Mid-20th Century Figurative Sculptures

Charge D’une Croix Constantin Antonovici, Romanian (1911–2002) Date: circa 1950 Hand-Carved Wooden Sculpture Size: 18 x 15 x 3 in. (45.72 x 38.1 x 7.62 cm)

Extremely rare set of chase Equestrian bookends sculpture designed by Walter Von Nessen in 1932. Industrial Design incorporated with the latest materials and machine age approach. Th...

Jesus Christ Constantin Antonovici, Romanian (1911–2002) Date: circa 1950 Hand-Carved Wooden Sculpture Size: 20 x 16 x 2 in. (50.8 x 40.64 x 5.08 cm) Reference: Uricariu/Bulat pg. 45

Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set Kings and Queens could feats on these sculptures, this stunning set of six dining chairs. They are art...

Modern bronze with gold patina figural sculpture, in the style of Alberto Giacometti (Swiss, 1901-1966), not signed, depicting abstract nude male a figures, in a parcel gilt finish, ...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Maquette for Man and Eagle. Bronze with gold brown patina Signed and numbered 1/7 lower left Size 8.7 inches x 10.2 inches ( 22cm x 26cm ). Depth 2.8 inches ( 7cm ) Weight 7.1lb ( 3.24KG) Available for sale; this original bronze plaque with raised relief is by Dame Elisabeth Frink and was conceived and cast in 1967. The maquette is presented and supplied unmounted. There is the option to hang the plaque from 2 rings applied to the rear when in previous ownership. This vintage bronze plaque...

This plaster statue, depicting "the Annunciation," is a sketch for a bronze that the artist would exhibit between 1957 and 1960 at his solo shows at the Strozzina in Florence, the Co...

The bronze was first presented at the VII Quadriennale Nazionale d'Arte in Rome, which was held at the Palazzo delle Esposizioni from November 22, 1955 to April 30, 1956, with Fausto...

Extremely rare black panther bronze sculpture by Louis Albert Carvin circa 1930. This is an example of pure cubist style in black patina, portraying a panther standing tall and proud...

Il bronzo raffigura un fantino e nel 1957 venne esposto alle personali dell'artista alla Strozzina di Firenze e alla Galleria Cocchini di Livorno. Esiste anche un disegno preparator...

Olga Fisch was born in Hungary, studied in Germany and lived in Morocco and Ethiopia before receiving asylum as a Jewish refugee in Ecuador in 1939. For her Indian-inspired designs, Mrs. Fisch uses natural black and white sheep...

“Femme au Levrier” Art Deco statue bust by Raymond Leon Rivoire Sevres France circa 1937. This is a rare and important bust from the iconic Art Deco sculpture Raymond Rivoire...

Art Deco Lion Hunter sculpture Signed by Limousin statue Circa 1930. Limousin ‘Hunter and Lion’ or Chasseur au lion. A Powerful Art Deco Study, in patinated art metal on a portoro ma...

Art Deco French bronze sculpture of panther and gazelle by Alexander Ouline portrays animals in action, a kind of abstract forest floor in bronze all mounted on a wooden base. Ouline...

Franz Hagenauer Male and Female “The Couple” 1930. This rare, highly stylized, and unique piece was made in Vienna in the 1930s. It has recently been restored in a gleaming chrome pa...

Joseph Goethe was one of our finest American modernist carvers in wood. He loved to use exotic and or beautiful woods to inspire his compositions which ranged from figurative, to an...

Portrait de Michéle -Opus 110, is realized by Miguel Berrocal (Villanueva De Algaidas 1933 - Antequera 2006), in 1969. Multiple sculpture in nickel-plated Zamak dismountable into 17...

Abstract brutalist chrome sculpture by Jason Seley "Sculptor's Harp 2". An abstract deep sea monster. Created 1966. Seley's preferred medium was chrome bumpers. Unsigned. Jason Se...

