Art Nouveau

Miniature with Venetian landscape by DAUM Miniature in the shape of a tumbler with Venitian landscape decoration Cameo blown-molded glass Decor acid-etched and painted in enamel he...

"From: Ilsée, Princesse de Tripoli Recto: "Flood" Verso: "Trials of the Pilgrimage" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from ...

Theatrical Scene is an original drawing in pencil on paper realized by Maurice Lourdey (1860-1934) Stamp on the lower right ""CJ" Good conditions. The drawing represents an intere...

"Departing Beauty" and "Dreams" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 94 & 93 of "Ilsee, Princess...

Figures is an original modern drawing in pen on paper realized by an Anonymous artist of the early XX century after Gustave Henri de Beaumont (1851-1922). ...

HELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...

Veiled Woman is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 19...

The Female Players is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower central margin: F. Bac 1922. Original Litho...

The Giant and the Woman is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lit...

Il Timone is an original woodcut on ivory-colored paper realized by Adolfo De Karolis. The state of preservation is excellent. Signed and titled, ...

The Giant is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F.Bac 1922....

The Sensual Musician is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F.Bac 1922. Original Lithograph on paper. Perfect conditions. The Sensual Musician is an Excellent Liberty Lithograph...

The Fall of Troy is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Signed and dated on ...

The Awakening is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Signed and dated on plate on the lower right corner: F. Bac 1922. Excellent conditions. The Awakening depicts a very interesting scene. A girl below is awakened by an apparition of a standing and monumental female figure on her right. She is, according to the headdress, the Goddess Minerva, goddess of the wisdom. the Goddess is taking off a veil to reveal herself. On the right you can see a glimpse of vegetation; the figures indeed are surrounded by dense vegetation. Ferdinand Bac (1859 - 1952). Ferdinand-Sigismond Bach, known as Ferdinand Bac was a French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. He attended Adolphe Thiers, Gambetta, Richard Wagner, Victor Hugo, Taine, Villiers de L'Isle-Adam, Paul Verlaine, Maurice Barrès, Barbey d'Aurevilly, Alphonse Daudet, Guy de Maupassant, Verdi, Gounod, Pierre de Nolhac, and many more other famous people of the time. He established himself as one of the first cartoonists and caricaturists of his time, as famous as Albert Robida...

The Greek City is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Excellent conditions. The Greek City is an excel...

Women and Amphorae is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Excellent conditions. Women and Amphorae is ...

The Fountain is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in the 1920s. Original Lithograph on ivory paper.Image dimensions: 19 x 14 cm. Signed and dated o...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

This color double-sided lithograph is from Alphonse Mucha's "Ilsee, Princess of Tripoli." The front of this piece, "Rudel of Blaye" features the royal family and subjects (sans text)...

Sadness is an original drawing in china ink realized by Chevalien in 1901. Hand-signed on the lower right. The state of preservation of the artwork is good with some rip and broken...

Serene and delicate still life by unknown artist "S. A." (likely French). A blue pitcher stands proud above an open book, with a branch of mistletoe draped across it. The objects are...

"From: Ilsée, Princess of Tripoli Recto: "Vision of Jaufre" Verso: "Love's Dream" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "I...

Degas, Edgar (after) (1834 -1917) "Ludovic Halevy Backstage" Monod 5797, Adhemar 71, Skira 58, Stern 25 Soft-Ground Etching created from a Monotype, 1938-9 First State. # 251 from ...

"The Prince Father's Heart" and "Jaufre's Feared Affection" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 11 & 12 of "Ilsee, Princess of Tripoli," published in 1897. These pages feature decorative Art Nouveau motifs and romanticized figures. 8 1/2" x 6 11/16" art (both verso and recto) 19 3/4" x 17 5/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...

"Guiding Light" and "Nature's Course" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 113 & 114 of "Ilsee, ...

"From: Ilsée, Princesse de Tripoli Recto: "A Vision" Verso: "Worried Souls" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, ...

LOUIS J. RHEAD (1858-1926) THE BOOKMAN / CHRISTMAS NUMBER. Circa 1895. 19x11 1/2 inches, Dodd, Mead & Company, New York. Color Lithograph. Good condition. No rips or tears or folds. Good color. Framed. Ref: Das Plakat...

"From: Ilsée, Princess of Tripoli Recto: "Princess and Djeldah" Verso: "Fruit" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilse...

Rozsa/Szucs. Ca 1915. Budapest. Color lithograph. Hungarian Art Nouveau posters are rare. Bardócz was a graphic artist and painter, active between the 1910’s and the 1930’s. His p...

