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Art by Medium: Engraving

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Medium: Engraving
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category

1770s American Impressionist Art by Medium: Engraving

Materials

Engraving

Poultry, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Poultry Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

1870s American Impressionist Art by Medium: Engraving

Materials

Engraving, Woodcut

The Sunday Before Confirmation; Parson: What did your godfathers & godmothers...
Located in Middletown, NY
English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...
Category

Mid-19th Century English School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving, Lithograph

Wandelaars II, Contemporary Mezzotint by Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Mezzotint

Isaac Newton, physicist, scientist, 19th century portrait engraving print
Located in Melbourne, Victoria
'Isaac Newton' Steel-engraving. C1850. Facsimile signature below title. 80mm by 60mm (image) 260mm by 170mm (sheet) Sir Isaac Newton (1642 – 1726/27) was an English polymath acti...
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Surrender of Tahiti to Captain Wallis: An Original 18th C. Engraving
Located in Alamo, CA
"A Representation of the Surrender of the Island of Otaheite to Capt.n Wallis, by the Supposed Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawi...
Category

1780s Art by Medium: Engraving

Materials

Engraving

Gladiolus Carneus - Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Gladiolus Carneus - Flesh-coloured Gladiolus' Native of the Cape of Good Hope, Africa. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...
Category

1790s Victorian Art by Medium: Engraving

Materials

Watercolor, Engraving, Intaglio

Degas, Attente, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.875 x 6.625 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Art by Medium: Engraving

Materials

Engraving

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

1790s Naturalistic Art by Medium: Engraving

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Theseus and Achelous, Ovid's Metamorphoses, French Classical engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Massard after Charles Monnet (1732-1808). Theseus returns from the Calydonian hunt and is met by the river god Achelous. From...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...
Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Derwent Water and Lowdore Fall, Lake District scenery, C19th English aquatint
Located in Melbourne, Victoria
'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Aquatint

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Late 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

London Bridge, C18th English aquatint
Located in Melbourne, Victoria
'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...
Category

Late 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Art by Medium: Engraving

Materials

Drypoint

Salvador Dali "Nude with Guitar"
Located in Boston, MA
Artist: Dali, Salvador Title: Nude with Guitar Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25"...
Category

1960s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching

A feminine thought Dieter Roth portfolio abstract geometric black white etching
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Category

1970s Abstract Art by Medium: Engraving

Materials

Drypoint, Etching

Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Category

16th Century Northern Renaissance Art by Medium: Engraving

Materials

Engraving

La Fantasie
Located in Middletown, NY
Engraving on cream laid paper, 7 x 3 1/2 inches (177 x 90 mm), full margins. An engraving by the artist after his own drawing which is housed in the permanent collection of the Metro...
Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Laid Paper, Engraving

'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category

Early 19th Century English School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving, Etching

Henri de Waroquier, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Henri de Waroquier (1881–1970), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerb...
Category

1940s Modern Art by Medium: Engraving

Materials

Engraving

Nicolas Poussin, French painter, 19th century artist portrait engraving print
Located in Melbourne, Victoria
'N Poussin' Steel-engraving, by J Posselwhite after a self-portrait by Poussin. C1850. 125mm by 100mm (image) 270mm by 175mm (sheet) Nicolas Poussin was a French painter who was ...
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Salvador Dali -- Hommage to Leonardo da Vinci
Located in BRUCE, ACT
Salvador Dali Hommage to Leonardo da Vinci, 1975 Hand signed lower right Numbered 288/450 Sheet size 76 x 56 cm Printed by Ateliers Rigal, Paris Published by Transworld Art, New York...
Category

1970s Art by Medium: Engraving

Materials

Engraving

Tapies 23 Voilé Engraved abstract
Located in CORAL GABLES - MIAMI, FL
engraved Aguatinta. Arches paper 63x90, Arches filigree. Ed. Galerie Lelong. Paris. 50 ejs numbered 1/50 and 15 HC ejs numbered 1/15 catalogue raisonné image 801, 1981 ANTONI TAPI...
Category

1970s Abstract Art by Medium: Engraving

Materials

Engraving

Architectura Curiosa Nova, Dragon Fish Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category

