Surrealist Prints and Multiples

Andrés Barajas (Spain, 1941) 'Los deseos 6', ca.1990-1999 engraving on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 200 ID: BAR1017-006-200 Hand-signed ...

Pierre-Yves Tremois Gorgone and a naked woman Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in)...

Salvador Dali (1904-1989) - La machine à coudre Etching from 1975. The edition 163/450 on Arches paper. Dimensions of work: 76 x 56 cm Publisher: Editions de Francony and Graphiq...

"Georges Braque (1882-1963) - Carnets intimes de Braque XII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

The Divine Wood from the Series "The Divine Comedy" - Song 28 - Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

New Orleans Jazz George Russin, American (1910–2010) Lithograph, signed and numbered in pencil Edition of 250 Size: 22 x 27 in. (55.88 x 68.58 cm)

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Gianni Schicchi's Bite - Hell Canto 30 is a Color Wood-cut on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Me...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Trulla caementarii in manu Domini is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

ARTIST: Salvador Dali TITLE: Petite Nus (From Apollinaire) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 86/95 PAPER: Japon Paper ME...

Salvador Dali (1904-1989) Rome and Cadaques (1973) Original Etching on Japan paper Handsigned in pencil Artist proof Size : 30 x 22.2 inch (76 x 56,5 cm) References : Catalog ra...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Artist: Rene Magritte (after) Title: Le Viol Medium: Lithograph, Ink-Stamped "Magritte" lower right, Signed and Numbered in Pencil by Georgette Magritte, lower...

This artwork titled "Three Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown Bri...

Eduardo Naranjo (Spain, 1944) 'En la cabaña del Farmer (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 i...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

On The Edge of the Seventh Circle - Hell  plate 4 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good co...

David Morris Yardbird Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

Morris Broderson, American (1928 - 2011) - Father and Child V, Portfolio: The Atelier Portfolios, Number One: Morris Broderson, Year: 1961, Medium: Lithograph, signed and dated in...

Marc CHAGALL Couple over the Town MEDIUM : Stone lithograph (engraved by Sorlier) PRINTER : Mourlot workshop YEAR : 1972 SIGNATURE : Unsigned SIZE : 72...

Il ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...

Act II, Scene VI - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated in plate on the left right  margin. Per...

Took The Body Of Jesus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Amnon And Tamar is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Pri...

To see our other vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a me...

Composition of Diodora is an original litography realized by Bruno Capacci in 1950. The artwork is part of an edition in 500 pieces by "La nef d'argent" Paris. In good condition, n...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print presentic an intricate scene on a lake with swans, pegasuses, ball...

Explore Joan Miró's Obra Grafica 1982 exhibition poster, a signed-in-print color lithograph in excellent condition. This surrealist poster from Spain, printed on quality photo paper,...

BELL ALOFT is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniq...

Salvador Dali Museum St. Petersburg Florida 1985 poster is advertising the exhibition of the collection of the original Salvador Dali paintings owned by the Sidney and Phyllis Lucas ...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Salvador DALI Le géant Beliagog ("The giant Beliagog") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching is part of serie "Tr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 193-194. Publis...

Giclee on canvas. Hand signed and numbered by the artist. AP edition. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Artist: Salvador Dali Title: Under the Parasol Pine Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4...

This is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represent...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...

Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by  Salvador Dalì , realized in 1963. Good conditions. Not signed. Plate n.8 (as reported o...

Marcel Marceau, French (1923 - 2007) - Lovers Floating with Marcel Marceau, Portfolio: Le Troisieme Oeil (The Third Eye), Year: 1981, Medium: Lithograph on Arches Paper, signed an...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...

The Angelus of the Empyrean from the Series "The Divine Comedy" - Song 31 - Paradise is a woodcut print realized in 1963 for a series illustrating the M...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Morris Broderson, American (1928 - 2011) - Child Blowing Dandelions, Portfolio: The Atelier Portfolios, Number One: Morris Broderson, Year: 1961, Medium: Lithograph, signed and da...

Untitled I Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Salvador Dali (1904-1989) Hell 24 - The Thieves woodcut Plate signed 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Field p. 189 à 200 / ...