Vertical Portrait Prints

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

St. Simon from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" Original 17th Century Etching by Jacques Callot. This portrait of St. Simon depicts him standing in a street, holding a book and leaning on a saw. The saw is typical of St. Simon's depictions as he was said to have been martyred by being sawed in half. Very good impression of this print, with bold lines and high contrast. This leaflet contains the words "Callot fec." in the bottom right, shorthand for the Latin fecit, meaning Callot made this. This edition contains no publishers mark or numbering on the piece, indicating that it is from the first printing state. Jacques Callot was born in the Duchy of Lorraine around 1592 to an important family in the court. He started an apprenticeship as a goldsmith at the age of 15, but later began learning etching. He is known for his technical skill in etching and for developing the echoppe style etching needle. Callot's etchings featured religious figures as well as soldiers, common people, beggars, and court individuals. His series "The Miseries and Misfortunes of War," published while Lorraine was invaded during the Thirty Years War, later influenced Goya's "Los Desastres de la Guerra...

The conversation is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Par...

Barry Manilow in Concert Music Legend Pop Star Grammys Litho NYT Published LGBT Al Hirschfeld (1903-2003) Barry Manilow Limited Edition Etching Sight: 14 3/4 x 11 3/4 Framed: 25 1...

Marcelle is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. The artwork is a reproduction of the original painting realize...

Pablo Picasso Le Vieux Roi (The Old King) Seigneur et deux filles, 1959 Original Lithograph on Arches light paper with Mourlot watermark, signed in the stone with a red signature. p...

Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum ...

Nude Girl With Raised Arms is a beautiful lithograph from the portfolio " Erotica " after Egon Schiele. It is a reproduction of the homonym pencil drawing ...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Le Legende (Marilyn Monroe) Year: 1990 Medium: Silkscreen on wove paper Edition: 12/100, plus proofs Size: 31 x 23.5 inches C...

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest...

Portrait of Young Girl is an original litograph realized by Hervè Morvan in 1957. Good condition except for some spoiled paper on the upper and lower margin. Signature and dated wi...

Silkscreen Print with Silver Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 93/300 "Refers to the ripped 'One Earth' stamp in the lower right of the print and the fact that we only ...

Surreal Grail V (cup overflowing, wings), 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human F...

Medium: offset lithograph (after the drawing). Printed in 1954 at the Mourlot Freres atelier for the "Suite de 180 Dessins de Picasso" portfolio (Verve issue No. 29-30) and published...

(The poetess Chiyo turns to watch a flight of wild geese while sweeping up autumn leaves) Signature: Ichiyusai Kuniyoshi ga; Censor seal: Muramatsu Series: Kenjo hakkei ...

Berthe Etching with drypoint, 1883 Signed in the plate (see photo) This etching was inspired by an 1882/3 pastel which the artist included in his ambitious "Femme a Paris" exhibition at Galerie Sedelmeyer, Paris, in 1885. Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x 15 inches Frame size: 23-1/2 x 20-1/4 inches Donald Morris Gallery, Birmingham, Michigan (Morris had a distinguished collection of Tissot prints...

This limited edition print by Ned Martin is a contemporary abstract portrait. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered...

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Anna Gawlikowska is a Polish artist born in 1980. She studied printmaking, painting, and graphic design at the Academy of Fine Arts of Wroclaw in Poland in the workshops of professor...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait d'Homme au Chapeau". The original painting was completed in 1970. In the 1970's aft...

Framed print of May 1, 1937, "Vogue" magazine cover by Carl Oscar August Erickson of a woman in a salmon-colored suit playing with a dog.

Artist: Andre Masson, French (1896 - 1987) Title: Don Giovanni Year: 1978 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 163/250 Size: 30 in. x 22 in. (76.2 cm ...

Andre Masson, French (1896 - 1987) - Les Deux Nus, Year: 1949, Medium: Lithograph on wove paper, signed and numbered in pencil, Edition: 20/20, Image Size: 14 x 11 inches, Size: 19 ...

Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Klezmer Musicians. humorous...

Jean Jansem (1920-2013) Mère et enfant, 1989 Lithographie sur papierJapon, justifiée et numérotée Signée en bas à droite 67 x 50,5 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n°...

Poster. Measures 16 x 11 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling (please see secondary images for details).

Pablo PICASSO Carmen, The Man in the Square, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Cat...

Artist: Alice Neel (1900-1984) Title: Man with Pipe (John Rothschild) Year: 1979 Medium: Lithograph on Arches paper Edition: XXXVIII/L; 150 Arabic Numerals, 50 Roman Numerals, plus p...

Marcelle Lender en Buste is a lithograph realized after the homonymous work by Toulouse-Lautrec of 1895. Limited edition of 1.000 specimens. Very good conditions. Henri de Tolous...

This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Medium: lithograph (after Renoir). Printed in 1951 at the atelier Mourlot using the same number of stones as the original, and published in an edition of 3000. Sheet size: 12 1/2 x 9...

