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Style: Naturalistic
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Sir John Ross, Arctic Explorer, 19th century portrait engraving print
Located in Melbourne, Victoria
'Sir John Ross'
Steel-engraving. C1850.
220mm by 130mm (sheet)
Sir John Ross (1777-1856) became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 18...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Native North Americans, German chromolithograph, circa 1895
Located in Melbourne, Victoria
German chromolithograph of native American tribes. Circa 1895.
Each portrait is numbered.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
II. e Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'II.e Vue d'un passage du Mont St Gothard'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated'...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Primula Sinensis, English antique flower chromolithograph, 1896
Located in Melbourne, Victoria
'Primula Sinensis'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Bas Rhin, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
Part of the Alsace wine region surrounding Strasbourg. T...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Ferns - Platycerium Alcicorne, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Turtle Fishing in the Water, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Fishing in the Water'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea'
'Native of the Brazils'.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
The Birds of America "Bell's Vireo" Plate 485
Located in Columbia, MO
Hand-colored lithograph
1st ed. Royal Octavo
Master printer: J.T. Bowen
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in ...
Category
1840s Naturalistic Prints and Multiples
Materials
Lithograph
Red-shafted Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
61: H.M.S. Prince
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Prints and Multiples
Materials
Etching
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'22 Armillaria melee 23 Armillaria aurantia'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Engraving, Lithograph
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Dragonfly #3 : Monochrome etching
By Lisa Dinhofer
Located in New York, NY
Lisa Dinhofer's work is presented in a realist style, deftly creating meticulous portraits of creatures - dragonflies, turtles, birds, bats and grasshoppers - that comprise her surro...
Category
1990s Naturalistic Prints and Multiples
Materials
Etching
Gloxinias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Gloxinias'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Apocynum androsamifolium - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Apocynum androsamifolium' (Fly-trap dogbane or spreading dogbane)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis A...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Watercolor
Emma Malietoa, 19th century Samoa portrait engraving print
Located in Melbourne, Victoria
'Emma Malietoa'
Portrait of Samoan woman Emma Malietoa, daughter of Chief Malietoa, of Apia, Upolu Island, Samoa.
From Narrative of the United States Exploring Expedition ... / Cha...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Waa-Pa-Shaw, Sioux Chief: An Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Waa-Pa-Shaw, Sioux Chief, No. 97", published by Rice, Rutter & Co. in 1865.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Indian Wryneck Birds (Yunx indica): A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Yunx indica" (Indian Wryneck) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The pri...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Swallow-wort Gentian, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Swallow-wort Gentian'
Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890.
Hulme was known as a teacher and an amateur botanist. He was the Professor ...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Large-Leaved Saxifrage, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Large-Leaved Saxifrage'
Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890.
Hulme was known as a teacher and an amateur botanist. He was the Professo...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Native North and South Americans, German chromolithograph, circa 1895
Located in Melbourne, Victoria
German chromolithograph of native American tribes. Circa 1895.
Each portrait is numbered.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Champignons, French antique mushroom truffle fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)'
Antique French mushroom / fungi c...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
'T-Kaa-Onoroh, Femme des iles-Sandwich', Hawaii, antique lithograph print
Located in Melbourne, Victoria
'T-Kaa-Onoroh, Femme des iles-Sandwich', woman from Hawaii.
Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855).
From Jacques Arago's 'Promenade autour du ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic Prints and Multiples
Materials
Engraving
Ferns - Platycerium Stemmaria, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Lapagerias & Passiflora, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Lapagerias and Passiflora'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Fjärden” (Expansive Archipelago Landscape)
Signed "Oskar Bergman" in pencil
Drypoint etching
image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category
1910s Naturalistic Prints and Multiples
Materials
Paper, Drypoint, Etching
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Early 1900s Naturalistic Prints and Multiples
Materials
Lithograph
Pee-amerdu Plant: A Rare 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Pee-amerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 19 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Pee-amerdu plant, a large leafed plant climbing plant off the Malabar Coast in India. The plant is noted for its medicinal uses. It may be related to Tinospora species. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked watermarked paper. The sheet measures 14.88" high by 18.75" wide. There is a central fold, as issued. There are a few faint smudges, a spot in the upper margin and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van Rheede tot Drakenstein...
Category
Late 17th Century Naturalistic Prints and Multiples
Materials
Engraving
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Shooting an African Buffalo, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting an African Buffalo'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
POITEAU/TURPIN. Traité des arbres fruitiers: A Set of Four Apples
By POITEAU, A. and P. TURPIN.
Located in London, GB
POITEAU, A. and P. TURPIN.
Traité des arbres fruitiers: A Set of Four Apples
H. Perronneau for T. Delachausée, Paris, 1807-1835.
A set of Four Apples, fine stipple-engrave...
Category
Early 1800s Naturalistic Prints and Multiples
Materials
Engraving, Handmade Paper, Watercolor
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
The New Bridge, On The River Dee, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'The New Bridge, On The River Dee, Near Chirk Castle'
Engraving by Peter Mazell After Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Group of Six Water Fowl
Located in London, GB
POPE Jr., Alexander
Group of Six Water Fowl.
Group of Six chromolithographs of game-birds, each laid on to contemporary card (as published).
[Charles Scribner's Sons, New York, 1878].
Alexander Pope...
Category
1870s Naturalistic Prints and Multiples
Materials
Lithograph
Colorful Flower Bouquet Mix, Close Up Wild Flowers, Giclee Print Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive limited edition color Giclée print, printed on matte photographic paper.
This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...
Category
2010s Naturalistic Prints and Multiples
Materials
Emulsion, Photographic Paper, C Print, Giclée
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
A Family of Common Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Scolopacinus" (Common Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Red-breasted Flycatcher Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a striking hand-colored folio sized lithograph entitled "Erythrosterna Parva" (Red-breasted Flycatcher) by John Gould from his monograph "The Birds of Great Britain", publish...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Kish-Ke-Kosh, Fox Brave: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Torch Lily, English antique red flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Torch Lily'
Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890.
Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Meerwasser - Aquarium, German antique underwater sea life engraving
Located in Melbourne, Victoria
'Meerwasser - Aquarium'
German tinted wood-engraving, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
English Terriers, English Victorian dog chromolithograph, 1881
Located in Melbourne, Victoria
"Silvio," the Property of Mr. Alfred Benjamin. "Serpolette,"the Property of Mr. Tom. B. Swinburne. "Salford," the Property of Sir Wm. E. H. Verner, Bart.
English 19th century chrom...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney & Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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