Naturalistic Art

'Cretan dream' 32x43 cm limited edition of 20. Crete, Greece 2022. Printed on heavyweight Photo rag Baryta Hahnehnmule fine art paper. Signed front and back, comes with a certifi...

This fine antique oil painting depicts two ladies seated in a 19th Century style interior. In front of the woman on the right is an antique wool spinner; the woman pauses her work at...

Danish Painter School J Beney? J. Brady? signed and dated lower left 1868 Songbird in a snowy underground

Colourful Woodland With Bluebells by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:5...

The Milking Girl is an original modern artwork realized in 1889 by Filippo Palizzi. Original Etching. Signed and dated on plate on the lower right c...

Image dimensions: 14x22 cm. Horse with Herds is a really beautiful china ink original drawing on paper, signed and dated in black ink on lower margin by the Italian artist, Filippo Palizzi...

Village House is an original painting in watercolor realized in 1890 ca. by an anonymous French artist of the end of 19th century. The state of preservation is good. Included a Pass...

MODEST URGELL Spanish, 1839 - 1919 CATALONIA LANDSCAPE signed “Urgell” (lower left) oil on canvas 27-1/4 x 51-1/4 in. (69 x 130 cm.) framed: 31-1/4 x 55-...

French painter (dated 1919) - Still life with vase of roses. 117 x 90 cm. Antique oil painting on canvas, without frame. - Work signed and dated bottom right: “P. Daudenarde 1919”...

Chromolithograph of Ducks, laid on to contemporary card (as published). [Charles Scribner's Sons, New York, 1878]. Alexander Pope, Jr., was an American sculptor and painter. He’s kn...

Leather-covered toy horse. Italy, 20th century. 75 x 30 x h 53 cm. Wooden structure entirely covered in leather. - This item is sold with a certificate of authenticity with legal...

WEINMANN, Johann Wilhelm. Melons Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Weinmann (168...

Still life with bouquet of flowers and landscape, in delicate cooling pastel colours. Hand-signed oil painting, unique. With suitable, silver frame, Ready to Hang. A beautiful artwork that looks good in every room and especially in the living room or bedroom. About Alain Geneau...

Sir Alfred Munnings R.A. (1878 - 1959) 'Favourite Hound' Oil on Wood Framed 98 x 74 cm Sir Alfred Munnings R.A. was known as one of England's finest painters of animals and as an ou...

The artist has an elegant mark of nature, and the experience of working en plein air allows her to capture emotions that would otherwise not be possible. She is considered Italy's best botanical artist and collaborates with many botanical gardens where she also holds watercolour courses, a technique she masters like few contemporary artists. The artist herself prepared the background in real, stainless gold, which gives it a modern, warm surface that chameleonically matches the colours of the surrounding walls. Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to develop interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolour allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolour technique and her extensive botanical knowledge, Margherita Leoni is considered the heir of Margaret Mee. Among her most important exhibitions, three of her artworks were selected by Shirley Sherwood...

La scultura, a forma di un ideale e perfetto alveare, sottolinea anche il desiderio dell'artista di mettere l'accento sull'influenza che le api hanno rispetto a...

Bronze sculpture by the Italian-American sculptor Jessica Carroll Diameter cm 80 + iron base, kg 110 (pure bronze). Jessica Carroll's elegant and uni...

A highly impressive display of painterly skills are apparent in this stunning still life of flowers by Gerald Cooper. The detail that he captures is breathtaking, from the delicate p...

This plate is unique both for the unmistakable beauty of the bird species and for the great scientific and artistic skill of Elisabeth and Jhon Gould to have rendered it. The price ...

WEINMANN, Johann Wilhelm. Citrus and Apricots Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plate, being one of the earliest examples of colour printing. Johann ...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...

WEINMANN, Johann Wilhelm. Apples Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Weinmann (16...

Charles Frederick de Brocktorff (1775–1850) ‘Camelopard – a present from the Pacha of Egypt to the King – at Malta on its way to England’ Signed and dated C.F. de Brocktorff. / 1827. lower right, inscribed as titled in the painted margins lower centre. Pencil and watercolour heightened with gold paint and gum arabic on paper, 36.8 x 27.9 cm A gift so majestic, it made kings blush, and a gift so grand, it would startle Europe into a craze. Pasha Muhammad Ali of Egypt (1805-1848) did it in 1827: he sent to Europe three magical spotted, horned creatures, each with a neck reaching the skies and legs as long as a house is high. One giraffe to King Charles X of France, one to Francis I of Austria and the most fabled one to King George IV of England. A curious sight for Europeans, who had not seen such a beast since the Medici giraffe in 1487. Few animals created more of a stir in Europe than these royal...

