Outdoors Landscape Prints

Bring Serenity to Your Space Transform your home with the tranquil beauty of the limited edition "Monday Sail" print by S. Cora Aldo. This exquisite abstract coastal piece captures ...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

A young Moon occurs between a new Moon and waxing crescent, when the first slivers of illumination appear. The Moon has had an importance in human culture since the dawn of history ...

The first half moon after the new moon is called the first quarter because, at that point, the moon is one-quarter of the way through its monthly cycle of phases. The Moon has had a...

During the Waning Crescent Moon phase, the illuminated part of the Moon decreases from the lit up semicircle at Third Quarter until it disappears from ...

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion the wizardry of his master teacher. Born in San Francisco, Folberg became a pupil of Adams at age 17, followed by his education at the University of California at Berkeley and individualized study with landscape photographer William Garnett. By 1976, Folberg had relocated to Jerusalem, where he began producing color landscapes throughout the deserts of Israel, Egypt, and Jordan. Folberg was commissioned by Aperture to document synagogues across the world, followed by a return to black-and-white in a series of night skies among ancient ruins of the Middle East. He used that same lighting to evoke the colors and light of the French Impressionists in his innovative re-creation of their world (“Travels with Van Gogh and the Impressionists”, Abbeville Press). His current project places man on the stage of nature in brilliantly lit scenes. SELECTED SOLO EXHIBITIONS 2015 Celestial Nights, The Dryansky Gallery, San Francisco 2012 Topography/Time/Israel, Flomenhaft Gallery, New York 2008 Celestial Nights: An Aperture Traveling Exhibition, Yeshiva University Museum, New York 2007 Celestial Nights: An Aperture Traveling Exhibition, Hammond Art Gallery, Fitchburg, MA Celestial Nights: An Aperture Traveling Exhibition, Miller Jewish Museum, Tulsa, Oklahoma Celestial Nights: An Aperture Traveling Exhibition, Museum of the Southwest, Midland, TX 2006 The Impressionists' Salon, Holden Luntz Gallery...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

Sarah Duncan Auahituroa Limited Edition Etching Print Edition of 20 Sheet Size: H 70cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Charles capps etching and aquatint. Unframed, Archivally matted in a 16 x 20 two ply. Titled: "Into the Hills." pencil signed lower right. A Prairie Pri...

The Choice is Ours by Cleon Peterson Hand Pulled Screen Print Printed on 290gsm Coventry Rag Paper Hand Deckled Edges Size: 18" x 24" Edition of 100 In the realm of contemporary art...

Mark A Pearce Crossing Lingcove Beck Limited Edition Linocut Print Edition of 48 Size: H 71cm x W 44cm x D 0.5cm Sold Unframed Please note that in situ images are purely an indicatio...

It is a GICLEE PRINT with my original oil painting Pink Coral Underwater Art Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas...

Artist: Wayne Ensrud, American (1934 - ) Title: Leaving Port Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 23.5 x 31 inches Size:...

JAY SEABROOK Top Row Original landscape print Collagraph print on paper Image Size: 24H cm x 23W cm Mount Size:42 H cm x 39 W cm x D cm Sold unframed Free Shipping Please note that i...

Moon Map #1 by Ellen Martin Outer Space, Outdoors, Sky, Nature, Color, Bright and Vivid Colors, Sphere

Moon Map #2 by Ellen Martin

Linda Plotkin, American (1938 - ) - Blue Hill II, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.5 x 9 inches, Size: 9...

Linda Plotkin, American (1938 - ) - Purple Cow, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9.5 inches, Size: ...

Linda Plotkin, American (1938 - ) - Route 45, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9 inches, Size: 9.5 x...

Mark A Pearce Rainstorm Out At Sea Limited Edition Hand Rubbed Reduction Linocut Print Edition of 22 Size: H 30cm x W 30cm x D 0.5cm Sold Unframed Please note that in situ images are...

Mark A Pearce Dad’s Estuary View Limited Edition Reduction Linocut Edition of 58 Size: H 66cm x W 66cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indicatio...

Katie Hallam Siver Sea Limited Edition Digital Photograph Edition of 75 Image Size: H 103cm x W 50cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.08 x 11.02 inches Inscription: Unsigned and unnumbered, as issued No...

Autumn Lane by Printmaker, Mark A Pearce is an original hand printed Reduction Linocut made from just one block, which is reduced with each colour that he adds. This means no more pr...

Cinqueterre is a serigraph on paper, image size 32 x 27 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered XXXIX/L (there were also ...

Beach Road Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Size: 25 x 32 in. (63.5 x 81.28 cm)

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

The midsummer full moon casts its pale light over the skeletal remains of a deceased oak. Twilight's Path ‘Now air is hushed, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn As oft he rises 'midst the twilight path Against the pilgrim, borne in heedless hum’ – William Collins (1721–1759), Ode to Evening. "Once in a while (helped by a bit of planning) everything comes together and you take a photograph that feels really satisfying. However much one reads about artists/photographers trying and failing, taking many shots to end up with that one that works, it’s hard to remember. Just keep showing up, keep doing what you do, it won’t always work out, but sometimes things flow and something special can come through." - Jasper Goodall...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Cage Screen Test Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Paper Si...

"SF DRIVE 0025" Landscape Photography 44" x 36" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...

Artist: Velox Ward, American (1901 - 1994) Title: The Home my Daddy Built from the America: The Third Century Portfolio Year: 1976 Medium: Collotype, signed a...

Artist: Joseph Grippi, American (1924 - 2001) Title: Tan Landscape Year: circa 1975 Medium: Silkscreen, signed and numbered in pencil Edition: 20, AP Image Size: 18 x 26 inches Size:...

