Outdoors Prints and Multiples

"Hello, Portugal" Photography 32" x 24" inch Edition 1/7 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2011 Shot in Portugal Unframed Ships rolled in a tu...

Landscape is a lithograph attributed to Nicholas Verrall in the Late 20th Century. Hand-signed. Numbered, Edition, 4/99. Very Good conditions. The...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Inte...

Arrivals - Tree of Life. Fine Art Print. "I spent a year living in a studio/cabin in the woods, on the Niagara Escarpment, located in Ontario, Canada. That experience provided me with the opportunity to take excursions into the forest on a daily basis. It was a period of time when I was able to reflect on nature, away from the busyness of urban life, during each of the four seasons of the year. " "This Print is an example of my perennial interest in Life Cycles. A theme that I have embraced, which weaves its way through my work. I took hundreds of photographs of nature...

Alpine Landscape is an original Artwork, Drawing, realized in the second half of the 19th Century by Marie Hector Yvert. Original pencil and white chalk on brown paper. Stamp of At...

Plinio Colombi's 1920 original poster for the "Bernisches Kantonal Schützenfest Interlaken" is a visual masterpiece that captures the essence of camaraderie, tradition, and marksmans...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

My Retreat is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-si...

Flowery Meadow is a very brightly colored digigraph print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. ...

Fire Crackers is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 136/275 (there were also 100 Roman and 20 AP). Fr...

Watercolor monoprint

Classic golfing color plate (#831/ 950) by Kenneth Reed pencil signed (LR) depicting the famed 7th hole at Pebble Beach Print Sz: 19"H x 27 1/2"W Frame Sz: 28"H x 36"W w/ custom ...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater...

Scenic Spots in Kyoto is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. Very Good conditions. Collect an oriental artwork...

Boats - Eight Scenic Spots in Suburban Edo is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utag...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Hand-signed. Original Etching. Good conditions except with diffused foxing. Beautiful etching depicting the Italian village Radicofani, the small native village where Ghino di Tacco has lived. He was an Italian brigand. Having taken refuge in Radicofani (SI), a fortress on the Via Cassia, on the border between the Republic of Siena and the Papal States...

Bouvet 66. Trial proof showing variation in the foreground, most noticeably the presence of a dog. From the series "Some Scenes of Parisian Life" published by Vollard. With collector...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching. Very Good conditions. Beautiful etching depicting the Italian village Radicofani, the small native village where Ghino di Tacco has lived. He was an Italian brigand. Having taken refuge in Radicofani (SI), a fortress on the Via Cassia, on the border between the Republic of Siena and the Papal States...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Michael Knigin, American (1942 - 2011) - Effect Unknown, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed, titled, numbered and dated on verso, and signed a...

Michael Knigin, American (1942 - 2011) - Fireworks CCXVII, Year: 2006, Medium: Chromogenic Print on Canvas, signed and dated in pen lower right, titled on verso, Size: 30 x 68 in. ...

Michael Knigin, American (1942 - 2011) - Chosen Journey II, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed and dated lower left and signed, titled, numbere...

Michael Knigin, American (1942 - 2011) - Giraffe in Space, Year: circa 2003, Medium: Chromogenic Print on Canvas mounted to foam board, Size: 45 x 72 in. (114.3 x 182.88 cm), Frame ...

World Road is a beautiful print on canvas of a digital collage realized in 2018 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. This work represents...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

Explosive Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed in pencil on the lower...

The Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-s...

Explosive Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. ...

Meadow with Poppies is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed in pencil on the lo...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famou...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching on cardboard. Good conditions. Beautiful etching depi...

Tunisian Camels is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi after A. Lumière. Hand-signed. Artist's proof. Very good conditions.

Tunisian Camels is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi after A. Lumière. Hand-signed. Artist's proof. Very good conditions.

The Eskimos is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publish...

"Autumn in Wisconsin" is a giclée print on board. It is based after the original oil painting by Gregory D. Steele. This fall forest view looks down a small road. The leaves have gat...

Died Camel is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

Pozadanie - Vintage Poster is a vintage poster realized by Mirek Dobiecki, in 1973s. Black and red colored lithograph and offset print. The artwork represented a wielki theater po...

Celebrations in Piazza Navona is an original Lithograph, realized by an anonymous artist in the Early 20th Century. The status of preservation Good. Th...

"Botanical Rhapsody" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted. Highly intricate and lavishly depicted...

Landscape is an original Lithograph, realized by an anonymous artist in the 20th Century. The status of preservation Good. The artwork is depicted skillfully through confident and ...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Ira Moskowitz (1912-1985), [Mountain Scene], 1943, lithograph, signed in pencil lower right, numbered lower left (27/50) [also signed and dated 1943 in ...

Catching Fire is a lithograph on paper, 9.5 x 5.5 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 170/275 (there were also 100 Roman and 20 AP). ...

The Roman busts is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

The Landscape of Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

Poster. Measures 24 x 31.25 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling.

"High Noon 2" Photography 20" x 16" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fash...

Chamouni in der Schweiz is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in capital l...

Die Fingals - Höhle is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Ca...

Confluent de l'Iller et du Danube is an original modern artwork realized in France in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central...

Puppanassum is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Le...

Terni is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lowet margin: Terni. Engraved by A.H. Payne. Tota...

Back to Square One is a lithograph on paper, 7.75 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 139/275 (there were also 100 Roman and 20 A...

Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the upper c...