WEINMANN, Johann Wilhelm. Java Apples Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Weinmann...

Hand-Forged Life-Size Sunflower Sculpture by Italian Hammersmith - Indoor & Outdoor Art Description: Bring the warmth and poetry of nature into your space with this exquisite life-size sunflower sculpture, masterfully handcrafted by a renowned Italian hammersmith. Designed for both indoor and outdoor settings, this piece radiates elegance, charm, and artisanal excellence. Each sunflower is forged by hand using traditional techniques passed down through generations, embodying the essence of Italian craftsmanship. The delicate curvature of the petals, the intricate texture of the center, and the organic lines of the stem all contribute to a sculpture that feels alive with movement and emotion. Whether placed in a garden, terrace, entrance hall, or contemporary living space, this sculpture becomes an immediate focal point-inviting conversation, admiration, and a deeper appreciation for handmade artistry. Details: Origin: Italy Material: Hand-forged iron Finish: Natural patina suitable for outdoor use (custom finishes available on request) Dimensions: Life-size scale Condition: New, Suitable for: Indoor or outdoor display Style: Organic, botanical, timeless Celebrate the beauty of nature through the hands of an Italian master. A truly unique and timeless piece for collectors of fine art and lovers of bespoke design. Based in Caldes (Trentino, Italy), Zanoni is heir to a family tradition of blacksmithing passed down from his father, Luciano Zanoni, who famously forged a monumental four-meter olive tree sculpture...

18th-century celestial FLAMSTEED, John. Cetus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...

British Painter (dated 1899) - Dogs chasing a mouse. 51 x 76.5 cm without frame, 68 x 93.5 cm with frame. Old painting, oil on canvas, in a gilded wooden frame. - Work signed and ...

Woodland Stems on Dark by Jo Haran [2021] original Gouache, watercolour ink and gesso. Image size: H:64 cm x W:47.3 cm Complete Size of Unframed Work: H:67 cm x W:50.7 cm x D:0.01cm...

A piece form the jungle series, recently exhibited in the Orto Botanico museum in Rome

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Deer in a Mountain Landscape Wenzel Karl-Heinz 1932 – ? 20th Century German Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Im...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

PONTING, Herbert. Davis - ships carpenter - building Cape Evans hut. circa 1935. Classic Ponting photograph from Captain Scott’s Terra Nova exped...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

'Ranunculus Butterfly no.2’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée prin...

Dancing Stems by Jo Haran [2020] original Gouache, watercolour ink and gesso. Image size: H:53.2 cm x W:62 cm Complete Size of Unframed Work: H:56 cm x W:64.5 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Dancing Stems' by Jo Haran is an original paitnng of lively rose stems and dark inky leaves in a dynamic composition. I used touches of neon pink acrylic...

Héliogravure after photographs by Loewy and Puiseux depicting the Moon’s surface, from Atlas Photographique de la Lune. [Published: Imprimerie Nationale, Paris, 1899]. The finest a...

Time Together by Michael Sanders [2021] original Oil paint on canvas Image size: H:91.8 cm x W:91.4 cm Complete Size of Unframed Work: H:91.8 cm x W:91.4 cm x D:3.6cm Sold Unframed ...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51.5 x 76.5 cm without frame, 57 x 82 cm with frame. Antique oil painting on canvas, in a gilded wooden fr...

Andrea Bates, Original Oil Painting, 46x61cm Down the sunny lanes in Oxfordshire where the sunlight catches the delicate blossoms of cow parsley after a ra...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Autumn motif. 1973, paper, watercolor 53.5x55.5 cm Still life with orange flowers in a vase Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint figural composit...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Still life with balsam, chocolate and lemon. 1969. Paper, watercolor, 54x46 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint f...

Wild Flower Garden With Bees by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:0.1cm Sold ...

'Coupled Poppies’ and Poppy No.3 two prints Each print 8x10" from limitd edition of 30. Photographed in London, United Kingdom 2023. It is a still life black and white film...

"The unripe water" figuratif marine acrylique on linen canvas 74x90cm sea blue white the force that lifts the water and the blast of foam

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det ...

Clare Halifax G is for Girafeei Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin p...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

Venetian painter (early 19th century) - Venice, view of the gardens with the Coffee House towards the Basilica of S. M. della Salute. 15 x 23 cm without frame, 22 x 30 cm with frame...

Venetian painter (19th century) - Padua, Porta Liviana. 37.5 x 48.5 cm without frame, 50.5 x 60 cm with frame. Oil on canvas, in carved wooden frame. Condition report: Good state ...