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Art by Medium: Engraving

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Medium: Engraving
Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...
Category

Early 1800s Naturalistic Art by Medium: Engraving

Materials

Color, Engraving, Handmade Paper

A Standing Leap at a Gate
Located in Stoke, Hampshire
James Seymour (1702-1752) A Standing Leap at a Gate Mezzotint with hand colouring Image size 10 x 14 in Framed size 16 1/2 x 20 in James Seymour was an English artist renowned for h...
Category

18th Century Old Masters Art by Medium: Engraving

Materials

Mezzotint

Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works. (sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints. The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...
Category

1940s English School Art by Medium: Engraving

Materials

Mezzotint, Etching

JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827) JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33) Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category

1820s English School Art by Medium: Engraving

Materials

Engraving

William James Smith - Engraving after Rembrandt - 19th Century
Located in Roma, IT
William James Smith is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...
Category

Early 1800s Victorian Art by Medium: Engraving

Materials

Engraving

Reception for Captain Cook, Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
Located in Alamo, CA
"The Reception of Capt. Cook in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third ...
Category

1780s Art by Medium: Engraving

Materials

Engraving

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category

Mid-18th Century English School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving

La Boullie (The Porridge), Old Masters Drypoint Etching by Jean Francois Millet
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category

1860s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching, Intaglio

Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

'The Furnace' — American Expressionism
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category

1920s American Modern Art by Medium: Engraving

Materials

Drypoint

Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category

Mid-18th Century Art by Medium: Engraving

Materials

Engraving

Luis Gordillo Spanish Artist Original Hand Signed engraving 2000, 15x11 in
Located in Miami, FL
Luis Gordillo (Spain, 1934) 'Sin título', 2000 engraving on paper 15 x 10.7 in. (38 x 27 cm.) Edition of 75 ID: GOR1205-013-000_2 Hand-signed by author
Category

Early 2000s Abstract Art by Medium: Engraving

Materials

Paper, Engraving

The Lovers Condemned
Located in Boston, MA
Artist: Dali, Salvador Title: The Lovers Condemned Series: Tristan et Iseult Date: 1970 Edition: 587 (numbered on justification page only) Medium:...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint

Salvador Dali "God, Time, Space, and the Pope"
Located in Boston, MA
Artist: Dali, Salvador Title: God, Time, Space, and the Pope Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dim...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Engraving, Drypoint

Patron et sa Suite en Visite à l’Atelier - Etching by P. Picasso - 1968
Located in Roma, IT
Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...
Category

1960s Cubist Art by Medium: Engraving

Materials

Drypoint, Aquatint

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category

Early 19th Century Realist Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Two naval images depicting 17th century warships
Located in Middletown, NY
French School 20th century Two naval images depicting 17th century warships flying various flags, including the Plantagenet Lions and St. George's Cross. (2) c1950. Two engravings w...
Category

20th Century French School Art by Medium: Engraving

Materials

Watercolor, Engraving

The Fables of La Fontaine, 100 handsigned etchings
Located in OPOLE, PL
Marc Chagall (1887–1985, France) Portfolio: The Fables of La Fontaine, 1952 Marc Chagall’s The Fables of La Fontaine is a masterful interpretation of Jean de La Fontaine’s classic 17th-century fables, blending poetic storytelling with Chagall’s dreamlike visual language. This rare edition, published by Tériade in Paris in 1952, features 100 handsigned etchings, each sequentially numbered 1–100, bringing to life the timeless allegories of human nature, morality, and wit. Chagall’s etchings...
Category

1950s Symbolist Art by Medium: Engraving

Materials

Etching, Engraving

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category

1640s Academic Art by Medium: Engraving

Materials

Engraving

George Romodo - An Eccentric Mimic
Located in Bournemouth, Dorset
George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.” Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...
Category

19th Century Art by Medium: Engraving

Materials

Engraving

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint, Aquatint

Horses, Antique French 19th century natural history engraving print
Located in Melbourne, Victoria
'Cheval Barbe - Cheval Normand' French engraving with original hand-colouring by Madame Fournier after Edouard Travies. 260mm by 155mm (sheet)
Category

