901-1975). Hand-signed in pencil on the lower right and dated. Numbered on the lower left, edition of 71/80 prints. In good conditions except for some foxing. The artwork represents the landscape of beautiful sea with the cliff in Scilla through soft and delicate strokes. Scilla is a small admirable town located on the Tyrrhenian coast of Calabria. Scilla is very ancient, rich in mythology, history, legend, and poetic images that fed for millennia by the suggestiveness of the natural environment. Giovanni Omiccioli was an Italian painter belonging to the modern movement of the Scuola romana with dynamic paintwork. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael...

Interesting b/w etching and drypoint, representing the Parisian foreshortening of a bridge on the Seine. Edition of 50 prints. Signature, date, technique and print run, title handwri...

Mountain of Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right marg...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Landscape of Sonoma, CA vineyards in their full autumn colors. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Fran...

"Landscape" is an original drawing in etching, realized by Edwin Edwards. The state of preservation of the artwork is very good. Sheet dimension: 18.5 ...

Signed the plate with the artist's monogram “TS”lower left. Inscription “C. Lovera imp” lower right. Very rare print from “L'Art in Italia”, 1871.Original Prints. Image Dimensions : ...

Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...

Calabritto is an original lithograph on paper realized by Giuseppe Megna in 1980 ca. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 prin...

Stream is an original drawing in etching technique on paper, realized by Anonymous Artist of first half of the 20th Century, in 1930s. In excellent conditions: as good as new. Ille...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...

Tall Skinny Trees Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 18/90 Image Size: 14 x 17 inches Frame Size: 22.5 x 25 inches

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Brood Mare Pasture Year: circa 1977 Medium: Lithograph, signed in pencil Edition: 250, A...

Weightless [2022] limited_edition and hand signed by the artist Screenprint Edition number 30 Image size: H:60 cm x W:37 cm Complete Size of Unframed Work: H:70 cm x W:50 cm x D:0.5...

La Gardeuse D'Oies is an original print in etching technique on ivory paper, realized by by Ch. Bourgeat, engraver and sculptor, after Constant Troyon (French Painter; 1810-1865) . Very good conditions. This etching realized by Constant Troyon and Bourgeat shows the sculptor's signature on the bottom right and the painter's signature on the bottom left. The title of the work is shown on the lower center. Image Container: 35 x 32 cm On the bck of the artwork, news about different artists. Constant Troyon (French Painter; 1810-1865): He was a French painter, belonging to the Barbizon School. Son of the decorator Jean-Marie-Dominique (1780-1817) and of a worker, Jeanne Pracht, he made his first painting studies with Denis-Desiré Riocreux, curator of the Sèvres museum, and with Camille Roqueplan...

Cottage with a Horse by Michael Rothenstein, 1958 circa Additional information: Medium: linocut in colours 18 3/4 x 27 3/8 in 47.7 x 69.4 cm signed and numbered 3/10 in pencil Mich...

Whitehead, Buell (American, 1919-1993) DEATH VALLEY SUNSET. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. I...

La Regata is an original artwork realized by the Belgian artist Martine Goeyens. Unique exemplar. Digigraphy. Retouched by hand. On the back, the label of the certificate of authen...

Fountain is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. Th...

Lithograph by "Ustica" by Rabolini Printed in Italy Print in Good Condition Measures 19.5 in x 27.5 in

Hand signed and numbered. Edition of 150 prints. Image Dimensions : 31 x 78 cm

Hand Signed. Edition of 42 prints.Original Prints. Catalogue Prouté 1975 n.265. Image Dimensions : 19.5x27 cm This artwork is shipped from Italy. Under existing legislation, any art...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Taos New Mexico Vintage...

Devonshire Bullocks 1982 Lithograph on Rives BFK Mould-Made Paper (Edition of 58) 47.5 x 35 inches $5,500 This work is offered by ClampArt in New York City.

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

Sunlight Barn Roy Doremus, American Date: 1980 Lithograph, signed and numbered in pencil Edition of 500, AP 50 Image Size: 21 inches x 29 inches Size: 21 in. x 29 in. (53.34 cm x 73....

