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Style: Naturalistic
Stella's Lory
Located in Columbia, MO
St. George Jackson Mivart and John Gerrard Keulemans
Hand Colored Lithograph
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Pyrenees Orientales, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Pyrenees Orientales', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is well-known wine producing reg...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Hydnum Repandum/Imbricatum, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Hydnum Repandum 5 Hydnum Imbricatum'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name b...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Silene Hookeri, native of California, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
145mm by 235mm (sheet)
Walter Hood Fitch was a Scottish...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Eurasian Teal Duck: An 18th Century Hand-colored Nozeman Engraving "Anas Crecca"
Located in Alamo, CA
This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Anas Crecca" (Eurasian Teal) by Cornelius Nozeman in volume II of his publication 'Nederlan...
Category
1770s Naturalistic Prints and Multiples
Materials
Engraving
Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
Jurassic Aloe Leaves, Botanical Cyanotype on Paper, Blue Plants, Nature Details
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a beautiful Aloe plant.
Details:
+ Title: Jurassic Aloe Leaves
+ Year: 2022
+ Edition Size: 100
+ Stamped and Certifica...
Category
2010s Naturalistic Prints and Multiples
Materials
Photographic Film, Emulsion, Watercolor, Archival Paper, Photographic Pa...
Champignons, French antique mushroom truffle fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)'
Antique French mushroom / fungi c...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
David Roberts "Approach to Alexandria" Original Lithograph w/Hand Coloring
Located in San Francisco, CA
David Roberts "Approach to Alexandria" Original Lithograph w/ Hand Coloring c.1848
Published by F.G. Moon in London, 1848 with Colour Accentuation by D. Leslie, 1976.
Dimensions 20...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'209. Polyporus lucidus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi,...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
The Laughing Cavalier, etching by W Edwin Law after Frans Hals, c1925
Located in Melbourne, Victoria
Etching by W Edwin Law after Frans Hals.
Signed and titled in pencil by the etcher.
280mm by 220mm (platemark)
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Etching
Sir Lawrence Alma-Tadema, Pre-Raphaelite, portrait etching by Paul Adolphe Rajon
Located in Melbourne, Victoria
Rajon began his career as a photographer while studying at Ecole des Beaux-Arts Paris. This original etching of Alma Tadema was etched by Rajon on one of h...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Apauly-Tustennuggee: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America", published in Philadelphia by Daniel Rice and James G. Clark in 1843. McKenney described him as “a chief and a warrior...a firm, brave man - and of good sense.”
This original McKenney and Hall large hand-colored folio-size engraving measures 20" high and 14" wide. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
1840s Naturalistic Prints and Multiples
Materials
Engraving
German Fox Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Fox Trap'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. S...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Red-tailed Tropic Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
"BaitHouse" Seascape Landscape Etching Signed Anderson Edition 8/10
Located in Houston, TX
Etching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...
Category
1960s Naturalistic Prints and Multiples
Materials
Etching
Temple of Dawn by Gleb Derujinsky, 1957, Fashion Photography
Located in Los Angeles, CA
Selected from the Derujinsky: Around The World Portfolio, shot at the Grand Palace in Thailand for Harper's Bazaar
Artist: Gleb Derujinsky
Title: Fragrant Harbor
Year: 1957
Estat...
Category
1950s Naturalistic Prints and Multiples
Materials
Archival Pigment
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Cynthia MacCollum, Mullein, 2018, Cyanotype with Monotype Naturalistic,
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Prints and Multiples
Materials
Printer's Ink, Acrylic, Rag Paper, Monotype, Photogram
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'176. Boletus piperatus 177. Boletus casteneus 178. Boletus bovinus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," a...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Hackled Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
Omphalodes Lucillae, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
145mm by 235mm (sheet)
Walter Hood Fitch was a Scottish botani...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
1750s Naturalistic Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Dachsunds
Located in Columbia, MO
Dachsunds
1883-84
Chromolithograph
8.5 x 11 inches
Category
1880s Naturalistic Prints and Multiples
Materials
Lithograph
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'60. Lactarius scrobiculatus 61. Lactarius theiogalus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fre...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Lady Mary Mordaunt's black silk shoe.
Located in London, GB
GREIG, T. Watson.
Lady Mary Mordaunt's black silk shoe.
Edinburgh, David Douglas, 1885-1889.
Plate from Ladies’ Old-Fashioned Shoes by Greig, T. Watson. An important illustrated m...
Category
1880s Naturalistic Prints and Multiples
Materials
Color
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Prints and Multiples
Materials
Color, Engraving
Blattpflanzen II (Leaf plants), German antique botanical plant chromolithograph
Located in Melbourne, Victoria
'Blattpflanzen II'
(Leaf plants)
German chromolithograph, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'186. Boletus lividus 187. Boletus reticulatus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Sw...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Hooded Merganser, 18th century bird duck engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field S...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Catching the Badger, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Catching the Badger'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Neartktische Fauna (Neartic Fauna), German antique animal chromolithograph
Located in Melbourne, Victoria
'Neartktische Fauna'
(Neartic Fauna)
German chromolithograph, circa 1895. Key to animals in German below the image.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Monoplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
The Rostrated Ray, Australia, engraving with original hand-colouring, 1794
Located in Melbourne, Victoria
'The Rostrated Ray' (Eastern Shovelnose Ray)
Copper-line engraving with original hand-colouring. 1794, by Frederick Polydore Nodder (fl.1770 – 1800).
110mm by 195mm (platemark)
125...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
The Lobated Musk Duck, Australia, engraving with original hand-colouring, 1795
Located in Melbourne, Victoria
'The Lobated Musk Duck'
Copper-line engraving with original hand-colouring. 1796, by Richard Polydore Nodder (fl.1770 – 1800).
155mm by 125mm (platemark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melansporum'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Paris - Eglise Saint Genevieve (Ancien Pantheon), French lithograph, 1861
Located in Melbourne, Victoria
'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Kee-She-Waa, A Fox Warrior: Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "Kee-She-Waa, A Fox Warrior", drawn b...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'Westminster School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Etching
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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