Apple Prints and Multiples

This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...

Don Nice New York, New York (hand signed and inscribed by Don Nice), 1984 Rare offset lithograph poster (signed and inscribed from Don Nice to Dick Polich) Signed and inscribed in gr...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

"One Cent Life" is a renowned art portfolio and artist's book that was published in 1964 by artist Walasse Ting in collaboration with artist Sam Francis. This unbound book is notable...

Josef Levi, American (1938 - ) - Still Life with Pisanello, Year: 1979, Medium: Screenprint on Arches, signed, titled, dated and numbered in pencil, Edition: AP 4/16, Image Size: 1...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

This elegant still life by Robert Mapplethorpe, titled Apples and Urn, exemplifies the artist’s classical approach and refined compositional sensibility. With a meticulous arrangemen...

Color lithograph after the 1952 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...

Mary Faulconer, American (1912 - 2011) - Ginger Beer II, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17.5 x 12 inches, S...

Signed and numbered lithograph from the edition of 250. Vibrant image of fruits, inluding strawberries, lemons, blueberries and melons. A whole series of different fruits and vegetab...

This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...

ED : 1/15 Etching on paper Beige wooden frame, mottled red with glass pane 55.5 x 47.5 x 2.5 cm

This artwork titled "Apple Orchard" 1998, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled a...

Artist: A. Lester Gaba, American (1907 - 1987) Title: Red Apple Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition PP 8/10 Size: 29.5 x 26 in. (74.93 x 66.04...

Apple and House is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower ...

Hank Laventhol, American (1927 - 2001) - Golden Apple, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 24 x 16 inche...

Hank Laventhol, American (1927 - 2001) - Ripe Sky, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, Image Size: 16 x 24 inches, Size: 22 ...

This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...

This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...

Mario AVATI Pisa Tower and Apple Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) ...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Breakfast with Miss Julie is an archival digital pigment print on canvas, signed ‘Kondakova’ in the right corner and numbered 88/295 in the left corner. From the total edition of 325...

HENRI-HORACE ROLAND DE LA PORTE (French, 1724-1793). Poster. Measures 25 x 28.75 in. Unframed. Copyright 1970 New York Society Ltd. Printed in U.S.A. Image is in Excellent/Good Condi...

Digital composition of a lemon in various colors inspired by the technique of Andy Warhol blending cutting-edge technology with artistic intuition. This work, although digitally nati...

WILLIAM ACHEFF (American, b. 1947) Stein & Fruit Poster/Print 17 x 20.375 in. Unframed Plate signed Copyright IRA Roberts Publishing 1973. Lithographed in USA. Good Condition

JAMES PEALE (American, 1749-1831) Poster 23.25 x 29.25 in. Unframed Copyright 1974 New York Graphic Society, Ltd. Printed in USA. Fair Condition-indentation/discoloration (primaril...

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate LX George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...

apple, I wanted to show how an apple looks in lines :: Digital :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ...

Signed, titled, dated and numbered in pencil recto Image size is 12 x 12 inches, Framed size is 26 x 25 inches Published by Parasol Press