1840s Victorian Art by Medium: Engraving

Materials

Engraving

Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category

1930s Impressionist Art by Medium: Engraving

Materials

Paper, Drypoint, Lithograph

Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

1930s American Modern Art by Medium: Engraving

Materials

Archival Paper, Drypoint, Etching

Rainy Day / Fifth Avenue in New York
Located in New Orleans, LA
This is a rare New York image by Levon West Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category

1930s Art by Medium: Engraving

Materials

Drypoint, Etching

Femmes Poules (Hen Woman) - Etching - 1960s
Located in Roma, IT
Femmes Poules (Hen Woman) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis). Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed ...
Category

1960s Surrealist Art by Medium: Engraving

Materials

Etching, Paper, Watercolor, Drypoint

Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Nocturnal, by Art Werger
Located in Palm Springs, CA
Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....
Category

2010s Contemporary Art by Medium: Engraving

Materials

Mezzotint

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Salvador Dalì (1904-1989) - Leda and the Swan -heliogravure and drypoint etching
Located in Varese, IT
mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , Edited in 1964 limited edition, numbered in lower left corner 84/150 signed in pencil by a...
Category

1960s Abstract Art by Medium: Engraving

Materials

Drypoint, Etching

Hinterstoisser - Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print. Diffused foxing.
Category

1990s Abstract Art by Medium: Engraving

Materials

Mezzotint

Plan of the Park, Garden and Plantations of Goodwood, 18th century engraving
Located in Melbourne, Victoria
Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c Copper-line engraving with later hand-colouring by Hendrik Hul...
Category

18th Century English School Art by Medium: Engraving

Materials

Engraving

Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
Located in New York, NY
Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category

1980s Abstract Expressionist Art by Medium: Engraving

Materials

Mixed Media, Drypoint, Etching, Aquatint, Screen

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Art by Medium: Engraving

Materials

Engraving, Laid Paper

La Grande Fortune, Old Masters Etching by Amand Durand after Albrecht Durer
Located in Long Island City, NY
Artist: Charles Amand-Durand, French (1831 - 1905) after Albrecht Dürer, German (1471 - 1528) Title: La Grande Fortune Year: 1873 (original circa 1502) Medium: Heliogravure on thin l...
Category

1870s Old Masters Art by Medium: Engraving

Materials

Engraving

A Cricket Match at Mary-le-Bone Fields by Lawrence Josset
Located in Paonia, CO
Lawrence Jossett ( 1910 – 1995 ) was born in Cambridgeshire England. He acquired his knowledge and skill as an engraver of bank notes. His natural talent and his attention to detail ...
Category

20th Century Art by Medium: Engraving

Materials

Mezzotint

Warriors
Located in New York, NY
A very good impression of this color engraving, soft-ground etching and scorper on Johannot paper. Artist's proof, aside from the edition of 200. Signed, dated and titled in pencil, ...
Category

1950s Abstract Expressionist Art by Medium: Engraving

Materials

Color, Engraving, Etching

LOVE (Authorized replica, official stamp of Indianapolis Museum of Art & artist)
Located in New York, NY
Robert Indiana LOVE (Sculpture Stamped with Indianapolis Museum and Artist Stamp), 2009 Brushed Aluminum (Gold) Stamped with Artist's Copyright & Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY Stamped/incised w/text: "Authorized Replica/Robert Indiana/LOVE/Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY 3 × 3 × 1 1/2 inches Unframed Since first appearing on the Museum of Modern Art’s 1965 Christmas card, Robert Indiana’s “LOVE” quickly permeated the popular imagination, appearing everywhere from life-size sculptures to government-issued stamps. The design’s appeal was timeless, yet also emblematic of the idealistic and free-loving 1960s. As art legend has it, Indiana was first bemused and later conflicted about the instant runaway success of his design, worried that it may have ruined his reputation among the art world elite as a one-hit wonder. Despite the artist’s private insecurities, “LOVE” remains one of the most treasured works in 20th-century American sculpture—breaking $4.1 million at auction in 2011. Another edition from this authorized, artist approved series recently sold at Christie's in Paris for over $12,000. LOVE (Limited Edition Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright). This is a limited edition artist authorized miniature of the Indianapolis Museum of Art's giant outdoor...
Category

