Bird Prints and Multiples

Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...

Special Gold Trio – Special Edition, Painting by Gavin Dobson A special collection of 3 handmade screen prints at a special price for a ltd period only. Additional information: E...

The Organs is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Each frame is made with a Forensic UV plexi box As a contemporary artist, I am captivated by the intricate interplay between humanity and nature. Through my art, I delve into and acc...

The Skeleton is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

Le Milan is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pari...

Black Beauty Susan Hall, American (1943) Date: 1980 Lithograph, signed and numbered in pencil Edition of 175 Image Size: 24.5 x 18 inches Size: 30 in. x 2...

Le Roi Des Vautour is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"...

L'orfraie is an etching realized by Madeleine Rousselet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Le Jean-Le- Blanc is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Le Cocquar is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...

La Caille is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Palmiste is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's s...

Le Pinche is an etching realized by Jean Jubainel in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

La Tourtereller Blanche is an etching realized by Jacques Blanchon in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. ...

Le Hocco is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions w...

L'Oreillar is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good cond...

Le Bamier is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

La Tourterelle is an etching realized by Catherine Haussard in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". A...

The Skeleton is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

L'Outarde is an etching realized by Madeleine Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

The Horns is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

The Horns is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Longing for your return by Emma Reynolds [2022] A celebration of the developing season as the swallows arrive. Additional Information: limited_edition Screenprint Edition number ...

Le Hocco is an etching realized by F. Hubert in in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...

Artist: John Latham (English, 1740-1837) Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 4.5" x 4.5" Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

La Perdrix is an etching realized in 1771 by Jaqcues Blanchon. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire Naturelle de Buffo". Good conditions.

Le Morse is an etching realized by A. Defehrt in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

This is an offset lithograph poster signed by the artist Carol Summers. Based on his original woodcut that is of a much larger size.

Engraving by Claude Fessard after Johann Lebrecht Reinold for "Histoire Naturelle des Oiseaux d'Afrique" by François Levaillant (1753-1824), published 1796-1808. François Levaillant...

Marc Chagall Maternite (Maternity), Ed. 17/300, 1954 color lithograph 24 x 31 in. image $ 29,000.00 USD Provenance: from a private collector in Naples, FL

Paper Size: 40 x 30 inches ( 101.6 x 76.2 cm ) Image Size: 40 x 30 inches ( 101.6 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Or...

Ex Libris - Egil Blakstad is a Modern Artwork realized in Mid 20th Century. Ex Libris. B/W woodcut on paper. The work is glued on ivory cardboard. Total dimensions: 20x 14.5 cm...

Original Fly to South America Pan American – Panagra vintage travel poster. Linen backed in excellent condition. Artists were both Jean Carlu and Fred Dubois. 1952 full lithogr...

Un rêve vert Color lithograph on Arches without watermark, 1975 Signed lower left in red area (see photo) Numbered lower left in red area Dated in same red area Edition: 100 (67/100) There are also some AP's and 10 HC's in Roman numerals Printed by Michel Cassé, Paris Published by Berggruen, Paris Condition: Excellent Image/Sheet size: 25 3/4 x 19 3/4 inches Reference: Corneille p. 305, No. 453 Corneille Guillaume Beverloo (1922-2010) From Wikipedia, the free encyclopedia Born Cornelis Guillaume van Beverloo 3 July 1922 Liège, Belgium Died 5 September 2010 (aged 88) Auvers-sur-Oise, France Movement COBRA Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl]. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send more information to his home in Paris about this project. He decided to promote the initiative. He started with a support list and persuaded other artists such as Shinkichi Tajiri...

Ana Luiza Tostes Alegria (Brazil, 1947) 'Figuras', 1999 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: TOS1005-002-099 Unframed Hand-signed by author

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

Hand-colored engravings after bird illustration by William Hayes (1735-1802) from "Portraits of the Rare and Curious Exotic Birds, with their description...

Vibrant giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man in a hat with a bird cage. His side face has a cu...

"Morbidity & Mortality: Bird Head" is my light-hearted and fluffy response to the current popular fascination with depictions of murder and forensics. Designed to be murdered by your dog or cat, pet toys play the role of dead bodies in my staged crime scene photographs. The dismembered bird head laying on the kitchen floor...

Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...

A wonderful study of pigeon racers setting off their birds. Completed in Grant's naive style with a wonderful charm. Signed in plate. On paper.

A great white egret landing on a tree and one of his (her) chicks is waiting. It is easy to imagine that they are having a conversation together. The photo was featured in the Daily...

At sunrise birds were flying over a very calm lake along the Texas Gulf coast :: Digital :: Contemporary :: This piece comes with an official certificate of authenticity signed by th...

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Loria Mariae (MacGregor's Bowerbird)", "Cnemophilus Macgregorii (Crested Satinbird)", "Aegotheles Savesi (New Caledonian O...

Shepard Fairey Birdsong Project Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 450 Signed, dated and numbered by hand COA provided Ref.: 92480...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

Includes a Certificate of Authenticity

Heron Butor - Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of il...

Contemporay figurative etching print by Polish artist Ewa Kutylak. Edition is limited to 40 copies. Print depicts a scene at the table on the foreground. In the background there is a...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Ex Libris - Arne Hansen is a Modern Artwork realized in Mid 20th Century, by Henning Koie . Ex Libris. B/W woodcut on paper. Signed on plate on the back. The work is glued on ivo...