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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)
Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)

Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)

Located in Middletown, NY

London: Thomas Bensley, 1805. Etching and engraving with hand coloring in watercolor, 10 1/4 x 8 inches (260 x 204 mm) the full sheet, margins trimmed. In very good condition with e...

Category

Early 19th Century English School Art by Medium: Engraving

Materials

Watercolor, Engraving, Etching

The Persian Cyclamen (Plate 4 from The Temple of Flora, or Garden of Nature)
The Persian Cyclamen (Plate 4 from The Temple of Flora, or Garden of Nature)

The Persian Cyclamen (Plate 4 from The Temple of Flora, or Garden of Nature)

By Abraham Pether

Located in Middletown, NY

London: Kew Gardens, 1804. Mixed-method engraving (combining aquatint, stipple, line engraving, and mezzotint), printed in color a la poupée with hand-coloring in watercolor and gou...

Category

Early 19th Century English School Art by Medium: Engraving

Materials

Engraving, Watercolor, Mezzotint, Aquatint

Fonte Nuova, Siena
Fonte Nuova, Siena

Fonte Nuova, Siena

By Joseph Pennell

Located in Middletown, NY

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Category

Late 19th Century American Modern Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Fairfield, CT

Artist: Pablo Picasso (1881–1973) Title: Untitled (Sans titre) Year: October 25, 1949 Medium: Engraving on velin de Montval paper Paper Size: 13 x 10.187 inches (33.02 x 25.88 cm) Co...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Tritonia Deusta Copper-Colour Tritonia /// William Curtis Flower Engraving Orang
Tritonia Deusta Copper-Colour Tritonia /// William Curtis Flower Engraving Orang

Tritonia Deusta Copper-Colour Tritonia /// William Curtis Flower Engraving Orang

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Tritonia Deusta Copper-Colour Tritonia" (Vol. 17, Plate 622) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: ...

Category

Early 1800s Victorian Art by Medium: Engraving

Materials

Watercolor, Engraving, Intaglio

Fritillaria Racemosa Oriental Fritillary (Slender Fritillary) /// Curtis Flower
Fritillaria Racemosa Oriental Fritillary (Slender Fritillary) /// Curtis Flower

Fritillaria Racemosa Oriental Fritillary (Slender Fritillary) /// Curtis Flower

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Fritillaria Racemosa Oriental Fritillary (Slender Fritillary)" (Vol. 30, Plate 1216) Portfolio: The Botanical Magazine; or, Flower...

Category

Early 1800s Victorian Art by Medium: Engraving

Materials

Watercolor, Engraving, Intaglio

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Baudelaire de Profil en Chapeau - Etching by Edouard Manet - 1869
Baudelaire de Profil en Chapeau - Etching by Edouard Manet - 1869

Baudelaire de Profil en Chapeau - Etching by Edouard Manet - 1869

Located in Roma, IT

Etching and drypoint on paper, realized in 1867/68 and published in 1869. 3rs state on 3, printed by Salmon and published in 1869, with the addition of lettering. Ref. Harris 59; G...

Category

1860s Impressionist Art by Medium: Engraving

Materials

Paper, Drypoint, Etching

"Les Pauvres" Pablo Picasso, Modernist, Early Period, Family, Black and White
"Les Pauvres" Pablo Picasso, Modernist, Early Period, Family, Black and White

"Les Pauvres" Pablo Picasso, Modernist, Early Period, Family, Black and White

By Pablo Picasso

Located in New York, NY

Pablo Picasso Les Pauvres, 1905 Etching and drypoint 9 1/4 x 7 1/8 inches 11 1/4 x 8 5/8 inches full sheet Edition of 250 Pablo Picasso was one of the most influential and celebrat...