Beautiful abstract sculpture depicting a guitar player. Bronze on wood base measuring 15 x 9 x 4 inches. Actual cast piece without base measuring 17 x 7 x 3 inches. Signed indistinct...

FREE SHIPPING WORLDWIDE Early 20th century Italian cameo with woman profile. Hand carved cameo. Dimensions: H 3.5cm x W 3cm Italian manufactory of early 20th century. Probably Torre del Greco, Neaples area. Silver mounting with perfectly functional clasp mechanism. Some historical notes on coral carving near Naples. The production and carving of coral in the 19th century in Naples and Torre del Greco is an ancient and noble tradition, which originated from the migration of Sicilian coral...

Tête de faune Ed. 29/300 pcs 1948 White earthenware, partially polychromed and glazed 39 x 32 x 4.5 cm Numbered and stamped on the back : Madoura Plein Feu, Edition Picasso, 29/300 P...

Salvador DALI (after) Red Starfish Handpainted ceramic tile Signed in the pattern 8 x 8" (20x20cm) Edited in 1954 by Maurice Duchin and hand crafted in atelier MPG under the control...

Francisco Vazquez Diaz, known as Compostela (1898-1988). Portrait of a Man, 1949. Carved mahogany, measuring 18.75 inches h, 8.5 inches w, 11 in...

This bronze relief ( 29 x 29 cm, plexiglass pedestal 41 x 41 cm) is a model for a commemorative medal dedicated to the Italian Air Force. At the centre there is the Allegory of the ...

1282 Hand made white porcelain Medusa Sculpture

Parrotlet by Armand PETERSEN (1891-1969) & SEVRES Manufacture Sculpture in white paste porcelain Signed « A. Petersen » Old edition artwork. Stamped by the porcelain manufacture of ...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

A lovely bronze sculpture of a Boar, or Pig, nose up. The artist, who died at age 98, worked with some of most notable sculptors of her time. She sculpted along side Elizabeth Frin...

Christo's portfolio of 10 prints and a scale model sculpture of the ‘5,600 Cubic Meter Package’ for Documenta 4 in Kassel, 1968 (height 68 cm). Sold in white vinyl portfolio box. The...

Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated. PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...

Goldscheider - Vienna Wall mask, 1940s-50s. Original paper label at the bottom: Goldsheider. Weltmark of the keramik. Polychrome majolica terracotta, mark on the back and printed num...

Rembrandt BUGATTI (1884-1916) French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) Small size Sculpture in bronze with a nuanced black patina. Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created in 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). Bibliography : - Mary Harvey, The Bronzes of...

This sculpture by Natalie Krol is made of plaster with a beautiful bronze color finish. It is the cast for the bronze. It shows a nude, pregnant woman resting. The expression on her ...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with old gilded nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque Old cast by Susse Frères Raised on wooden bases France Circa 1935 total height for one: 27,5 cm total height for the other: 17 cm Biography: Ary Jean Léon...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often...

Silvered Bronze Art Deco Statue Pair featuring a woman reaching and grasping the antlers of a deer, a rare version of “Chasing the Hind” Designe...

Günther Uecker (German, b. 1930) Do it Yourself, 1969 Medium: Two nails, 300g hammer, wood board Dimensions: 34 × 16.5 × 7 cm (13 2/5 × 6 1/2 × 2 4/5 in) Signature: Hand-signed in pe...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Head of a girl by Paul BELMONDO (1898-1982) Bronze with a nuanced dark brown patina Signed "P. Belmondo" Stamped with the foundry mark "Alexis Rudier. Fondeur Paris" Raised on its ...

French Art Deco Diana the Huntress Bronze by S. Melanie 1930s, crafted in the 1930s, stands as a testament to the artistic brilliance of the era. This extraordinary sculpture exudes ...

Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—a very three-dimensional treatment showing the movement of the animals. Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, exhibited at the Salon de Paris for many years. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups, La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. Unframed This beautiful, limited edition signed cast bronze flower plaque makes a distinctive and original gift! It bears the artist's incised signature and is uniquely numbered from the limited edition of 2500. In 1979, the Crown Zellerbach Corporation of San Francisco, which had worked closely with her on neighborhood arts programs, commissioned Asawa to make a series of bronze bas-relief plaques, including this beautiful piece, which were cast by the Berkeley Arts Foundry. Cast at Berkley Arts Foundry for Crown Zellerbach Another example of this work was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 13 of the exhibition catalogue. Ruth Asawa Biography American artist, educator, and arts activist Ruth Asawa (1926-2013) is known for her extensive body of wire sculptures that challenge conventional notions of material and form through their emphasis on lightness and transparency. Born in rural California, Asawa was first exposed to professional artists while her family and other Japanese Americans were detained at Santa Anita, California, in 1942. Following her release from an internment camp in Rohwer, Arkansas, eighteen months later, she enrolled in 1943 in Milwaukee State Teachers College. Unable to receive her degree due to continued hostility against Japanese Americans, Asawa left Milwaukee in 1946 to study at Black Mountain College in North Carolina, then known for its progressive pedagogical methods and avant-garde aesthetic environment. Asawa's time at Black Mountain proved formative in her development as an artist, and she was particularly influenced by her teachers Josef Albers, Buckminster Fuller, and the mathematician Max Dehn. She also met architectural student Albert Lanier, whom she would marry in 1949 and with whom she would raise a large family and build a career in San Francisco. Asawa continued to produce art steadily over the course of more than a half century, creating a cohesive body of sculptures and works on paper that, in their innovative use of material and form, deftly synthesizes a wide range of aesthetic preoccupations at the heart of postwar art in America. Asawa’s work has been exhibited widely since the early 1950s, including early solo exhibitions at Peridot Gallery, New York in 1954, 1956, and 1958. In 1965, Walter Hopps organized a solo exhibition of the artist’s sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where Asawa completed a residency at the Tamarind Lithography Workshop the same year. Other solo presentations include those held at the San Francisco Museum of Art (1973); Fresno Art Museum, California (2001; traveled to Oakland Museum of California, 2002); de Young Museum, San Francisco (2006); Amon Carter Museum of American Art, Fort Worth, Texas (2012); and Norton Simon Museum of Art, Pasadena, California (2014). In 2018 to 2019, the Pulitzer Arts Foundation in St. Louis presented Ruth Asawa: Life’s Work, the first major museum exhibition of the artist’s work in more than a decade. An accompanying catalogue published by Pulitzer Arts Foundation and Yale University Press includes essays by Aruna D’Souza, Helen Molesworth, and Tamara H. Schenkenberg. The two-person exhibition, Lineage: Paul Klee and Ruth Asawa was on view at the San Francisco Museum of Modern Art in 2021. In 2022, Ruth Asawa: Citizen of the Universe was on view at Modern Art Oxford, England, and later traveled to the Stavanger Kunstmuseum, Norway. Opening September 16, 2023 at the Whitney Museum of American Art, New York is Ruth Asawa: Through Line, a solo presentation which will later travel to the Menil Drawing Institute in Houston. The artist’s works have also been included in significant group exhibitions, including Leap Before You Look: Black Mountain College 1933–1957, Institute of Contemporary Art, Boston (2015; traveled to Hammer Museum, Los Angeles, and Wexner Center for the Arts, Columbus, Ohio, 2016-2017); America Is Hard to See, Whitney Museum of American Art, New York (2015); Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser & Wirth, Los Angeles (2017); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); The Pencil Is a Key: Drawings by Incarcerated Artists, The Drawing Center, New York (2019); and In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury, Art Institute of Chicago (2019). A selection of the artist's work was presented at the 59th Venice Biennale, The Milk of Dreams (2022). In addition to her wire sculptures, Asawa is well known for her public commissions, particularly in San Francisco and the wider Bay Area. These include the much beloved Andrea fountain in Ghirardelli Square (1966-1968) and the San Francisco Fountain outside the Grand Hyatt Union Square (1970-1973), the latter of which includes hundreds of baker’s clay images molded by local schoolchildren, friends, and other artists cast...

