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Art by Medium: Engraving

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Medium: Engraving
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...
Category

1860s Victorian Art by Medium: Engraving

Materials

Engraving

70s Bronze Flower Sculpture Plaque limited edition Signed, Berkley Arts Foundry
By Ruth Asawa
Located in New York, NY
Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. This beautiful, limited edition signed cast bronze flower plaque...
Category

1970s Abstract Art by Medium: Engraving

Materials

Bronze

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

La Seine à Courbevoie
Located in Middletown, NY
Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...
Category

Early 20th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
Located in Storrs, CT
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Category

19th Century Impressionist Art by Medium: Engraving

Materials

Watercolor, Drypoint

Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category

17th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Handmade Paper, Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Engraving

Materials

Engraving, Woodcut

"Antonin Proust" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...
Category

1890s Art by Medium: Engraving

Materials

Drypoint, Etching

Composition III
Located in Paris, FR
Engraving Handsigned by the artist in pencil Edition : 13/95 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image) Arches paper A...
Category

1970s Abstract Art by Medium: Engraving

Materials

Engraving

'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category

1730s Realist Art by Medium: Engraving

Materials

Engraving

Monkeys, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Monkeys Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...
Category

Early 1800s Victorian Art by Medium: Engraving

Materials

Engraving

Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category

Early 20th Century Realist Art by Medium: Engraving

Materials

Handmade Paper, Drypoint

“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...
Category

1910s Naturalistic Art by Medium: Engraving

Materials

Paper, Drypoint, Etching

LOVE (Pink) sculpture, official replica with Indianapolis Museum of Art stamp
Located in New York, NY
Robert Indiana LOVE (Pink), Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright, 2011 Brushed Aluminum (Pink) and Stamped with M...
Category

2010s Pop Art Art by Medium: Engraving

Materials

Metal

Ship of Fools Diptych, Old Masters Woodcut and Engraving by Albrecht Dürer
Located in Long Island City, NY
Albrecht Dürer, German (1471 -1528) - Diptych from First Edition of The Ship of Fools, Year: 1494, Medium: Woodcut and Engraving, Image Size: 7 x 12.25 inches, Frame Size: 10.75 ...
Category

15th Century and Earlier Old Masters Art by Medium: Engraving

Materials

Engraving, Woodcut

'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752) 'Star', A running horse belonging to His Grace the Duke of Bridgewater Mezzotint by R. Houston Image size 10 x 14 in Framed size 13 x 17 in James Seymour w...
Category

18th Century Old Masters Art by Medium: Engraving

Materials

Mezzotint

View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category

Mid-18th Century English School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving

Seals, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Seals Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category

1940s Surrealist Art by Medium: Engraving

Materials

Engraving

Standing Female Nude
Located in Fairlawn, OH
Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see...
Category

1910s American Impressionist Art by Medium: Engraving

Materials

Drypoint

The Lovers
Located in New York, NY
Wood engraving on Japan paper, 1928. Edition of 100. Signed by the artist in pencil, lower right. Framed dimension is 14.5 x 17.25 inches, with full margins. Catalogue raisonne r...
Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Engraving, Woodcut

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Watercolor, Engraving, Etching, Monotype

Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category

20th Century Abstract Expressionist Art by Medium: Engraving

Materials

Engraving, Lithograph

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category

Late 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Newspapers on the Table - Still Life Etching on Heavy Paper
Located in Soquel, CA
Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150 Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...
Category

1990s Photorealist Art by Medium: Engraving

Materials

Archival Paper, Drypoint, Etching

"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Ink, Etching, Aquatint

The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category

Early 19th Century Renaissance Art by Medium: Engraving

Materials

Engraving

Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius) Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni...
Category

Mid-18th Century Renaissance Art by Medium: Engraving

Materials

Engraving

LOVE replica sculpture Artist Copyright Indianapolis Museum & Foundation Stamped
Located in New York, NY
Robert Indiana LOVE (Official Artist Copyright and Foundation Stamp), 2011 Brushed Aluminum sculpture (Red) Stamped by artist's estate, Stam...
Category

