Etching Nude Prints

Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943. Completed in Santa Fe, the painting is now housed in the perm...

André Masson, French (1896 -1987) - Etreinte, Year: 1955, Medium: Etching, signed and numbered in pencil, Edition: Epreuve d'Artiste, Image Size: 7 x 10.75 inches, Size: 10 x 13...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Con la mirada fija en tu paisaje ', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.)...

Pablo Picasso (after) Femme au grand nez, en raccourci, sur un lit (Woman with big nose) Etching on BFK Rives paper Posthumously published in 1978, printed before 1975 Plate 139 from...

Nude Women is an original etching on paper, realized by Arthur Edouard Guillez (1865-1916) in 1913. Hand-signed and dated. The state of preservation of the artwork is very good. Sh...

Nude is an etching from the portfolio "50 incisioni originali di maestri italiani" (50 original etchings by Italian Masters) printed by Rodolfo Margheri at Il Bisonte, Florence, 1964...

Jean Baptiste VALADIE Winter : Woman with Cover Original Etching Signed in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inches) Excellent condition

Printed in rich astral blue, this etching depicts a nude woman from the waist up. Emerging from her cupid’s-bow lips, the tip of a phallus imitates a ball gag, and across her chest, ...

Neue Träume von Glück (New Dreams of Happiness) Etching on heavy laid paper without watermark, 1887 Unsigned, as usual From: Eine Liebe (Opus X) [A Love (Opus X)], Plate No. 7 fourth...

Nude is an original artwork realized by an artist of the mid-20th century. Etching and Aquatint. The drawing is inside a white cardboard passepartout (69x49 cm).

Sexual tension and ambiguity in this dynamic etching of a man making advances on a sleeping woman. in the background a beast approaches another man. Signed, titled and numbered in pe...

Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...

Signed "Earl W Stroh" at lower right. This is an Artist Proof. The price includes a period wormy chestnut frame with gold leaf. The outer frame...

Nude is an original etching and drypoint realized in the mid-20th Century by an anonymous artist. Good Conditions. The artwork is depicted through soft strokes in a well-balanced c...

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...

Realized by an anonymous artist under the pseudonym of R.L. Delechamps, La Bible Noire is considered one of the masterpieces of XX century pornographic art. Though it states to be pr...

Etching and drypoint on japanese paper applied on cardboard.  One of 10 artist's proofs, numbered I/X, aside of the edition of 100. Hand signed and numbered. Very Good condition.

Nude is an original artwork realized in 1970 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on ivory-colored cardboard. Not signed. In t...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Jean Baptiste VALADIE Allegory of the four seasons Original Etching Signed in pencil Numbered on 225 copies On vellum 38 x 28 cm (c. 14.9 x 11 i...

Weyman Michael Lew is a painter and printmaker, born in San Francisco, California in 1935. Without over-mat, silver tone aluminum frame and plexi-glass. Imaqe, 22"H x 27"L. He studied at the University of California, and the San Francisco Art Institute from 1965 to 1966 with Artist Mary Joan Jay DeFeo. His works are in the collection of De Young Memorial Museum; the Institution of Arte Contemporary in Lima, Peru; the Western American Artists...

Signed, titled and numbered in pencil from the edition of 30. Miguel Condé is a superb Mexican figurative painter, draftsman and etcher. He was Born in 1939 in Pittsburgh, Pennsylva...

Nude is an original etching on cardboard realized by Sergio Barletta in 1972. Hand-signed on the lower right in pencil. Numbered, edition of 8/50 prints, on the lower left in pencil...

Pierre-Yves TREMOIS Harmony, 1968 Original etching Handsigned by the artist Justified by "Epreuve d'artiste" (Artist proof) On BFK Rives vellum 76 x 56 cm (c. 29 x 22 inch) Exce...

Signed Limited Edition , 6 /25 , etching by this collected Scottish artist Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry ...

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: Two Reclining Nudes / Deux Nus Allonges, 1930 Technique: Original Hand Signed and Numbered Etc...

Jean-Baptiste Valadie Sensuality, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Salvador Dali - The War - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...

Pearlstein, Philip. NUDE. Etching, 1976. Edition of 30, signed, dated and numbered 26/30 all in pencil. 7 7/8 x 5 7/8 (plate), 14 1/8 x 11 1/8 inches (sheet). In excellent condition.

Pencil signed, titled, and numbered 46/55 in the margin. Artist: Trevor Southey Title: "Shell Shedding" Medium: Drypoint Etching Edition: 46/55 Male nude against an abstract back...

