Screen More Prints

Fantastic Four #1 The Fantastic Four are a fictional superhero team appearing in American comic books published by Marvel Comics. The group debuted in Fantastic Four #1 (cover dated Nov. 1961. The four individuals traditionally associated with the Fantastic Four, who gained superpowers after exposure to cosmic rays during a scientific mission to outer space, are Mister Fantastic (Reed Richards), a scientific genius and the leader of the group, who can stretch his body into incredible lengths and shapes; the Invisible Woman (Susan "Sue" Storm), who eventually married Reed, who can render herself invisible and later project powerful invisible force fields; the Human Torch (Johnny Storm), Sue's younger brother, who can generate flames, surround himself with them and fly; and the monstrous Thing (Ben Grimm), their grumpy but benevolent friend, a former college football star and Reed's college roommate as well as a good pilot, who possesses tremendous superhuman strength, durability, and endurance due to the nature of his stone-like flesh. Artists: Kirby, Jack Manufacturer: Lady Lazarus Press Edition Details Year: 2020 Class: Art Print Released: 06/25/20 Run: 225 Technique: Screen Print Size: 24 X 36 Markings: Numbered Art by Jack Kirby...

This artwork titled "Rosh Hashana" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand...

This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the ...

'Countdown To Violence' (2012) by Prefab77 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled ...

Camo M-2C-M1 By Invader Invader is a French street artist best known for his pixelated mosaic artworks inspired by the classic 1978 video game Space Invaders. Since the late 1990s,...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 358 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.75 inches. Sheet size: 22.75 x 28.75 inches. Signa...

Hello My Name Is. 18 x 24 inches. Screenprint on cream Speckletone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 550. From the Artist - "I have been looking ...

This image is based on a photo by Daniel Kramer, who shot Dylan regularly during his rapid mid-60s ascent to stardom and audience projection of Dylan as the voice of a generation… a ...

“Northwest Coast Mask” is a screenprint in bright colors on Lenox Museum Board by American pop artist, Andy Warhol. The artwork is signed in pencil, lower right, "Andy Warhol” and is...

Günter Fruhtrunk (German, 1923-1982) Farbbewegungen, 1970 Medium: Portfolio of 6 screenprints on cardstock Dimensions: each 65 x 90 cm Edition of 125: Each hand-signed and numbered i...

Zdeněk Sýkora (Czech, 1920–2011) Untitled (from Folgende Folge aus dem Tschechischem), 1969 Medium: 2 screenprints on paper (incl. catalogue) Dimensions: 12 2/5 × 8 3/10 in (31.4 × 2...

Artist: Valerio Adami – Italian (1935- ) Title: Caprichos Americano Year: 1979 Medium: serigraph Sight size: 39.5 x 29.75 inches. Sheet size: 39.5 x 29.75 inches Signature: Signed l...

Max Bill "Primary Colors" 1971 Silkscreen on paper edition of 2375 "Ein Domberger Siebdruck-Kalender" 11.75"x14" unframed Unsigned Born in Switzerland, Max Bill was an artist widely...

"A Song for a Nesei Fisherman" Poster, Limited Edition Screenprint #14 of 100 Show poster designed by Chester Yoshida (American, b. 1922). The play "A Song for a Nisei Fisherman" wa...

This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...

This stunning serigraph, "Untitled" (Diagonal Composition) was realized by the esteemed American color field artist Larry Zox (American, 1936-2006) circa 1965. It features a dynamic ...

Ted Wilbur, American (1930 - 2019) - Bi-Plane, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 22 in. x 26 in. (55.88 cm x 66.04 cm)

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

This print is signed and numbered in pencil from the edition of 108. There were also 18 Artist Proofs. The edition was printed at Brand X Editions, NYC and published by Lincoln Cente...

Step into the vibrant world of urban artistry with NYCHOS' "Dissection of Homer Simpson" screen print, a captivating piece that melds street sensibilitie...

Rupert Jasen Smith, American (1953 - 1989) - Seiko, Year: 1989, Medium: Screenprint, signed and numbered in pencil, Edition: 52/100, Size: 35.75 x 35.75 in. (90.81 x 90.81 cm), Fra...

A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...

This whimsical screenprint by Eduardo Paolozzi pictures giant inkwells being carried on old style train cars. The composition looks like a printed image blown up to reveal the halfto...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

The Book of Love Poem - To Draw a Straight Line Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, 10 PP Siz...