2010s Pop Art Art by Medium: Engraving

Materials

Metal

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'256 Marcella rotunda' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...
Category

Early 20th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Lithograph

'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category

1920s American Modern Art by Medium: Engraving

Materials

Drypoint

The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category

Mid-18th Century English School Art by Medium: Engraving

Materials

Laid Paper, Engraving, Watercolor

Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category

1830s Art by Medium: Engraving

Materials

Engraving, Mezzotint

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Art by Medium: Engraving

Materials

Engraving, Etching

'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category

1920s American Impressionist Art by Medium: Engraving

Materials

Drypoint

French 17th century garden design engraving by Jean Marot, circa 1665
By Jean Marot
Located in Melbourne, Victoria
'Veue en Perspective d'une grotte avec ses Jardinages invente par J Marot'. Signed in the plate lower right corner. Jean Marot was a French architect, designer and engraver. His pri...
Category

17th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Jose Bedia, 'Nkunia Brava', 2019, Etching, 25.4x33.7 in
Located in Miami, FL
Jose Bedia (Cuba, 1959) 'Nkunia Brava', 2019 etching, aquatint on paper Deponte 300 g. 25.4 x 33.7 in. (64.5 x 85.5 cm.) Edition of 30 Unframed
Category

2010s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Etching, Aquatint

Man Ray 'Le Mannequin' aquatint engraving - 1975
Located in Pembroke Pines, FL
Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...
Category

1970s Contemporary Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Mexican Artist ¨Transición sepia¨ signed limited edition original art print
Located in Miami, FL
Juan Sebastian Barbera (Mexico, 1964) 'Transicion sepia (b/n)', 2004 engraving on paper Guarro Super Alpha 250g. 19.7 x 27.6 in. (50 x 70 cm.) Edition o...
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Etching, Aquatint, Screen

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Engraving

Materials

Engraving, Woodcut

Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur) French engraving with original hand-colourimg, circa 1840.
Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Engraving

Calm Water Blue Tones Diptych of Japanese Zen Pond Ripples, Feng Shui Cyanotype
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond. Details: + Title: Ja...
Category

2010s Abstract Art by Medium: Engraving

Materials

Photographic Film, Emulsion, Watercolor, C Print, Color, Engraving, Lith...

Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category

Mid-19th Century Romantic Art by Medium: Engraving

Materials

Engraving, Etching

Madame Helleu Looking at Watteau drawings at the Louvre..
Located in Storrs, CT
Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
Category

Late 19th Century Impressionist Art by Medium: Engraving

Materials

Drypoint, Color

A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category

1780s Art by Medium: Engraving

Materials

Engraving

Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint, Aquatint

Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750. Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category

Mid-18th Century Rococo Art by Medium: Engraving

Materials

Engraving, Etching

A Man of Mangea 1784 final voyage of Captain Cook by John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category

1780s Realist Art by Medium: Engraving

Materials

Engraving

Fugue (Are these boats running away from the others)
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist. Anne Dykmans (Belgian, b. 1952) Anne Dykma...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category

Late 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Portrait of James McBey.
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category

Mid-18th Century Old Masters Art by Medium: Engraving

Materials

Engraving, Etching

Picasso Painter with Nude Female Models, Drypoint on Wove
Located in San Francisco, CA
Nudes were a consistent subject throughout the world-famous artist's long career. One of the earliest examples, done in 1895 when Picasso was 15, appears in the opening pages of the ...
Category

1960s Modern Art by Medium: Engraving

Materials

Paper, Drypoint

Mrs. Hezekiah Brown
Located in Bournemouth, Dorset
Mrs. Hezekiah Brown Image: 19.0 x 11.2 cm Mount: 31.8 x 23.0 cm Wood engraving 1932 One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...
Category

1930s Modern Art by Medium: Engraving

Materials

Wood, Engraving

Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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