Auguste Rodin, French (1840 - 1917) - Le Printemps, Year: 1882-1888, Medium: Drypoint Etching, Image Size: 5.75 x 4 inches, Size: 16.25 x 11.25 in. (41.28 x 28.58 cm), Reference: T...

André Masson, French (1896 -1987) - Feuilles Épaisses, Year: 1958, Medium: Etching and Aquatint, Image Size: 8 x 6.75 inches, Size: 9.25 x 7.75 in. (23.5 x 19.69 cm), Description...

Nude is an etching artwork on paper realized by Joseph Darche (1846 - 1906) The state of preservation is very good. Included a white Passepartout: 32.5 x 49.5 cm The artwork repr...

This artwork "Nude Woman with Cat" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in penci...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Salvador Dali - Bird on Tongue - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

André Masson, French (1896 -1987) - Pour les Erophages, Medium: Etching, Hand-colored in color pencil, initialed and numbered in pencil, Edition: Epreuve D'artiste, Image Size: 14...

Hans BELLMER Dreamy Nude Original etching Handsigned in pencil Numbered by Artist, limited to 70 copies On Japanese paper 67.5 x 51.5 cm (26.5 x 20") Excellent condition

"Reclining Nude with Black Stocking" is an original etching by Warren Brandt. This piece depicts a nude woman lying on patterned pillows while wearing long black stockings. The artis...

Andre DERAIN Two Nude Women Discussing with Men Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Artist: Sandro Chia (Italian, born 1946) Title: Sitting Lady Year: 1984 Medium: Etching Edition: Inscribed A.P (Artist Proof) in pencil Paper: F...

Etruscan and Roman Costumes is a set of 7 etchings realized by Various artists in the 17th Century. good conditions. The artworks are realized with soft strokes in a well-balanced...

Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This etching is #2 out of an edition of 10

Medium: Etching and Aquatint Year: 2024 Edition: 25 Image Size: 12 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of a male nude juggler performing...

Isolina Limonta (Cuba, 1955) 'La Hoja', 2001 etching on paper Velin Arches 300 g. 29.6 x 21.5 in. (75 x 54.5 cm.) ID: LIM-201 Unframed

Artist: Reuben Nakian Title: Leda and the Swan no. 4 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: 75 Paper Size: 29.5 x 42 inches

Limited edition. ANDRZEJ MAZUR was born in Słupsk. He studied at the Academy of Fine Arts in Cracow. He received his diploma in 1985. Illustrator, painter, graphic artist, jewelery d...

André Masson, French (1896 -1987) - Feuilles Épaisses II, Medium: Etching on BFK Rives, numbered in pencil, Edition: 1/3, Image Size: 8.25 x 6.5 inches, Size: 9.5 x 7.75 in. (24....

Jean-Baptiste Valadie Sensual Rest, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Nude is an original etching realized by an unknown artist in the mid-20th Century. Good conditions except for some foxings. The artwork is depicted through strong strokes in a well...

My Bicentennial Print Photo etching, 1976 Signed and dated in pencil lower right (see photo) Titled and numbered in pencil loer left (see photo) Edition: 21 (16/21) There also appears to be an additon of 100. Condition: Excellent Image/Plate size: 14 1/2 x 19 3/4 inches Sheet size: 22 1/8 X 30 inches The artist's commentrary on the Bicentennial Year of 1976 In 1965 Fink was awarded a Gugenheim Memorial Foundation Fellowship for Fine Arts. Herbert Lewis Fink, painter, printmaker, sculptor, and educator, born was in Providence, Rhode Island on September 8, 1921. He studied at the Carnegie Institute of Technology in 1941, he received is B.F.A. degree from the Rhode Island School of Design in 1949, his M.F.A. from Yale University in 1956, and he also studied for a year at the Art Students League and with John Frazier...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

This artwork titled "Vivaldi, Autumn" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet. The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent. About the artist: Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany. Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones. He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...

This Artwork Titlled "Last Year at Marraketch" 1972 is an original color etching and aquatint on B.F.K Rives paper by noted American artist Clinton Blair King, 1901-1979 It is hand s...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Composition is an original etching and aquatint realized by Leo Guida in 1987. Good condition. Mounted on a white cardboard passpartout (50x35). Leo Guida (1992 - 2017). Sensitiv...

Jean-Baptiste Valadie Discovering her Perfect Body, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Exc...