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Naturalistic Prints and Multiples

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Style: Naturalistic
Pulmonaria, English antique blue pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Pulmonaria' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Trumpet Daffodils, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Trumpet Daffodils and Poet's Narcissus' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Cannas, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Cannas' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Gunner Riding - Original Etching by Giovanni Fattori - 1900 ca.
Located in Roma, IT
Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...
Category

Early 1900s Naturalistic Prints and Multiples

Materials

Etching

Azalea Pulchra, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Flowering Bardana Daisy: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Bardana Major Folio Non Serrato, Napoliere, B. Bdellifera Arbor, de Qu...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

1790s Naturalistic Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Mango Hummingbirds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right. This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

French 17th century garden design engraving by Jean Marot, circa 1665
By Jean Marot
Located in Melbourne, Victoria
'Veue en Perspective d'une grotte avec ses Jardinages invente par J Marot'. Signed in the plate lower right corner. Jean Marot was a French architect, designer and engraver. His pri...
Category

17th Century Naturalistic Prints and Multiples

Materials

Engraving

Flowering Apple Plant: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving

"Trees in Snow" Black and White Winter Landscape Lithograph 2/10
Located in Houston, TX
Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...
Category

20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Broad Bell-Flower, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Broad Bell-Flower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of ...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving

The Birds of America "Bell's Vireo" Plate 485
Located in Columbia, MO
Hand-colored lithograph 1st ed. Royal Octavo Master printer: J.T. Bowen John James Audubon was born in Haiti in 1785. Most of his childhood was spent in ...
Category

1840s Naturalistic Prints and Multiples

Materials

Lithograph

Ribes sanguineum, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...
Category

Late 17th Century Naturalistic Prints and Multiples

Materials

Engraving

Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'127. Entoloma lividum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, ...
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Calceolaria viscosissima, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving, Aquatint

Spotted Dead Nettle, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Spotted Dead Nettle' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor o...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Photogravure

Dogs, German antique animal chromolithograph print
Located in Melbourne, Victoria
'Hunde II' (Dogs) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Streptanthera cuprea, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Engraving, Handmade Paper

Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Winter Heath, English antique pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Winter Heath' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeh...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category

Mid-18th Century Naturalistic Prints and Multiples

Materials

Engraving, Mezzotint

Home Away From Home, Desert Modernism Architecture, Blue Tones Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...
Category

2010s Naturalistic Prints and Multiples

Materials

Paper, Monotype, Lithograph

Schizanthus Priestii, antique botanical white flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Veillot's Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Malopa grandiflora, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Prickly Pear, antique cactus botanical lithograph
Located in Melbourne, Victoria
'Drooping Prickly Pear (Opuntia monacantha, Haw.) Colour lithograph, 1909.
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock. This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle": "The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Vertical Triptych of Zen Forest Waterfall, Cyanotype, Feng Shui Art, Blue Tones
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Naturalistic Prints and Multiples

Materials

Emulsion, Lithograph, Monotype, Paper

Forest Triptych, Looking Up Through The Trees, Blue Nature, Handmade Cyanotype
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...
Category

2010s Naturalistic Prints and Multiples

Materials

Lithograph, Rag Paper

"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Swallow-wort Gentian, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Swallow-wort Gentian' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor ...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Large-Leaved Saxifrage, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Large-Leaved Saxifrage' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professo...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Hoo-Wan-Ne-Ka, A Winnebago Chief: Original Hand-colored McKenney & Hall Litho
Located in Alamo, CA
This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Virginian Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen' (Euphorbia) German chromolithograph, circa 1895. 240mm by 155mm (sheet)
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving

Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Oxlip, English antique yellow flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Oxlip' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

1820s Naturalistic Prints and Multiples

Materials

Etching

Owl On Branch Print Edition 92/120
Located in Houston, TX
Aquatint print of an owl perched on a branch with bright yellow eyes. The work is signed by the artist. It is framed in a wooden frame with a burlap matte. Artist Biography: Kaiko M...
Category

1970s Naturalistic Prints and Multiples

Materials

Aquatint

Torch Lily, English antique red flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Torch Lily' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Rent Day, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'Rent Day' Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820. 'Second Plate' printed under engraver's name. Wilkie was an important Scot...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Dogs, German antique animal chromolithograph print
Located in Melbourne, Victoria
'Hunde I' (Dogs) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Mimulus roseus, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Hermit Crabs, German animal antique underwater crustacean engraving print
Located in Melbourne, Victoria
'Einsiedlerkrebse' (Hermit crabs) German wood-engraving, circa 1895. 240mm by 155mm (sheet)
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Engraving

Naturalistic prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.

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