Portrait After Raphael is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching was rea...

woman in straw hat with eyes closed

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published by Éditions Raisons d'être, Paris; printed by Mourlot Frères, Paris, April 24, 1952. Excerpted from the folio (translated from French), Printing of this folio was finished on April, Twenty-Four, M.CM.LII for the Éditions Raisons d'être, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Frères who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large vélin d'Arches a la form, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on vélin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative copies on Grand Vélin. HISTORY OF THE EDITION: According to the Minneapolis Institute of Art, This publication was a joint effort by Matisse and author André Rouveyre...

Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...

This lithographic colored advertising poster entitled "Tom Sawyer Detective, A New Story by Mark Twain" was created by Edward Penfield in 1897 for Harper & Brothers. The artist's signature appears in the plate in the lower left. The poster depicts a man in a long black bathing suit sitting with his knees up, aimlessly smoking a cigarette, but looking out of the corner of his eyes at a woman in a olive green dress and tan blouse and a black hat, who sits to his left with her head propped in her left hand and a bored or concerned look on her face. The look on the faces of the couple creates an air of mystery. The title of the book is printed in red in the upper left and the issue "Harper's August" in bold letters in the lower poster. The poster promotes a new book by Mark Twain that was published initially in two issues of Harper's Monthly and also in book form by Harper & Brothers in 1896. It is a sequel to "The Adventures of Tom Sawyer", published in 1876, "The Adventures of Huckleberry Finn", published in 1884, and "Tom Sawyer Abroad", also published in 1894. The plot of the book involves Tom Sawyer attempting to solve a mysterious murder. The story is told using the first-person narrative voice of his friend Huck Finn...

Prefab77 (British, 20th c.) Heavy Crown Archival pigment print on luxuriant 300gsm Somerset art paper Edition of 100 Signed in plate lower left. Signed by artist in white ink with embossed artist's stamp lower right Unframed: 29. 3/4in H x 22in L *Framed image is for inspirational purposes only Prefab77 a.k.a. Peter Manning...

Vincent VAN GOGH (1853-1890) (after) Portrait of Doctor Gachet Engraving Unsigned On laid paper 32 x 25 cm (c. 13 x 10 in) INFORMATION: "Portrait of Doctor Gachet" (also known as "...

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Woman In Red is a beautiful colored lithograph realized by the Italian artist Pompeo Borra (Milan, 1898-1973). Edited by La Nuova Foglio, Macerata. Hand-signed in pencil "P. Borra"...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Chem 1A" *Signed and dated by Lichtenstein in pencil lower right Year: 1970 Medium: Original Screenprint on Special Arjomari paper Limited edition: 32/100, (there were also 10 artist's proofs) Printer: Jeff Wasserman and Robert Dressen of Gemini G.E.L., Los Angeles, CA Publisher: Gemini G.E.L., Los Angeles, CA Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 100, page 117; Gemini No. 248 Framing: Recently framed in a contemporary white maple moulding with 100% cotton rag double matting and Artglass. All archival Framed size: 36.38" x 26.63" Sheet size: 30.13" x 20" Image size: 24" x 14.25" Condition: In excellent condition Very rare Notes: Provenance: private collection - Newport Beach, CA; possibly acquired directly from the printer/publisher Gemini G.E.L., Los Angeles, CA. Numbered by Lichtenstein in pencil lower left. This work is related to Lichtenstein's 1970 "Peace Through Chemistry...

This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...

Pablo PICASSO (after) Woman Portrait Lithograph (Mourlot workshop) On wove paper 70 x 50 cm (c. 28 x 20 in) REFERENCES : Catalogue raisonné Cwiklitzer #386 Original vintage lithogr...

Celebrating the Academy with this Limited Oscar Art Series by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Rendered in bold hues of red and mustard with shading in black, this Pablo Picasso portrait relies on thick, dark lines to shape the face of the woman shown. Accented by the flowing ...

Lithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Robert Longo, Eric, NYC Contemporary, 21st Century, C-Print, Limited Edition, Portrait, Man C-Print Edition of 100, plus 20 APs 25,5 x 18,5 cm (10 x 7.2 in.) Signed and numbered, a...

Audrey Hepburn Unframed World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, born in Brooklyn, New York. The art of Zane Fix blends both the intensity and simplici...

This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...

Lithograph after Henri Matisse - Sitting Blue Nude Artist : after Henri MATISSE Edition of 200 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Ma...

"Jimmy Durante" original etching by artist Al Hirschfeld. Caricature portrait of Jimmy Durante. Artist's proof. Hand numbered AP XXII/XXX in front lower ...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours On the reverse: another black and white original lithograph Year: 1960...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape. This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Persian, Man of the People is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Perse. Homme du Peuple...

Japanese woodblock print of a woman kneeling by the river. She is holding a stick making it appear like she is fishing with it. The woodblock print is printed on rice paper. The print is not framed. Artist Biography: Utagawa Kuniyasu...