"From: Ilsée, Princess of Tripoli Recto: "Oasis Beetles" Verso: "Visiting Ilsee's Palace" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs ...

"From: Ilsée, Princess of Tripoli "Princess Ilsee's Oasis Throne" is an original lithograph by Alphonse Mucha. From "Ilsee, Princesse de Tripoli," a rare illustrated book. Image: ...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

"Pink Flower" is an original watercolor on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This piece depicts a flower in graphic style. 11 3/4" x 6" art 13...

Le Soleil de Minuite. 1898. Color lithograph. On Linen A Student of Jules Cheret, he created posters between 1895 and 1905 in the workshop Chaix produced ...

The Old Man and the Sea. 1901. Color lithograph, On Linen. Framed. Maurice Amédée Louis Bias (shortened as Maurice Biais) (30 December 1872 – 8 April 1926) was a French painter, draughtsman and illustrator. From 1899, he designs furniture for La Maison Moderne...

Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy with music by Rodolphe Berger. Ref. Broido No. 21 The Clerice Frères...

4 Color lithograph. 19 3/8 x 10 5/16; 23 x 16 5/16". HG Ibels lower right on stone; No.86 lower left margin, pencil. Blind Stamp (upside down) upper left margin. Published by L...

"From: Ilsée, Princess of Tripoli Recto: "Writing Verse" Verso: "Love's Lyre" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

Émile Bertrand's poster for Jules Massenet's Cendrillon, advertising the première performance at the Théâtre National de l'Opéra-Comique, Paris. 1899. Color lithograph. On linen. De...

Program for Les Fossiles. 29 November 1892. Second program for the 1892-1893 Theatre Libre season. Very light horizontal and vertical fold, otherwise in very good condition. Four-c...

"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate. 15 3/4" x 12" art Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher. During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry. From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...

Anonymous. The Photo Miniature series of Monographs on Photography For sale here. Tennant. Ca 1898. Color lithograph. 20 ¼ x 12 ½ inches. Lovely Turn of the Century poster...

Color Lithograph from L'Estampe Modern. 1897-1898. Each print shows the blindstamp imprint of the publication. Many of the most acclaimed French Art Nouveau artists contributed to ...

Sarah Noble Ives, artist (1864-1944). Original drawing of three Dutch children, with an ink inscription reading: “Full Page / 6 Buff / Three children sliding on the ice / upon a summer’s day” above image. Ink, watercolor, and gouache on linen/board. Illustration for Mother Goose...

Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....

Clark, A.H. The Lotus. Ca 1890.Original Lithograph. 22 3/4 x 13" sheet, 26 1/2 x 17" on linen. Rare.

ELIOT, Maurice (1864-1945). Printemps. September 1897. British Artist. Color lithograph. Color Lithograph from L'Estampe Modern. 1897-1898. Each print shows the blindstamp imprint o...

Vase with sloes by DAUM A spindle-shaped vase with a blue sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve...

Etching and acquatint in black ink, 1875. B/g 100 For Une vielle mistress before the symphonic margins were removed and the plate cut. Printed on japon paper. State iii/v. 6 . Signed Felix Buhot...

[Poster for Harper’s New Monthly Magazine, May 1895]. Woman in a blue dress with Harper’s, wandering through a flock of sheep. Color Zincograph. New York: Harper & Brothers,1895. Signed in stone bottom right: EDWARD PENFIELD. Ref: Das Plakat...

D'Horticulture de France. Ca 1899. Color lithograph. On Linen 47 x33". Bourgeois was a painter of landscapes and murals. Bourgeois received a bronze medal in1889 and 1900 ...

Ibels, Henri-Gabriel.."Le Devoir", fouth programme for Le Theatre Libre. four-color lithograph, 1892-1893. 9 1/2 x 12 1/2". Ref: Artistes et Theatre d' Avant-Gardes, Programmes ...

Program for Theatre Libre Boubouroche Valet De Coeur. Sixth program for Le Theatre Libre, four-color lithograph, 1892-1893. Ref: The Color Revolution 101: Artistes et Theatre d' Ava...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

Vase with sloes by DAUM Vase with a sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve for the leaves. Decor ...

A verdigris patinated cast bronze, relief vase decorated with maidens and putti frolcking while holding a long garland and centaur masacron handles.  Cast signed and foundry mark fo...

Charles Samuel – Thyl Ulenspiegel and Nele (after the Monument to Charles De Coster, 1894) Bronze, marble base, 66 x 61 x 27 cm Cast by Petermann, Brussels A moment of intimacy and d...