Bird Prints and Multiples

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...

Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.  Titled in the lower Image Size: 35x24 Very good impression. Realized ...

Game Birds Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Goldfinch etc Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Jules Perahim (1914-2008) Feeding the Blue Bird, 1974 Original lithograph Signed in pencil by the artist Numbered / 199 On Arches vellum 56 x 38 cm (c. 22 x 15 inches) INFORMATION ...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

This is a hand-colored folio sized lithograph entitled "Phaethornis Augusti", Salle's Hermit Hummingbird by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, grey, black, white and some green colored hummingbirds about a plant with green leaves and coral and yellow flowers. This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original text page is included. There are five other unframed Gould hummingbird...

From an edition of 25. Photography and digital print of a dramatic orchid in a stone vase. Based in San Francisco, Mark Jenkins has spent the majority of his career working as a com...

Original American Lobby Card of "The Beatles' - Yellow Submarine", 1968 Keywords: The Beatles, Movie, Music, Film, Musicfilm, Cinema, Lobby Card, Lobby Cards, Comic,

This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Alejandra made us take our hats off, Mother Nature never fails to impress, and the color...

Moutons en Plaine is a black and White etching realized by Ferdinand Chaigneau in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Realized for the "Sociét...

Paper Size: 11.25 x 8 inches ( 28.575 x 20.32 cm ) Image Size: 9.5 x 6.25 inches ( 24.13 x 15.875 cm ) Framed: No Condition: A: Mint Additional Details: One of Nine limited edi...

Pelican is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttga...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...

Signed and numbered woodcut from the edition of 15. Portrait of the artist's wife near the Zuni Pueblo. Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

"Immelmann" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

Waiting Hyenas is a woodcut print on paper realized by French artist in 1900s G. Berger. Signed on the plate on the lower right. The state of preservation is very good. The artwo...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

In Acts 2:3 of the Bible, flaming tongues lap at the disciples, conferring upon them the ability to speak languages not their own. These fiery tongues have signified the power of speech, persuasion, and the ability to preach to the masses. Ingrid Bachmann’s tongues in Pinocchio’s Dilemma are glossy as if sugarcoated and boiled into hard candies—a crystallization process. They are the only of her works that people have tried to lick. Alternately seductive and repulsive, they wag mechanically at eye-level, emitting a small wind-up machine language of their own. The tongue gives the impression an attempt to tell, a revealing of secrets. On the opposing side of the room, a rod extends slowly from a hole in the wall, inching out, then back in. Pinocchio’s nose is an instantly recognizable stand-in for lies, liars, fakes. Pinocchio originated as the protagonist of a 19th-century children’s book by the Italian writer Carlo Collodi, and was most famously adapted by The Walt Disney Company. The pre-Disney Pinocchio is unruly, violent and mischievous; his story was originally intended to be a tragedy in which the marionette is hung from an oak tree branch by his enemies. Angry Work contains a latent violence—that which is found in childhood games, stories, myths, novels, and in the tools of the everyday. Two 14-foot-long knitting needles—domestic weaponry—lean as dead as stones, cool and silent, against the wall. These weighted objects commune with three bronze tongues, pre-vocalizations, embalmed. Bronze is a silent material. Two drawings invoke Cassandra, who was promised the gift of prophecy by Apollo. When Apollo appeared to her, she refused his sexual advances. In some iterations of the story, Apollo appeared as a wolf surrounded by mice and spat on her tongue. She awoke with a taste on her tongue. Maybe metallic, maybe red. She had been granted the gift of prophecy, with one condition: no one would believe her. This burdened us with one of the earliest models of hysteria—speaking in tongues, speaking marred truths. Bachmann maintains that Angry Work is not limited to women’s anger, or to personal anger. It’s about generalized anger. “The red world And corresponding red breezes.” [1] A cloud of anger, hints of red. An amorphous unknown. “The Airborne Toxic Event” [2] that encapsulates truth, lies, histories repeated, struggle, strife, shock, grappling and anger, anger, anger. I am told that The Angry Machine weighs 400 pounds and emits a mechanized hum. It will be fenced in, for the protection of both viewers and itself. It will not perform on demand, but at scheduled intervals, only occasionally. It has a projectile that is red. Red is the memory of a children’s game, trying to avoid hitting yourself, to avoid the smack of something against your skin. Red is interiority: the tongue, cheeks, throat and kisses. One can “see red” in a fit of rage. Red is blood, and red is romance — “roses being burned alive.” [3] [1] Anne Carson...

