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Art Subject: Women
Profile and Red Child, from Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Profile and Red Child
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 18 1/2" x 15 1/2"
Image Size: 12 1/2...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Danube River, Italy, Greece and Croatia: A Hand-colored 18th C. Homann Map
Located in Alamo, CA
"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...
Category
Early 18th Century Old Masters Landscape Prints
Materials
Engraving
Ruth and Boaz
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Ruth and Boaz
Portfolio: Drawings for the Bible
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Frame Size: 22 1/4" x 18 3/4"
Sheet Size: 14 3/8" x 10 1...
Category
1960s Figurative Prints
Materials
Lithograph
Fight Before la Dame de Malehout, from The Quest for the Grail
Located in Washington, DC
Artist: Salvador Dali
Title: Fight Before la Dame de Malehout
Portfolio: The Quest for the Grail
Medium: Etching in color
Year: 1975
Edition: 39/249
Frame Size: 27" x 22"
Sheet Size:...
Category
1970s Landscape Prints
Materials
Etching
Tamar, Daughter-in-Law of Judah
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Tamar, Daughter-in-Law of Judah
Portfolio: Drawings for the Bible
Medium: Lithograph
Date: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
Image Si...
Category
1960s Figurative Prints
Materials
Lithograph
"Une Application Utile du Diamant Magnetiseur--Actualites" by Honore Daumier
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair.
Artwork Size: 8 1/2" x 10 3/4"
Frame Size: 17 3/4" x 20 1/4"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1860s Victorian Figurative Prints
Materials
Lithograph
Rahab and the Spies of Jericho
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Rahab and the Spies of Jericho
Portfolio: Drawings for the Bible
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
Image Siz...
Category
1960s Nude Prints
Materials
Lithograph
Job in Despair
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Job in Despair
Portfolio: Drawings for the Bible
Medium: Lithograph
Date: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
Image Size: 14 3/8" x 10 ...
Category
1960s Portrait Prints
Materials
Lithograph
Adam and Eve are Banished from Paradise
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Adam and Eve are Banished from Paradise
Portfolio: Drawings for the Bible
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
...
Category
1960s Figurative Prints
Materials
Lithograph
Dedicace, from Poesies Antillaises
Located in Washington, DC
Artist: Henri Matisse
Title: Dedicace
Portfolio: Poesies Antillaises
Medium: Lithograph
Year: 1972
Edition: 250
Sheet Size: 14 7/8" x 11 1/8"
Image...
Category
1970s Modern Portrait Prints
Materials
Lithograph
Adam and Eve and the Forbidden Fruit
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Adam and Eve and the Forbidden Fruit
Portfolio: Drawings for the Bible
Medium: Lithograph
Date: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
Ima...
Category
1960s Nude Prints
Materials
Lithograph
Eglise des Bois, from Poesies Antillaises
Located in Washington, DC
Artist: Henri Matisse
Title: Eglise des Bois
Portfolio: Poesies Antillaises
Medium: Lithograph
Year: 1972
Edition: 250
Sheet Size: 14 7/8" x 11 1/8"
Image Size: 14 7/8" x 11 1/8"
Sig...
Category
1970s Modern Portrait Prints
Materials
Lithograph
Naomi and Her Daughters-in-Law, from Drawings for the Bible
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Naomi and Her Daughters-in-Law
Portfolio: Drawings for the Bible
Medium: Lithograph
Date: 1960
Edition: Unnumbered
...
Category
1960s Figurative Prints
Materials
Lithograph
Cain and Abel
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Cain and Abel
Portfolio: Drawings for the Bible
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/...
Category
1960s Figurative Prints
Materials
Lithograph
"Caricatura Robert Macaire Negociant, " Lithograph by Honore Daumier
Located in Milwaukee, WI
"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837.
Original Text:
Robert Macaire, Négociant.
Hé bien ! Monsieur Macaire, v...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
"Robert Macaire Commis Voyageur, " Original Lithograph by Honore Daumier
Located in Milwaukee, WI
"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation.
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 3/4" x 18 1/2"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
"Robert Macaire Banquier et Jure, " Original Lithograph by Honore Daumier
Located in Milwaukee, WI
"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari)
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 5/8" x 19"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
"Ce Matin Avant l'Aurore, " Original Lithograph Genre Scene by Honore Daumier
Located in Milwaukee, WI
"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three.
Original Text:
Ce matin, avant l'aurore,
Un Dieu vint me réveiller ;
Il me dit : tu dors encore…
Est-il temps de sommeiller ?
De ton Papa c’est la fête,
Fais lui quelque don flatteur
En lui posant sur la tête
Une Couronne de fleurs.
Translation:
This morning before dawn
A God came to wake me up
The curtains they were drawn
And my snoring had to stop
It is your daddy's birthday,
A time for gifts and flowers
To be placed on his head so gray
Instead of his morning showers.
Artwork Size: 9 1/4" x 9 1/4"
Frame Size: 20 1/2" x 17 5/8"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Old Masters Figurative Prints
Materials
Lithograph
Side Part - Style Variation 4
Located in Miami, FL
TECHNICAL INFORMATION:
Derrick Adams
Side Part - Style Variation 4
2023
Screenprint and archival inkjet
27 x 20 in.
Edition of 50
Pencil signed and numbered
Category
21st Century and Contemporary Contemporary Portrait Prints
Materials
Inkjet, Screen