Outdoors Prints and Multiples

"Blizzard," a mesmerizing gem nestled within Damien Hirst's illustrious "Where Land Meets the Sea" series, commands attention with its enigmatic allure. Priced at £6000, this artwork...

The colorful umbrellas, early in the morning, on the beach of Deauville in Normandy, France :: Digital :: Contemporary :: This piece comes with an official certificate of authenticit...

Paper Size: 18 x 14 inches ( 45.72 x 35.56 cm ) Image Size: 8 x 8 inches ( 20.32 x 20.32 cm ) Framed: No Condition: A: Mint Additional Details: From the Wayne Gonzales portfolio "Cr...

Paper Size: 18 x 14 inches ( 45.72 x 35.56 cm ) Image Size: 8 x 8 inches ( 20.32 x 20.32 cm ) Framed: No Condition: A: Mint Additional Details: From the Wayne Gonzales portfolio "Cr...

Sennen Cove, Cornwall by Anya Simmons is a limited edition Giclée print that is sold mounted but not framed. The artwork is inspired by magical holidays in Cornwall. Image size with...

An abandoned Holiday Inn sign in Marfa, Texas seems to be part of the native plants surrounding it. With a red flower on top! :: Digital :: Americana :: This piece comes with an offi...

Paper Size: 34 x 36 inches ( 86.36 x 91.44 cm ) Image Size: 27 x 30 inches ( 68.58 x 76.2 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplement...

Tree Study I by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Romare Bearden The Siren's Song Original serigraph in colors on paper Published by HMK Fine Arts, New York From the Odysseus Suite From the rare limited Artist's Proof edition Stamp ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

Paris inondé (1910), 2024. Giclée print on Hahnemühle paper with archival ink, 15 x 24 in. (38 x 61 cm.). Edition: 3 with two APs, signed and numbered.

Sainte Hélène is an Etching realized by P.Bellange in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "Atl...

Ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of the the coast at Shinagawa, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for for Utagawa ...

Medium: Etching w/ Aquatint Year: 2033 Edition: 20 Image Size: 24 x 32 inches Rocky outcroppings off the California coastline. Werger has received over 250 awards in national and ...

This print features a reproduction of La Gerbe (1953), by Henri Matisse, an artist whose work is renowned globally. It's mounted and laminated for protection from dust and UV rays, ...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the Rokugō Ferry in Kawasaki, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hi...

Mountain Rise Eyvind Earle, American (1916–2000) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300, Printers Proof 9/10 Image Size: 39.5 x 19.5 inches Size: 41.75 ...

These stunning prints are created using fine art archival quality inks and canvas with three layers of UV varnish to protect the artwork and enhance the colours. These deep edge box ...

ARTIST: Salvador Dali TITLE: LEs Chantes de Maldoror Memory of Music MEDIUM: Etching Arches paper SIGNED: Not signed PUBLISHER: Albert Skira, Paris MEASUREMENTS: 10" x13" YEAR...

Swim Stop – Large print by Gordon Hunt [2020] Image Size: H:60 cm x W:60 cm Complete Size of Sheet/ Unframed Work: H:70 cm x W:70 cm x D:.1cm This is the only size remaining of thi...

"July Fifteenth" is a lithograph from 1938 by Grant Wood. The artwork size is 9 3/4 x 12 1/2 inches. The framed size is 17 x 19 1/2 x 5/8 inches. The piece is signed in pencil, lower...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the folio, The Drawings of Henry Moore, 1946. Published by Curt Vale...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

Based in Istanbul, Turkish artist and graphic designer Ali Gulec has an eye for images that oscillate between the macabre, irreverent, and absurd. Working at his ikiiki Design Studio...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of Shinmachi Bridge, Hodogaya, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

"Oceanside Trist, Surfer Beach Photo, Surfers with Surfboards ABOUT THIS PIECE: "Oceanside Trist 914" was part of an adventure shoot in Maui. This image is Modern Portrait Photogra...

Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Wings, limited edition photograph, signed, Platinum/Palladium Print My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the ...

Allotments - Summer by Judith Yarrow is a depition of a luscious vegetable allotment with many shades of greens, pinks, oranges and yellows. Additional Information: Giclée Print on...

Cross-Currents (1975), 2024. Giclée print on Hahnemühle paper with archival ink, 23.6 x 24 in. (60 x 61 cm.). Edition: 3 with two APs, signed and numbered.

Archival Giclée print Limited Edition of 100 Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constant...

Bernard CATHELIN Trees in Provence Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c. ...

Evenbode Valley, Ascott-V-Wychwood by Judith Yarrow depicts a traditional Autumn scene showing a row of bare trees on the riverside. The colours are drawn from soft yellows, greens, ...

Paper Size: 7.5 x 6 inches ( 19.05 x 15.24 cm ) Image Size: 7.5 x 6 inches ( 19.05 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: Vintage first edition 1977 pro...

Katrina Revenaugh “Seaton Hall at K-State” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled o...

Katrina Revenaugh “K-State Student Union” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on...

Bernard CATHELIN Water Lilies Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c. 15 8...

Catching Z's is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 77/275 (there were also 100 Roman and 20 AP). Fra...

A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 9/25 Size: 25 in. x 33 in. (63.5 cm x 8...

Diana Kan Fantasy 1990 Mixed Media Lithograph with Mineral Color and hand-applied crimson foil and embossing Silk Embossed Opalescent Paper size 18" x 38" inches Signed in and marked...

The 1956 original travel poster by Capon titled "The Alps: Discover France by Train" presents an enticing invitation to explore the scenic beauty of the Alps region via the SNCF rail...

Daisy Geyser (1910), 2024. Giclée print on Hahnemühle paper with archival ink, 14.6 x 24 in. (37 x 61 cm.). Edition: 3 with two APs, signed and numbered.

TECHNICAL INFORMATION: John Baldessari Two Figures (One with Shadow), from Hegel's Cellar Portfolio 1986 Photogravure and sugar-lift acquatint on torn Rives BFK deckle, printed almo...

René Magritte Décalcomanie Skateboard Decks, 2018 7-ply Canadian Maplewood with screen-print (Set of 2) 31 1/2 × 8 in 80 × 40.3 cm Edition of 250 Part of a limited edition set Inclu...

Katrina Revenaugh “Perfectly Plaza” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Pink, Yellow or...

Katrina Revenaugh “High Performance” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink, Y...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

Golden Tree by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 2/25 Size: 25 in. x 33 in. (63.5 cm x 83.82 cm)

Tree Study III by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of...

Paper Size: 32 x 34 inches ( 81.28 x 86.36 cm ) Image Size: 27.75 x 33.5 inches ( 70.485 x 85.09 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and ...

Sweet Water Dam (1907), 2024. Giclée print on Hahnemühle paper with archival ink, 15.26 x 24 in. (39 x 61 cm.). Edition: 3 with two APs, signed and numbered.

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

The City is an artwork realized in the 1980s by Giuseppe Aleandro.  Hand signed and numbered on the lower margin. Mixed colored screen print. Edition of 17/150 prints.

Pure Place (1980), 2024. Giclée print on Hahnemühle paper with archival ink, 16.7 x 24 in. (43.2 x 61 cm.). Edition: 3 with two APs, signed and numbered.