Artist: Joseph Grippi, American (1924 - 2001) Title: Canyon Series II Year: circa 1975 Medium: Silkscreen, signed and numbered in pencil Edition: 65 Size: 35 x 35 in. (88.9 x 88.9 cm)

Deluxe signed limited edition acrylic print Edition of 20 Bright and colourful beach scene with lots of detail, ready to hang on the wall. Nick's artistic process is a captivating...

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

From the Pasture Paper, etching, 13x19 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

"La Bataille de l'Argonne (The Battle of Argonne)" is a color lithograph after the original 1959 painting by Rene Magritte. The landscape is shrouded by the mist of twilight. A cresc...

Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

"Human Garden" Photography 20" x 16" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2022 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

Honfleur by Alistair Grant, 1956 Additional information: Medium: lithograph 61 x 48 cm 24 x 18 7/8 in signed and dated in pencil Alistair Grant was a printmaker, painter and illust...

Wengenroth, Stow. BLACK WEATHER. Stucky 25. Lithograph, 1932. Edition of 25. Signed in pencil, lower right. 6 1/2 x 14 inches (image), 11 1/2 x 16 inches...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Duane Bryers, American (1911 - 2012) - Apache Fire Light, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22.5 in., Size: 21.5 ...

Kay Ameche, American (1904 - 2005) - Apple Blossom Time, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Size: 22 in. x 26 in. (55.88 cm x 66...

A beautiful brand new handcolored etching of a morning ride in Upstate New York. 18x24 in. Hand-painted etching Provenance: from artist. Gallery curates a series of original etchings from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. ETCHINGS Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a buril until the image is completed. For each individual print a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet French Arches paper 100% cotton covering the plate to pass through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. Every etching in the limited edition is then signed and numbered in pencil by the artist. On CMF Fabiano paper. Size specified is the size of the copper plate, I.e. the image size. Exhibition (selection) 1933 Born in Madrid, SPAIN (age 81) 1952-55 Fashion Illustrator, SPAIN Prize - Galerias Preciado , Sindicato Nacional Textil, Madrid, SPAIN 2nd Prize - Salon Nacional de Dibujos de Alta Costura...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

"Mapping the Walk, 2011" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted printed on mulberry paper and mounte...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

Limited Edition Embellished Giclee on Canvas, AP 17/50 24 x 36 in. Signed by Artist, comes with Certificate of Authenticity Good Condition

Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.

Untitled (Nr. 0006) Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off...

Crescent Bay is a serigraph on paper, image size 25 x 50 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered CXXVII/CL (there were al...

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce proof. It presents a view of what is probab...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' Along with the image, Stanley also noted in the report of the Maple River: "It would be an excellent plan for an emigrant travelling through the country, before reaching one of these rivers on which he expects to camp, to catch a few frogs, for the purpose of fishing in these streams, which abound pike, picarel, and large catfish. Frogs are by far the best bait that can be used." This note from the artist perhaps describes some of the actions of the figures in the camp in the foreground of the image. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 13.25 x 16.25 inches, frame Artist 'Stanley Del.' lower left Entitled 'Maple River' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE VIII' upper right Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding. John Mix...

Looking Back Etching with hand coloring by the artist, 1994 Signed, dated, and numbered in pencil lower left (see photo) Edition: 67 (49/67) (see photo) References And Exhibitions: Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53. Note: An important print by the artist Joel Stewart Biography Museum Collections: • Los Angeles County Museum of Art, Los Angeles, California, USA Cleveland Museum of Art, Cleveland, Ohio, USA. Portland Art Museum, Portland, Oregon, USA Library of Congress, Washington D.C., USA Allen Memorial Art Museum, Oberlin, Ohio, USA Hoehn Family Galleries, University of San Diego, USA Group Exhibitions: 2020 The Terminal, Kyoto, “Kyoen” 2019 Rijksmuseum, Amsterdam, “Long Live Rembrandt” Alt Space POST Gallery, Kyoto, “The Echo Of Songs” 2018 Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru” CWAJ Print Show, Tokyo, Japan 2017 Kyoto Municipal Museum Of Art – “Kyoten 2017” CWAJ Print Show, Tokyo, Japan 2016 CWAJ Print Show, Tokyo, Japan 2015 CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition 2014 Kyoto Municipal Museum Of Art – “Kyoten 2014” The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection 2012 CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition 2011 CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition 2008 Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints” 2007 Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints” 2006 Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists” LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings” CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition 2005 CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition 2004 CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition 2003 CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition 2002 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2001 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2000 Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1999 Tolman Collection Gallery, Tokyo, Japan – “Miyabi” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1998 Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1997 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1996 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1995 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1994 Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters” 1993 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1992 Kato Gallery, Tokyo, Japan – Spring Show 1990 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1987 Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition Osaka Modern Art Center, Osaka, Japan – Biennale 1986 Voice Gallery, Kyoto, Japan – 3 Man Show 1983 Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show 1983 Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show One Person Exhibitions: 2020 Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation 2019 Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation 2017 Hakuhou-Doh Gallery Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series” 2015 Hakuhou-Doh Gallery 2013 Nishi Bijutsu Gallery 2011 Azuma Gallery, Seattle, Washington, USA ,“Recent Works” 2010 Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation” 2005 Azuma Gallery, Seattle, Washington, USA , “Recent Works” 2004 Kato Gallery, Tokyo, Japan 2002 Kato Gallery, Tokyo, Japan Azuma Gallery Seattle, Washington, USA 2001 Keihan Art Salon, Osaka, Japan 2000 Azuma Gallery, Seattle Washington, USA, “New Works” Ren Brown...