Category

Early 1900s Modern Art by Medium: Engraving

Materials

Paper, Drypoint, Etching

Lemon, botanical flower engraving with original hand-colouring, 1816
Lemon, botanical flower engraving with original hand-colouring, 1816

Lemon, botanical flower engraving with original hand-colouring, 1816

Located in Melbourne, Victoria

'Citrus, Colchium, Cistus Ladaniferus, Coffea Arabica' English botanical engraving with original hand-colouring. 1816 From Thomas Green's 'Universal Herbal, or Botanical, Medical, ...

Category

1810s Other Art Style Art by Medium: Engraving

Materials

Engraving

Famous Portaits of George and Martha Washington after Gilbert Stuart
Famous Portaits of George and Martha Washington after Gilbert Stuart

Famous Portaits of George and Martha Washington after Gilbert Stuart

Located in Fairlawn, OH

John Sartain (1808-1897) after Gilbert Stuart (1755-1828) George Washington and Martha Washington, A Pair Mezzotints, handsomely framed in period style reproduction frames with silk ...

Category

1860s American Realist Art by Medium: Engraving

Materials

Mezzotint

The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored
The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored

The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored

Located in Saint Augustine, FL

Artist: Peter Brown (English, Active: c.1758-1799) Title: "The Fossane (Malagasy Civet)" (Plate XLIII - 43) Portfolio: New Illustrations of Zoology, Containing Fifty Coloured Plates ...

Category

1770s Old Masters Art by Medium: Engraving

Materials

Watercolor, Laid Paper, Intaglio, Engraving

Fritillaria Pyrenaica (Pyrenean Fritillary) /// William Curtis Flower Engraving
Fritillaria Pyrenaica (Pyrenean Fritillary) /// William Curtis Flower Engraving

Fritillaria Pyrenaica (Pyrenean Fritillary) /// William Curtis Flower Engraving

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Fritillaria Pyrenaica (Pyrenean Fritillary)" (Vol. 18, Plate 664) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Y...

Category

Early 1800s Victorian Art by Medium: Engraving

Materials

Watercolor, Engraving, Intaglio

Pineapple, botanical flower engraving with original hand-colouring, 1816
Pineapple, botanical flower engraving with original hand-colouring, 1816

Pineapple, botanical flower engraving with original hand-colouring, 1816

Located in Melbourne, Victoria

'Bromelia, Bryonia, buphthalmum, Bupleurum' English botanical engraving with original hand-colouring. 1816 From Thomas Green's 'Universal Herbal, or Botanical, Medical, and Agricul...

Category

1810s Other Art Style Art by Medium: Engraving

Materials

Engraving

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Sailing Boats; From the journal Camera Work
Sailing Boats; From the journal Camera Work

Sailing Boats; From the journal Camera Work

By Heinrich Kuhn

Located in Middletown, NY

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Engraving, Photogravure

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s American Impressionist Art by Medium: Engraving

Materials

Drypoint

Black Panther, Kate Boxer, limited edition print, contemporary
Black Panther, Kate Boxer, limited edition print, contemporary

Black Panther, Kate Boxer, limited edition print, contemporary

By Kate Boxer

Located in Deddington, GB

Panther by Kate Boxer is a limited edition drypoint etching with carborundum. The bold black and white print is a statement artwork in any room. Kate Boxer makes the plates in her st...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea

By Peter Milton

Located in Middletown, NY

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

Category

1980s American Modern Art by Medium: Engraving

Materials

Engraving, Etching

The Invitation - Extra-large Painintg, Abstract, Figurative, Blue, Earth-tones
The Invitation - Extra-large Painintg, Abstract, Figurative, Blue, Earth-tones

The Invitation - Extra-large Painintg, Abstract, Figurative, Blue, Earth-tones

By Karnish Art

Located in Pretoria, Gauteng

Title: The Invitation Oversized, Extra-large painting, Bold, Elephant, Rabbit, Figurative, Geometric, Earth-tones, Original, One-of-a-kind This piece serves as an INVITATION to abu...

