Surrealist Prints and Multiples

Salvador DALI Les chevaliers du roi Arthur ("The cavaliers of King Arthur") Original etching Handsigned in pencil Limited to 115 copies On vellum ...

Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered ##/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...

Artist: Salvador Dali Title: Purgatory: Canto 21 Portfolio: The Divine Comedy: Purgatory Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Siz...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

SONG OF PRAISE is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. S...

Salvador Dali - Nude, Horse and Death - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Coloured lithograph on Arches paper. Limited edition, numbered as 133/250 Eu. Signed in pencil by artist. Paper size: 47,5 x 64 cm Framed size: 73 x 91 cm very good condition, some ...

Woodcut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°19, 1962. Published and printed under the direction of Gualtieri di ...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

Oscar Dominguez, Spanish (1906 - 1957) - Figure in Landscape, Year: circa 1945, Medium: Etching, Image Size: 3 x 5.75 inches, Size: 4 x 5.75 in. (10.16 x 14.61 cm), Description: Fr...

Saint Clair Cemin, Brazilian (1951 - ) - Nude Woman in Bed, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 9/30, Image Size: 5.75...

Untitled  is a lithograph realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume I, 1972. Published by Tudor Publishi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, Homage to Max Ernst, 1971. Published and printed under...

Salvador Dali - Nude Couples - Original Handsigned Lithograph Dimensions: 52 x 65 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8

Contemporary giclee limited edition print on paper by Lithuanian artist Daiva Kaireviciute. Artwork depicts woman with mulitplified body.. Her pose is quite dynamic. Title of this pi...

Salvador Dali (1904-1989) - The Paradise, Canto 25 - St. James of Hope Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is...

Cosmicstrip III by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inche...

Salvador Dali's Aliyah, Convenant: Eternal Circumcision is from the Aliyah, Rebirth of Israel Suite which was created by Salvador Dali for the 20th anniversary of the proclamation...

Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.

Jacques Villon Surrealist Mountain, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 25 x 32,5 cm (c. 9,8 x 12,7 inch) Edition limited to 300 copies (unnumb...

Hand-signed. Edition 13/35 prints, numbered and hand signed in pencil. Image Dimensions : 31 x 24 cm Passepartout included : 70 x 50 cm Ref. Cramer 12. Very good conditions.

Song of Songs is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printe...

JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...

ARTIST: Salvador Dali TITLE: Hommage a Albrecht Durer Venus Mars Cupidon MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Vision Nouvelle EDITION NUMBER: EA MEASUREMENTS: 23" x ...

ARTIST: Salvador Dali TITLE: Fruits Blackberries MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: VIII/CL MEASUREMENTS: 21.9" x 29.1" YEA...

The Family of Ruth is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969. ...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.

El Casquee (She with Helmet) from the Pleni Luna Suite Wifredo Lam, Cuban (1902–1982) Date: 1974 Lithograph, signed and numbered in pencil Edition of 72/262 Size: 25 x 19.5 in. (63.5...

Saint Raphael is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume IV 1981. Published by Maeght Éditeur...

ARTIST: Salvador Dali TITLE: Aaliyah The Wailing Wall MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 232/250 MEASUREMENTS: 25" x 19.6" YEAR: 1968 FRAMED: No CONDITI...

Frederic BOUCHE Surrealist Horse and Rider Original lithograph Handsigned in pencil Numbered / 125 copies On Japan paper 65 x 50 cm (c. 26 x 20 in) Excellent condition

Nabuchodonosor Rex Babulonis ("Nebucchadenezzar King Of Babylon") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between...

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°4, January 1954. Published and printed under the directi...

Hans Bellmer, German (1902 - 1975) - Le Vermoulu et le Plisse, Year: 1940, Medium: Etching on Arches, signed in pencil, Image Size: 7 x 9 inches, Size: 11 x 15 in. (27.94 x 38.1 cm)...

Francois-Xavier Lalanne (1927-2008) The Geese (in french : les oies), 2004 This extremely rare print by François Xavier Lalanne depicts three geese. It is an edition of only 10 copi...

Jacques HEROLD (French, 1910-1987) Lady with a Lilac Necklace, 1975 Original etching and aquatint Handsigned in pencil Numbered /49 Justified "E.A" (Ar...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Man Ray (Emmanuel Radnitsky, aka) Surrealist Flowers, Hélène, 1969 Handsigned original etching Also printed signature in the plate On vellum, 23 x...

MIGHTY TREE II is an original limited edition lithograph(not a photo reproduction or digital print) using traditional hand lithography techniques on archival Arches buff colored paper, 100% acid free. MIGHTY TREE II is a realistic tree drawing expressed as a three panel, horizontally placed composition printed in dark brown gray and pale green ink from a hand drawn lithography stone. The tree is meticulously drawn using highly detailed pencil markings which create the intricate foliage crown, massive trunk, and multi-fingered roots. MIGHTY TREE II is truly an imaginative, surrealist style triptych drawing of an uprooted age-old tree existing from another time. Superb quality, hand crafted original lithograph, very fine impression. Print size - 20.5 x 30 inches, unframed, very good condition, light handling, printer registration pin holes on left and right margin, pencil signed by Hanna Kay...

SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...

Les Révolutions Scéniques du XXe siècle is a splendid abstract artwork realized by Joan Miró in the 1975. Color lithograph. Not signed and not numbered. Edited by Arte Adrien Maeght...

The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...

Cerberus - Hell, Plate-6 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good co...

Wifredo Lam, Cuban (1902 - 1982) - Untitled from Le Surrealisme en 1947, Year: 1947, Medium: Lithograph, Edition: 950, Size: 9 x 7.75 in. (22.86 x 19.69 cm), Printer: Mourlot, Paris...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche III Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Jacques HEROLD (French, 1910-1987) The Blooming of a Pink Flower, 1975 Original etching and aquatint Handsigned in pencil Numbered /49 Justified "E.A" ...

The Beauty of Beatrice is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri...

Conclusion de l'ecclésiaste is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lith...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This artwork titled "Ile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, d...

Artist: Jose Luis Cuevas, Mexican (1934 - ) Title: Coloso Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 300 (Roman Numerals) Paper Size: 35 x 27 i...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Jean-Pierre HENAUT (1942-) Surrealist Beach & Guitar Original lithograph Handsigned in pencil Limited /275copies On vellum 60 x 54 cm (c. 24 x 22 in) Excellent condition

Andre MASSON Water Nymph, 1964 Original lithograph (Mourlot workshop) Printed monogram of the artist in the plate On vellum 32 x 24 cm (c. 13 x 10 in) RE...

Pedro Friedeberg is a radial artist who throughout his career has always been at the forefront, as in the Renaissance and pre-Raphaelite art of the 19th century...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. This one depicts winged angels. Edition Roman Numeral III Ima...