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Style: Naturalistic
Passiflora Kermesina, antique botanical pink flower passionflower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'168. Stropharia squamosa 170. Coprinus comatus
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Sw...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Zinnea violacea coccinea, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Schomburgkia leuddemani, orchid, antique botanical flower lithograph print
Located in Melbourne, Victoria
'Schomburgkia leuddemani', orchid, native to Venezuela.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch (1840–1927) after the watercolour by Matilda Smith (1854–1926). From Curtis' Botanical Magazine.
Fold-out plate with two vertical folds as issued.
240mm by 300mm (sheet)
Matilda Smith (1854–1926) was a botanical artist whose work appeared in Curtis's Botanical Magazine for over forty years. She became the first artist to depict New Zealand's flora in depth, the first official artist of the Royal Botanic Gardens at Kew, and the second woman to become an associate of the Linnaean Society.
John Nugent Fitch was a British botanical...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Nepenthes, English antique carnivorous plant botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Nepenthes'
(Tropical Pitcher Plant)
Plants are numbered with a key to the varieties below the image.
Antique English botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Blue Triptych of Trio of Palms, Tropical Botanical Cyanotype, Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space.
Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture.
The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly.
These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space.
Details:
+ Title: Desert Palm Trio
+ Year: 2024
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...
Category
2010s Naturalistic Prints and Multiples
Materials
Monotype, Rag Paper
North America Bear Hunt, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'North America Bear Hunt'
Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Japan Australia's Overseas Airline Qantas original vintage travel poster
By Harry Rogers
Located in Spokane, WA
Original large format Qantas Japan Australia's Overseas Airline vintage travel poster. This antique poster is archival linen backed and in very fine condition. This image was al...
Category
1950s Naturalistic Prints and Multiples
Materials
Lithograph
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Color
Herefordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Chinese Scrub (Cassinia arcuata), antique botanical lithograph
Located in Melbourne, Victoria
'Chinese Scrub (Cassinia arcuata, Rob. Brown)
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Nepenthes Villosa, antique botanical carnivorous pitcher plant lithograph print
Located in Melbourne, Victoria
'Nepenthes Villosa Hook. fil.'
Botanical lithograph with original hand-colouring of a carnivorous pitcher plant, native to Borneo. 1858.
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
St Michael’s Mount, Cornwall, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'234 Clavaria formosa 235 Clavaria pistillaris 236 Calocera flammea'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," a...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Engraving, Lithograph
Nah-Et-Luc-Hopie: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...
Category
1830s Naturalistic Prints and Multiples
Materials
Engraving
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'137. Pholiota squarrosa 138. Pholiota aurea'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swis...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
'T-Kaa-Onoroh, Femme des iles-Sandwich', Hawaii, antique lithograph print
Located in Melbourne, Victoria
'T-Kaa-Onoroh, Femme des iles-Sandwich', woman from Hawaii.
Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855).
From Jacques Arago's 'Promenade autour du ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Red & Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Morchella Lutescens, Leuba antique mushroom morel fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Morchella Lutescens 5-7 Morchella Abietina'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Geaster Hygrometricus, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-7 Geaster Hygrometricus 8-14 Bovista Nigrescens'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scient...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
South Front of Queen's College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'South Front of Queen's College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (p...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Peach varieties, fruit engraving with later hand-colouring, circa 1770
By HL Duhamel Du Monceau
Located in Melbourne, Victoria
Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770.
Duhamel du Monceau (1700-1782) was one of outstanding ...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'209. Polyporus lucidus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi,...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Cindy MacCollum, Paradise, 2018, Cyanotype, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Prints and Multiples
Materials
Printer's Ink, Acrylic, Rag Paper, Monotype, Photogram
A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Fistulina Hepatica, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-3 Fistulina Hepatica 4-6 Boletus Chrysentheron'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientif...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ferns - Platycerium Grande, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Maniere de faire du feu des Naturels de Rawack et de Wacgiou, lithograph
Located in Melbourne, Victoria
'Maniere de faire du feu des Naturels de Rawack et de Wacgiou'
Natives of Rawack and Wacgiou making fire. West Papua, Indonesia.
Lithograph, by Pierre Lan...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'14. Amanita vaginata var. fulva 14. Amanita vaginata var. plumbea'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
By John Gould
Located in Alamo, CA
A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...
Category
1860s Naturalistic Prints and Multiples
Materials
Lithograph
Joe Louis vs. Max Baer at Yankee Stadium
Located in New York, NY
LOUIS & BAER AT YANKEE STADIUM.
This lithograph from circa 1935 was printed in an edition of 50. This particular impression is signed in pencil and inscribed “25/50.” The image size is 15 7/8 x 19 ¾ inches and the paper (sheet) size is 19 1/8 x 22 7/8 inches. There are two small purple estate stamps on verso.
"I define fear as standing across the ring from Joe Louis and knowing he wants to go home early." – Max Baer...
Category
1930s Naturalistic Prints and Multiples
Materials
Lithograph
Prickly Viper's Bugloss Henry Andrews antique botanical flower Echium engraving
Located in Melbourne, Victoria
'Echium Ferocissimum - Prickly Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Bot...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Phasianus torquatus
By Joseph Wolf
Located in Columbia, MO
Joseph Wolf
Lithograph
c.1940
Category
Mid-20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Australia, Tallis antique map, 1851
Located in Melbourne, Victoria
'Australia'
With decorative border surrounds and vignettes including a view of Sydney, Kangaroos, Natives of Australia Felix, Australian Parrots and Cockatoos and Natives of the Tri...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
London Bridge, C18th English aquatint
Located in Melbourne, Victoria
'London Bridge'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Charles Wilkes, 19th century American US naval explorer portrait engraving print
Located in Melbourne, Victoria
'Charles Wilkes'
Steel-engraving after Alonzo Chappel's sketch after a photograph. 1864. Facsimile signature under the engraving.
Charles Wilkes (1798 - 1877) was an American naval...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
William Woollett, engraver, late 18th century artist portrait engraving print
Located in Melbourne, Victoria
William Woollett, Engraver
Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper.
William Woollett (1735-85) was an important English 18th cen...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
The Rostrated Ray, Australia, engraving with original hand-colouring, 1794
Located in Melbourne, Victoria
'The Rostrated Ray' (Eastern Shovelnose Ray)
Copper-line engraving with original hand-colouring. 1794, by Frederick Polydore Nodder (fl.1770 – 1800).
110mm by 195mm (platemark)
125...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Kai-Pol-E-Quah: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...
Category
1830s Naturalistic Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Ragwort (Senecio Jacobaea), antique botanical lithograph
Located in Melbourne, Victoria
'Ragwort (Senecio Jacobaea, Linne)
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Dragonfly #3 : Monochrome etching
By Lisa Dinhofer
Located in New York, NY
Lisa Dinhofer's work is presented in a realist style, deftly creating meticulous portraits of creatures - dragonflies, turtles, birds, bats and grasshoppers - that comprise her surro...
Category
1990s Naturalistic Prints and Multiples
Materials
Etching
Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Turtle Catching on Land, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Catching on Land'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Free Magnolia
Located in Kansas City, MO
Brittany Noriega
Free Magnolia
Laser Transfer on Handmade Paper
Year: 2021
Size: 6 x 4 inches
Edition: 10
Signed by hand
COA provided
Ref.: 924802-10...
Category
2010s Naturalistic Prints and Multiples
Materials
Handmade Paper, Laser
$124 Sale Price
50% Off
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.