Category

21st Century and Contemporary Abstract Impressionist Art by Medium: Engraving

Materials

Gesso, Cotton Canvas, Oil, Acrylic, Engraving

Vernon
Vernon

Vernon

By J.M.W. Turner

Located in Middletown, NY

Turner, J. M. W. & J. T. Willmore (engr.) Vernon London: 1845. Fisher, Son & Co. Engraving on cream wove paper, 8 1/2 x 12 /12 inches (216 x 318 mm), the full sheet, full margins. ...

Category

Mid-19th Century English School Art by Medium: Engraving

Materials

Watercolor, Engraving

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Art by Medium: Engraving

Materials

Drypoint, Etching, Aquatint

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed
Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Les Caveliers de l'Apocalypse Drypoint etching on chromolithograph, embossed from 1971. The edition of 197/197 on Rives paper. Countersigned by the edi...

Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching, Embossed Print

Landscape with Pair on Wooden Bridge

Landscape with Pair on Wooden Bridge

By Nicolaes de Bruyn

Located in Chicago, IL

Engraving after Egidius Coninxloo (c. 1581 - 1619), executed by Nicolaes De Bruyn (Antwerp 1571 - 1652 Amsterdam) Unidentified watermark

Category

Early 17th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph

Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph

By McKenney & Hall

Located in Alamo, CA

This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...

Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

The Arch of Titus
The Arch of Titus

The Arch of Titus

By Matthew Dubourg

Located in Middletown, NY

London: printed for J. Taylor, 1844. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the ...

Category

Mid-19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Etching, Aquatint, Watercolor

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Fairfield, CT

Artist: Pablo Picasso (1881–1973) Title: Untitled (Sans titre) Year: October 25, 1949 Medium: Engraving on velin de Montval paper Paper Size: 13 x 10.187 inches (33.02 x 25.88 cm) Co...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Hiboux et Chouettes #10, portrait of an owl by Marjan Seyedin
Hiboux et Chouettes #10, portrait of an owl by Marjan Seyedin

Hiboux et Chouettes #10, portrait of an owl by Marjan Seyedin

By Marjan Seyedin

Located in Palm Springs, CA

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Category

2010s Contemporary Art by Medium: Engraving

Materials

Drypoint, Aquatint

Market Square, Rothenburg, Germany
Market Square, Rothenburg, Germany

Market Square, Rothenburg, Germany

By Paul Geissler

Located in Middletown, NY

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...

Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Alligator, Kate Boxer, original print
Alligator, Kate Boxer, original print

Alligator, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Alligator print is a limited edition drypoint etching by printmaker, Kate Boxer. The bold shapes and deep colour that the carborundum lends to the piece give depth to the minimalist ...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Engraving, Laid Paper

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century
Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

By Julie Mehretu

Located in Bristol, GB

Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint, Laid Paper

Untitled
Untitled

Untitled

By Arthur Luiz Piza

Located in Paris, FR

Engraving Edition : 99 ex. Image dimensions : 11.50 cm. x 10.00 cm. (4.53 in. x 3.94 in.) Paper dimensions : 22.50 cm. x 32.50 cm. (8.86 in. x 12.8 in.) Handsigned by the artist in p...

Category

1970s Abstract Art by Medium: Engraving

Materials

Engraving

Lone Tree Schoodic Point, mezzotint print of Maine coastline
Lone Tree Schoodic Point, mezzotint print of Maine coastline

Lone Tree Schoodic Point, mezzotint print of Maine coastline

By James Groleau

Located in Palm Springs, CA

Lone Tree Schoodic Point is part of James Groleau’s Salt Granite Spruce series, a body of mezzotints drawn from the rugged coastline and inland waterways of Maine. Through dense blac...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Engraving, Etching

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

By Johann Wilhelm Weinmann

Located in Alamo, CA

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

New York Skyline
New York Skyline

New York Skyline

By Louis H. Ruyl

Located in Middletown, NY

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Handmade Paper, Etching, Drypoint

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.