Early 2000s Pop Art Art by Medium: Engraving

Materials

Metal

Salvador Dali "Picasso: a Ticket to Glory"
Located in Boston, MA
Artist: Dali, Salvador Title: Picasso: a Ticket to Glory Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring Unframed Dimensions: 26" ...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Engraving, Drypoint

Joan Miro, "Le Penseur Puissant", etching, hand signed
Located in Chatsworth, CA
An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...
Category

1960s Abstract Art by Medium: Engraving

Materials

Drypoint, Etching, Aquatint

untitled, original
Located in Belgrade, MT
This piece is a limited edition, pencil signed by the artist on the print and in the plate. It is part of my private collection of artists from the School of Paris era. It is in very...
Category

Mid-20th Century Surrealist Art by Medium: Engraving

Materials

Engraving, Lithograph

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

The First Reading of the Emancipation Proclamation Before the Cabinet
Located in Paonia, CO
The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bickne...
Category

1860s Other Art Style Art by Medium: Engraving

Materials

Engraving

Winslow Homer "Snap The Whip" Harper's illustration, engraved by Lagarde
Located in New York, NY
Winslow Homer Snap The Whip, 1873 Engraving Sight: 14 1/4 x 20 in. Framed: 20 x 26 3/4 x 1 1/4 in. Inscription: in block: "Homer 1873, Lagarde Sc." printed below image: "Snap-the-Whi...
Category

1870s American Impressionist Art by Medium: Engraving

Materials

Engraving

Untitled (Venice canal, man departing the gondola)
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...
Category

1930s American Impressionist Art by Medium: Engraving

Materials

Drypoint

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Watercolor, Engraving, Etching, Monotype

On Earth Peace - 1942
Located in Palm Springs, CA
A poignant image of children sining in a choir, gut with gas masks hanging on the wall behind them at the right side of image. Rare image of this World War II era image. A fine impr...
Category

1940s American Realist Art by Medium: Engraving

Materials

Mezzotint

Singer I (Distorted perspective with shadows of an old Singer typewriter)
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer I", shows a distorted view of an old Singer sewing machine. The artist created a convincing illusion of real mass, space and depth. Issued in an edit...
Category

1980s Contemporary Art by Medium: Engraving

Materials

Mezzotint

Building a Babylon, Tudor City, NY.
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category

17th Century Old Masters Art by Medium: Engraving

Materials

Engraving

An Inland View; in Atooi ( Hawaii ) 1784 Captain Cook engraving by John Webber
Located in Paonia, CO
An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...
Category

1780s Realist Art by Medium: Engraving

Materials

Engraving

Follow (73/100), mezzotint of New York sidewalk by Art Werger
Located in Palm Springs, CA
Mezzotint, from the edition of 100. Signed, titled and numbered by the artist. Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passi...
Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Salvador Dali "Leda and the Swan"
Located in Boston, MA
Artist: Dali, Salvador Title: Leda and the Swan Series: The Mythology Date: 1963 Medium: drypoint on Japon paper Unframed Dimensions: 30" x 18 1/8" Framed Dimensions: 42" x 34...
Category

1960s Surrealist Art by Medium: Engraving

Materials

Drypoint

Woman's Head - Woman's Head in Profile (left) (Havard)
Located in Fairlawn, OH
Woman's Head - Woman's Head in Profile (left) (Havard) Drypoint, 1920 Unsigned (as issued) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...
Category

1920s American Modern Art by Medium: Engraving

Materials

Drypoint

A Fierce Bull
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category

1910s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

A Fierce Bull
A Fierce Bull
$1,500 Sale Price
40% Off

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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