This artwork titled "Homer" 1979 is an original colors serigraph on Stonehenge Wove paper by noted Italian artist Valerio Adami, b.1935. It is hand signed and numbered 6/75 in pencil by the artist. Published by Editions Press, San Francisco. The image size is 37.5 x 21.75 inches, framed size is 45.75 x 29.15 inches. Custom framed in a metal gold frame, with beige fabric matting. The artwork is in excellent condition, the frame is in very good condition, it has some minor scratches. About the artist: Valerio Adami was born in Bologna. In 1935, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965). In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Gallerie Maeght...

Untitled 2015 Color serigraph 15.75 x 15.75 inches Framed: 21 x 21 inches

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

"Statue of Liberty" unframed silkscreen on paper by artist Peter Max. Numbered 177/300 on front lower left corner and signed "Max" in front lower righ...

Richard Lin 1933-2011 May 1, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

Silkscreen Print with Gold Metallic Inks 18 × 24 in 45.7 × 61 cm Edition 93/300 "Refers to the ripped 'One Earth' stamp in the lower right of the print and the fact that we only ha...

Mr. Brainwash announces the release of Life is a Game; a new limited edition screen print on archival paper. Each three-color screen print is hand torn...

CALVILLE BLANC is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. CALVILLE BLANC presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto each other atop a stone wall. An elegant and fanciful, French maison rendered in a Châteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, a double arched bridge...

A very good impression of this screenprint on BFK Rives wove paper. One of 7 numbered artist's proofs, aside from the edition of 30. Signed, dated, inscribed "AP" and numbered 5/7 in...

Gears of Justice Screen print on thick cream Speckletone paper Released on February 1, 2024 Signed and dated to lower right Edition 152/550 Published by Obey Giant, Los Angeles 18 x ...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 28.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

The Awakening is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Artist's proof...

Shepard Fairey and Ernesto Yerena Power and Glory Skull Red Gold Black Large Format Edition Signed and Numbered by Shepard Fairey and Ernesto Yerena 30" x 40" Print Fine Art Silk Sc...

Shusaku Arakawa A Man Walking, 1968 Silkscreen on velincarton (thin board) 29 4/5 × 21 4/5 inches Edition of 100 Hand signed and numbered from the edition of 100 on the front Unframed Rarely found on the marketplace, another example of this work is in the permanent collection of the Walker Art Center (donated by legendary art dealer Virginia Dwan) Another rarely seen, richly colored mid century silkscreen...

The poster has been awarded a Gold Medal in Advertising Category by the Society of Illustrators (Illustrators 57), a Gold Award in the Entertainment/Visual Development category by So...

Artist: Tom Wesselmann Title: New Bedroom Blonde Doodle Size: 30 x 35 inch Medium: Screenprint on Museum Board Edition: 78/100 Year: 1991 Notes: Hand Signed and Numbered by the Artist in Pencil with blindstamp of the printer, Screened Images, Port Washington, New York. Published by International Images, Inc, Putney, VT. Custom Framed as Shown. Tom Wesselmann, alongside iconic artists like Roy...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Conceptual Perspective II Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size:...

Modern grey and blue geometric abstract serigraph by Grecian artist Chryssa Vardea-Mavromichali, better known as Chryssa. Influenced by the power of lettering and typography, the wor...

DIMENSIONS 24 × 18 in 61 × 45.7 cm Edition 133 of 250 He gets to know the universe of graphic design very early, at age 14, when he draws images to be printed on t-shirts and skate...

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

This print is currently featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has ...

Corita Kent Lovers Serigraph Print Image: 4.88 x 9" Frame:11.75 x 15.75 x .75" 1983 Signed in pencil and numbered to lower edge ‘ed 200 Corita’

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Artist: Valerio Adami – Italian (1935- ) Title: Homer Year: 1979 Medium: serigraph Sight size: 38 x 22 inches. Sheet size: 42 x 25 inches Signature: Signed lower right Edition size:...

Hanging Out [2020] Limited Edition Abstract Screen Print on Paper Edition number 24 Image size: H:43 cm x W:43 cm Complete Size of Unframed Work: H:64 cm x W:62 cm x D:0.1cm Sold Unf...

Artist: John Matos "Crash" Title: Paris Review Medium: Serigraph Signed: Hand Signed Measurements: 22" x30" Edition Number: AP 18/25 Condition:Excellent. This p...

This artwork titled "Pessach" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sign...

Richard Lin 1933-2011 May 3, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50 Bob ...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

The Book of Love Poem - Thirst Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, PP 10 Size: 24 in. x 20 in...