"Farm at Inlet" is an etching by Thomas R. Manley signed lower right. It depicts a waterfront scene in black and gray. 26 1/2" x 33 1/2" art 26 3/8" x 33 3/8" framed Thomas Manley...

Green Forest is an original digigraph realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pencil by the artist on the lower right. Hand-retouched by the artist on...

Limited edition of 100 prints. Hand signed.

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Poster. New York Graphic Society Ltd. Printed in Switzerland. Measures 25.5 x 30.25 inches and is Unframed. Good/Fair Condition-creasing/discoloration primarily in the white border.

Figures in the Landscape is an original artwork realized by Jules Adrian Flour in 1916. Original etching on paper. The artwork is glued on cardboard. Hand-signed in pencil by the ar...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed Please note that ins...

DAILY CHORES is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. DAILY CHORES by Ms. Caldwell-Fisher presents a nostalgic look back at New England life - a refreshing seaside summer landscape featuring a brick red colored house and quintessential white light house set atop a lush green seaside overlook. A lone woman stands shading her eyes, looking toward the sea dressed in Victorian clothes...

The Gugler Lithograph Co. Chromolithograph 37 x 120 cm. (image with accompanying text)

Golden Hour Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

Ted Jeremenko, Yugoslavian/American (1938 - ) - Hillside Town. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 19.5 x 24.5 inches, Size...

limited_edition Screen Print Edition number 50 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Sw...

Mountainscape Lithograph Sight: 25 1/2 x 19 1/4 in. Framed: 30 1/2 x 23 1/4 x 1 1/2 in. Inscribed upper left: 21/Zou [illegible] XLIII Signed upper right

Green, Gold, Blue Landscape Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

Hazy Day by Ian Phillips [2022] limited_edition and hand signed by the artist Original Linocut Edition number 23/30 Image size: H:28.5 cm x W:41 cm Complete Size of Unframed Work: H...

Twilight Hunter by Rob Barnes [2022] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look We have an owl box...

Western Hemlock Roslyn Rose, American (1929) Date: 1981 Lithograph, signed and numbered in pencil Edition of 160 Size: 35 x 23 in. (88.9 x 58.42 cm)

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...

Sunset Kitesurf Original Handmade Silk Screen Print Kitesurfing at sunset on the Devon coast, magical colours all around. Limited print run of 50, 10 colour silk screen print on Fabriano 300gsm textured paper. Hand printed by the artist. Please note, due to the nature of the printing technique, every print is slightly different, making every print original. Signed, numbered and titled by the artist Katie Edwards. Katie Edwards is available online and in our gallery at Wychwood Art. Katie Edwards produces conceptual illustrations for a wide range of clients from weekly editorials to large and prestigious ad campaigns. Screen prints for sale by Katie Edwards focusing on conceptual ideas, symbolism and metaphors. The innovative juxtaposition of elements often result in a surreal, humorous or thought-provoking image. Art has been a big part of Katie Edwards life and education, right through to graduating from Leeds Metropolitan University in Graphic Arts and Design with a First Class Honours. Working in London for five years as an artist and graphic illustrator, moving to Canada for two years and undertaking commissions’ for clients including Delta Airlines...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Eschatos 18 Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 AP Image Size: 22 x 29.5 in...

Patty deGrandpre’s “Vacated but Longing to Find (Texas green and purple)” is a 9.875 x 7.875 inch unique contemporary landscape inkjet print represented on 14 x 10 inch Awagami Bamb...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...

Ten Years out of a Death Row Sentence (Ocean) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 45 in...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Albert Victor Eugene Brenet was born June 25, 1903 in Harfleur, France, near Le Havre. He died at the age of 102 on July 4, 2005 in Paris. He painted primarily in gouache. Brenet is ...

Spring Fever XVI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Tim Southall A Hole in the Ice Limited Edition Print Size: H 10cm x W 15cm Sold Unframed (Please note that in situ images are purley an indication of how a piece may look). ‘A Hole ...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)