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Style: Naturalistic
Kish-Ke-Kosh, Fox Brave: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Odontoglossums, English antique flower orchid botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Odontoglossums'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Townsend's Arvicola: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Townsend's Arvicola; Sharp-nosed Arvicola; Bank Rat", No. 31, Plate CXLIV from John James Audubon's Quadruped...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Camas Rat (Gopher): An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Flowering Digitalis Plants: An Original 17th C. Botanical Engraving by E. Sweert
By Emanuel Sweert
Located in Alamo, CA
This beautiful and extremely rare early 17th century hand-colored copperplate engraving of four flowering Digitalis plants by the Dutch artist and botanist Emanuel Sweert is plate 6 ...
Category
Early 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Streptocarpus, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Streptocarpus'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
1870 View of Proposed Brooklyn Bridge and New York City
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870.
The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition.
This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Woodcut
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Watercolor
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Prints and Multiples
Materials
Engraving
Cindy MacCollum, Paradise, 2018, Cyanotype, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Prints and Multiples
Materials
Printer's Ink, Acrylic, Rag Paper, Monotype, Photogram
Bridled Weasel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Bridled Weasel, No. 12, Plate LX" from John James Audubon's Quadrupeds of North America, published in Philade...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Fjärden” (Expansive Archipelago Landscape)
Signed "Oskar Bergman" in pencil
Drypoint etching
image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category
1910s Naturalistic Prints and Multiples
Materials
Paper, Drypoint, Etching
Native North Americans, German chromolithograph, circa 1895
Located in Melbourne, Victoria
German chromolithograph of native American tribes. Circa 1895.
Each portrait is numbered.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Australia, Tallis antique map, 1851
Located in Melbourne, Victoria
'Australia'
With decorative border surrounds and vignettes including a view of Sydney, Kangaroos, Natives of Australia Felix, Australian Parrots and Cockatoos and Natives of the Tri...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Color
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Pompelmus (Grapefruit): An Early 18th C. Hand-colored Engraving by Volckamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Sir John Ross, Arctic Explorer, 19th century portrait engraving print
Located in Melbourne, Victoria
'Sir John Ross'
Steel-engraving. C1850.
220mm by 130mm (sheet)
Sir John Ross (1777-1856) became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 18...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
"Prairie Wolf": An Original Audubon 19th Century Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
George Stubbs Esq, 19th century artist painter portrait engraving print
Located in Melbourne, Victoria
'George Stubbs Esq RA'
Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809.
George Stubbs was a famous English painter of the horse and some wild animals. Th...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Ubersichtskarte Des Mondes (Overview Map of the Moon), antique astronomy print
Located in Melbourne, Victoria
'Ubersichtskarte Des Mondes'
(Overview Map of the Moon)
German chromolithograph, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Nicolas Poussin, French painter, 19th century artist portrait engraving print
Located in Melbourne, Victoria
'N Poussin'
Steel-engraving, by J Posselwhite after a self-portrait by Poussin. C1850.
125mm by 100mm (image) 270mm by 175mm (sheet)
Nicolas Poussin was a French painter who was ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Charles Wilkes, 19th century American US naval explorer portrait engraving print
Located in Melbourne, Victoria
'Charles Wilkes'
Steel-engraving after Alonzo Chappel's sketch after a photograph. 1864. Facsimile signature under the engraving.
Charles Wilkes (1798 - 1877) was an American naval...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Original Hand Colored McKenney & Hall Lithograph Wat-Che-Mon-Ne, An Ioway Chief
Located in Alamo, CA
An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865.
Th...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Ring-Tailed Bassaris: An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Ring-Tailed Bassaris", No. 20, Plate XCVIII, 98, from John James Audubon's Qu...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
A Lying Animal - Original Lithograph by F. Specht - 1880
Located in Roma, IT
A Lying Animal is a black and white print realized by Friedrich Specht in 1880.
Lithograph on dark paper. Original Title: Derendet.
Dated 1880, p.24. Signed by the artist on the r...
Category
1870s Naturalistic Prints and Multiples
Materials
Lithograph
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria'
A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...
Category
Late 17th Century Naturalistic Prints and Multiples
Materials
Etching, Engraving
Rev William Carey, Missionary, 19th century portrait engraving print
Located in Melbourne, Victoria
Rev William Carey and his Brahmin Pundit (Mritunjaya)
Steel-engraving by Joseph John Jenkins after Robert Home (1752-1834). 1836.
Depicts the orientalis...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'45. Clitocybe clavipes 46. Clitocybe cartilaginea 47. Clitocybe nebularis'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgi...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
William Woollett, engraver, late 18th century artist portrait engraving print
Located in Melbourne, Victoria
William Woollett, Engraver
Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper.
William Woollett (1735-85) was an important English 18th cen...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
'Jay', English bird print after Edward Detmold, circa 1919
Located in Melbourne, Victoria
'Jay'
Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919.
Edward J Detmold (1883-1957) was an important early 20th century illustrator...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Color
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Original Audubon Hand Colored Lithograph of "The Sewellel"
Located in Alamo, CA
An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914
Located in Melbourne, Victoria
Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin.
Mortimer Menpes was an artist and engraver, author, printmake...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Engraving
Guam, Convent and native inhabitants, mid 19th century lithograph. Oceania.
Located in Melbourne, Victoria
'Convento di agagna nell' Isola Guam. Occupazioni domestiche in Guam.'
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Anton...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Iceland or Gyr Falcon: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
L'Isere, France. Antique map of French department, 1856
Located in Melbourne, Victoria
'Dept. de L'Isere', Steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is known for its production of Bleu du Vercor...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
"The Jaguar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Group of Six Water Fowl
Located in London, GB
POPE Jr., Alexander
Group of Six Water Fowl.
Group of Six chromolithographs of game-birds, each laid on to contemporary card (as published).
[Charles Scribner's Sons, New York, 1878].
Alexander Pope...
Category
1870s Naturalistic Prints and Multiples
Materials
Lithograph
Emma Malietoa, 19th century Samoa portrait engraving print
Located in Melbourne, Victoria
'Emma Malietoa'
Portrait of Samoan woman Emma Malietoa, daughter of Chief Malietoa, of Apia, Upolu Island, Samoa.
From Narrative of the United States Exploring Expedition ... / Cha...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Esper Antique 18th century Butterfly engraving with original hand-colouring
By JC Bock
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of butterflies. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die Schmetterlinge in Abbild...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Barred Owl
Located in Columbia, MO
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...
Category
1840s Naturalistic Prints and Multiples
Materials
Lithograph
$5,040
60: Barge, Canal Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Prints and Multiples
Materials
Etching
Golf Match on Blackheath, antique sport wood-engraving, 1870
Located in Melbourne, Victoria
Wood-engraving. 1870. From the Illustrated London News of 26 March 1870 (text on the reverse).
275mm by 400mm (sheet)
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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