Art by Medium: Engraving

London: T. Spilsbury & Son, 1790. Engraving on light-weight wove paper, 3 3/4 x 5 3/4 inches (950 x 145 mm), full margins at top and sides of sheet, lower portion of sheet trimmed. ...

Etching and drypoint on cream laid paper, 7 3/4 x 8 inches (195 x 200 mm), full margins. Signed and numbered 8/35 in pencil, lower right margin. Laid down to non archival board, mat ...

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

Landscape with an Obelisk is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1650 ca. This wonderful piece of art belongs to an edition of the late 1...

Man at Desk, Wearing Cross and Chain is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1641. This...

Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...

London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...

The Figure is an original Etching and Drypoint realized by Pietro Guccione in 1964. Hand-signed. Numbered, 41/50. The artwork is depicted through confident strokes in a well-balan...

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Lieven Willemsz van Coppenol: the Smaller Plate is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658 ca. This wonderful pi...

Signed, titled and numbered from the edition of 50. Roz is particularly interested in exploring the relationship between photography and drawing, line and light. His current work is...

Artist: Dali, Salvador Title: The Curse Conquered Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dimensions: 2...

This powerful nineteenth-century engraving after Horace Vernet depicts a dramatic episode from the First Campaign of Constantine, one of the major military expeditions of France’s co...

Salvador Dali Cobea (Pisum Sensuale) from Flora Dalinae, 1968 Etching and drypoint on Japon paper Hand signed lower right Edition 163/175 Image 58 x 38.5 cm Sheet 76.7 x 56 cm Printe...

Il ne s'agit pas d'aboyer, ici, mais de mordre is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvar...

Le Doyen des Crapauds is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditi...

Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...

Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him ...

Drawings is an original modern rare book with illustrations by George Grosz (Berlin, 1823 - 1959, Berlin), published in 1944. Original First Edition. Published by Bittner and Co., ...

Engraving, 1980 Handsigned by the artist in pencil 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 49.00 cm. x 45.50 cm. 19.29 in. x 17.91 in. (image) Etching, drypoint and aqua...

City of Future is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft strokes in perfect composition, resembling the Russian constructivism...

An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...

Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...

Self-portrait with long bushy hair is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a l...

Engraving, 2018 Edition : 18/25 61.00 cm. x 56.00 cm. 24.02 in. x 22.05 in. (paper) 30.00 cm. x 30.00 cm. 11.81 in. x 11.81 in. (image) In this minimalist etching, Seiko Tachiban...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

At the Sea is an original drypoint realized by Mino Maccari (1925-1930). The artwork is in good conditions, except for worn paper on the margins. Hand-signed by the artist on the r...

"Verfuhrung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Ma...

Image dimensions: 35 x 40 cm. Etching, wide margins, hand-numbered and hand-signed with pencil on lower-right margin. Edition of 5 prints. In excellent condition. Wonderful print b...

Jacob Haaringh "'Young Haaringh" is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1655. This wonderful piece of art belongs to an edition of the la...

Self-portrait in a Cloak with a Falling Collar: Bust is an engraving on ivory-colored paper realized after an etching by Rembrandt by charles Amand Durand (1831-1905). This wonderful...

Oriental Head is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...

Artist: Dali, Salvador Title: The Divine Back of Gala Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dimensions...

Salvador Dali (1904-1989) - Guerre de 1914–1918 (The 1914–18 War) Drypoint etching from 1967. The edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work:...

Artist: Francis Drake (English, 1696-1771) Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on light laid paper Limited edition: Unknown Printer: William Bowyer...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Beggar Leaning on a Stick, Facing Left is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...

Student at a table by candlelight is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a la...

Engraving, 1989 Handsigned by the artist in pencil and numbered II/XXVI Printer : Atelier pasnic (Paris) 75.00 cm. x 56.00 cm. 29.53 in. x 22.05 in. (paper) Moulin Laroque paper Ce...

Strange Animals Engraving, 1949 Signed, dated, and titled in pencil by the artist The composition was created at the Univerisity of Iowa while the artist was enrolled in the famous M...

Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft s...

"Holiday" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Holiday" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 17 as there are multiple prints in the possession of Collected Detroit...

Bust of an Old Woman is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of...

Girl with a Basket is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of t...

Abstract Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork create...

Paris: Gazette des Beaux-Arts, 1856. Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...

Artist: Nori Malo-Renault (French, 1871-1953) Title: "Portrait de Fanny Charrin" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1909 Medium: Original Etching and Drypoint o...

Small Gray Landscape: a House and Trees beside a Pool is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of...

The Artist's Mother is an enrgraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late ...

Patinage is an original, splendid etching and drypoint realized by Edo Janich in 1971. The state of preservation of the artwork is excellent. below the imag...

Mit Reinen Händen is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Image dimensions: 17.7 x 13.5 cm. The Harem is a black and white héliogravure on paper, realized in 1906 by an anonymous Austrian artist. An original illu...

Untitled is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Monogram in pencil on the lower left. Excellent conditions. Precious an...

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

A striking 18th Century engraving by François-Germain Aliamet (1734-1790), after the original painting by Eustache Le Sueur (1616-1655), showing the martyrdom of Saint Stephen. There...

Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium...

"Lockung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...

Drypoint and aquatint (brown ink) on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...