Jean Cocteau ( 1889 - 1963 ) Vé and Astrology ceramic's pendant : Vé : signed underneath White 1ere variant ( Terre blanche en relief ). page 212 Size: 7 x5.5 cm catalogue rai...

"Jim Jim" is an ebony carving by Tom Brun, sculptor and Detroit Zoo Keeper, who cared for the real Jim Jim at the Detroit Zoo. This ebony sculpture is in beautiful condition with slight exposure to the lighter streak of wood sometimes found in ebony. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. Tom knew Jim Jim from birth and cared for him with love and attention. Brun was a compassionate zookeeper and advocated for less cages and more space for an animal to roam. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...

Additional Information: Provenance: Collection of Judith Cohen, Palm Beach and New York, by descent. Marking(s); notes: signed; ed. 4/11 Country of origin; materials: Mexico; bronz...

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United...

A charming, kitsch comical post-war porcelain ashtray or catchall, vide-poche. Made in Japan during the late 1940s or early 1950s. The original "Japan" label is affixed to the back. ...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

Exhibited in Rome in 1953 with the exhibition label affixed inside. Glazed ceramic, Hand-formed sculpture of a head with abstract surface decoration. Sicilian-born and active in Rom...

The three graces are described in Greek Mythology as the deification of beauty. These three sisters' role was to attend to the Olympians during feasts and other celebrations. Atonovi...

Rendered in bronze, this bas-relief portrait of the 16th president of the United States is from a limited run of only two editions. The wall-mounted artwork is signed in the metal ve...

St Michel Archangel Sculpture by P Barlaud Wooden Sculpture of Saint Michel fighting the Dragon Classic French subject which also has Georg...

Beautiful vintage cobalt blue lidded porcelain trinket jewelry box with gold hand-painted floral decorative rim. The central illustration is of a couple dressed in Louis XVI period s...

Whimsical white vintage 1960s Westmoreland milk glass bowl with figure-shaped lattice detail. Size: 4" tall x 8" diameter Great vintage condi...

Signed on base: "Hazel Brill Jackson". Also with artist's monogram. In fine condition. Hazel Brill Jackson (Born December 15, 1894, in Philadelphia) spent most of her early childhood in Italy. Attending the Scuola Rosatti in Florence, Jackson enjoyed afternoons at the zoo, pursuing her favorite pastime: drawing animals. World War I forced the return of the Jackson family to the United States where they settled in Boston. Hazel spent the next four years at the Boston Museum School, where she studied with Bela Pratt and Charles Grafly. Jackson returned to Rome after the war, where she worked with Angelo Zanelli and later had her own studio. With such works as Roman Work Horse and Ned (Mussolini's favorite jumper), she began to exhibit both in Rome and Florence, and eventually became a member of the Circolo Artistico di Roma. The sculptress returned to the United States in 1935 and opened a studio in Newburgh, New York. She continued to sculpt animals, concentrating on horse and dog portraits. Jackson had one-woman shows at the Guild of Boston Artists in 1938 and in 1968. In 1945, she was awarded the Ellin P. Speyer Prize by the National Academy of Design in New York City for Play-Day and Romance (a mare and foal group) and in 1949, she won the same prize for Indian Antelope. Hazel Jackson is represented in the Brookgreen Gardens collection by The Listeners, a sculpture group of raccoons, which was placed there in 1964. Don Quixote, now at Wellesley College won Jackson the Mahonri Young...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Jules Edmond Masson (French, 1871–1932) Bronze Figure of a Lurcher Dog, 1930 Bronze with brownish green patination, on a fitted stone base The base inset with a bronze plaque reading...