1660s Realist Art by Medium: Engraving

Materials

Engraving

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category

Mid-18th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...
Category

1910s Modern Art by Medium: Engraving

Materials

Paper, Engraving

'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving
By Armand Durand
Located in Oklahoma City, OK
This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...
Category

Early 19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Architectura Curiosa Nova, Sunburst Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'SunBurst Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked...
Category

1660s Realist Art by Medium: Engraving

Materials

Engraving

Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Three Yellowlegs.
Located in New York, NY
The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Early 20th Century American Realist Art by Medium: Engraving

Materials

Drypoint

Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

21st Century and Contemporary American Modern Art by Medium: Engraving

Materials

Mezzotint

On the Grass - Etching and Drypoint by J. Tissot - 1880
Located in Roma, IT
Very fine print on verge crème. Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions. Full margins. Ref. Wentworth 50.
Category

1880s Post-Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

George Romodo - An Eccentric Mimic
Located in Bournemouth, Dorset
George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.” Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...
Category

19th Century Art by Medium: Engraving

Materials

Engraving

To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category

1830s Naturalistic Art by Medium: Engraving

Materials

Engraving

Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914
Located in Melbourne, Victoria
Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...
Category

Early 20th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Zebulun - Etching and Drypoint 1973
Located in Roma, IT
Etching, drypoint and pochoir on Arches paper. Edition of 75/195. Hand signed and numbered. Dimensions of frame: 76 x 61 cm. Ref. Michler/Löpsinger 623 Prov. Private Collection,...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching

Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Ciro Quintana Cuban Artist Original Hand Signed silkscreen 2016
Located in Miami, FL
Ciro Quintana (Cuba, 1965) 'Abstraccion de Vereda Tropical', 2016 silkscreen on paper Canson 320 g. 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: QUI-301...
Category

2010s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Screen

West Africa: A 17th Century Hand-Colored Map by Mercator/Hondius
Located in Alamo, CA
A 17th century hand-colored map entitled "Guineae Nova Descriptio" by Gerard Mercator and Jodocus Hondius, published in their 'Atlas Minor' in Amsterdam in 1635. It is focused on the...
Category

1630s Art by Medium: Engraving

Materials

Engraving

Erotic Scene - Etching by Mino Maccari - Mid-20th Century
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...
Category

Mid-20th Century Modern Art by Medium: Engraving

Materials

Paper, Etching, Drypoint

The Picador Incites the Bull.
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category

1910s Modern Art by Medium: Engraving

Materials

Drypoint

A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category

Mid-19th Century Romantic Art by Medium: Engraving

Materials

Engraving

Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category

1930s American Impressionist Art by Medium: Engraving

Materials

Paper, Watercolor, Drypoint

The Small Horse by Albrecht Dürer
Located in New Orleans, LA
Albrecht Dürer 1471-1528 German The Small Horse Dated in the plate on upper center; monogrammed in the plate lower center: AD Meder state a Copperplate engraving on laid paper “W...
Category

16th Century Renaissance Art by Medium: Engraving

Materials

Laid Paper, Engraving

Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category

1710s Academic Art by Medium: Engraving

Materials

Engraving

The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category

1870s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

"Africa Vetus": A 17th Century Hand-colored Map By Sanson
Located in Alamo, CA
This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...
Category

1690s Art by Medium: Engraving

Materials

Engraving

Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter. This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition. The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category

Late 17th Century Other Art Style Art by Medium: Engraving

Materials

Engraving

'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'Th...
Category

1780s Naturalistic Art by Medium: Engraving

Materials

Engraving

Beggers - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggers is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. The piece of art belongs to a late edition of the 19th cent...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Salvador Dali "Picasso: a Ticket to Glory"
Located in Boston, MA
Artist: Dali, Salvador Title: Picasso: a Ticket to Glory Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring Unframed Dimensions: 26" ...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Engraving

Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

EVENING (SELF PORTRAIT with the Battenbergs)
Located in Santa Monica, CA
MAX BECKMANN (German 1884 - 1950) EVENING (Self-Portrait with the Battenbergs) 1916, (Hofmaier 90: Gallwitz 67) Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces)...
Category

1910s Expressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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