Paper Size: 30 x 20 inches ( 76.2 x 50.8 cm ) Image Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

Colored silkscreen print on paper with mahogany wood frame

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required 7 different carved wood blocks and 21 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024. Painting Medium : Natural pigment on wasli paper Painting backside Hand sign with years Painting style ...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 9 x 6 inches ( 22.86 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: This piece derives from the 19...

Mike Mitchell - Fat Bastard (Bastard Month #5) - Contemporary Artist Edition Details Year: 2020 Class: Original Art Status: Official Released: 12/05/20 Run: 1 Technique: Gicle...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Original black and white etching on paper. Hand Signed on the lower right margin, da...

This circa 1970 original travel poster is a striking and playful representation of the Fribourg Alps, a picturesque mountain region in Switzerland. Designed as part of a promotional ...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Paloma Year: 1969 Medium: Lithograph, signed and numbered in pencil Edition: PA XXVII/XXX Image Size: 17 x 22 inches Frame Size...

In The Garden by Feld is a rare 1938 original signed art nouveau etching published in France on Arches paper. A beautiful young woman enraptured by...

Grasshopper Driving a Parrot-Cart from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni after Roccus Pozzi in the 18th Century. Signed on the plate. Goo...

Covey of Grouse II is a celebration of game birds in flight. A moment after taking off the birds have scattered in an explosion of aerial speed and agility. The etching reveal the ...

Gran Grue Della Baia d'Hudson is a beautiful black and white etching on laid paper realized by the Italian artist, Andrea Scacciati. Title engraved on the higher margin, inscription ...

Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfo...

 Ex-Libris  - D.Logeman-Van Der Willigen is an artwork realized in Mid 20th Century. Woodcut B./W. print on paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Ex...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

A large print of John Gould of Japanese Pheasant ""Phasianus Versicolo " from his published book " Birds of Asia". John Gould was influenced by James...

A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...

Danseuse Creole Nice Cote D'Azur after Henri Matisse Henri Matisse was a French artist known for his vibrant use of color and innovative design, playing a key role in the Fauvism m...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 25.75 x 18.5 inches ( 65.405 x 46.99 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Original exhibition poster for Martin Kippenberger...

Dunnock is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Ari Gradus, Israeli (1943 - ) - Afternoon Stroll, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 21.5 in. x 29 in....

Michael Knigin, American (1942 - 2011) - Blind Faith, Year: 1996, Medium: Screenprint, signed, numbered and titled in pencil, Edition: AP, Image Size: 25 x 12.5 inches, Size: 30...

Bruno Bruni Contemplazione Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böe...

1970 original exhibition poster by David Hockney, titled "The Boy Hidden in an Egg" offers a captivating glimpse into the artist's interpretation of the classic fairy tales by the Br...

Antiquities of Herculaneum  - Letter of the Alphabet A,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 33" x 46" unframed (84cm x 117cm) 2022 Edition 1/8 Aditya Dicky Singh's images have enthralled many and ...

Medium: Aquatint and drypoint Year: 2011 Edition of 21 Image Size: 7 × 3.54 inches Portrait of a bird from a series by Franco-Iranian artist Marjan Seyedin. In her works, the an...

Not Even So is an original exhibition poster created by John Baldessari for his 1989 exhibition at Ivam Centre Julio González. The poster features a striking split image—on one side,...

Original engraving, hand-colored at the time of publication, after the work of George Edwards from "Sammlung verschneider auslandischer und seltener Vogel" by Johann Michael Seligmann. Tab IX. Le Perroquet...

limited_edition Original Silkscreen Print Edition number 50 Image size: H:20 cm x W:28 cm Complete Size of Unframed Work: H:40.5 cm x W:30.5 cm x D:0.2cm Sold Unframed Please note th...

Signed proof copy from edition of unknown size. Most of Wolff's prints were done in very small numbers, and each was often unique. Born in 1922 in San Francisco, William F. Wolff ...

Small scale contemporary figurative etvhing print by Polish artist Marian Bocianowski. Artwork depicts a grasshopper standing on a road with a cart bearing a feather. The cart seems...