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Art by Medium: Engraving

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Medium: Engraving
"Plymouth" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

The Hippies
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Hippies Drypoint etching from 1969. The edition 25/145 on Arches paper. Dimensions of work: 66 x 51 cm. Hand signed. Publisher: Pierre Argillet, ...
Category

1960s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category

1780s Art by Medium: Engraving

Materials

Engraving

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris. 1805] Prévost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden. The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library. Prévost's "Collection des Fleurs et Fruits...
Category

Early 1800s Naturalistic Art by Medium: Engraving

Materials

Color, Engraving, Handmade Paper

Spanish 1984 signed limited edition original art print etching 15x21 in. n21
Located in Miami, FL
Eduardo Naranjo (Spain, 1944) 'La creación IV', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 15 x 20.9 in. (38 x 53 cm.) Edition of 225 Unf...
Category

1980s Surrealist Art by Medium: Engraving

Materials

Paper, Engraving, Screen

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint, Aquatint

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category

Early 19th Century Realist Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

'Diptych' — Modernist Abstraction, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category

1960s Modern Art by Medium: Engraving

Materials

Engraving

Roman Costumes: Nuova raccolta di cinquanta costumi pittoreschi
Located in Middletown, NY
A collection of 50 copperplate engravings featuring early 19th century costume scenes set in the Roman countryside. With characters dedicated to work, games, revelry, and various act...
Category

Early 19th Century Italian School Art by Medium: Engraving

Materials

Engraving, Handmade Paper, Etching

no title
Located in Paris, FR
Engraving Edition : 30/80 77.00 cm. x 64.00 cm. 30.31 in. x 25.2 in. (paper) Handsigned by the artist in pencil Ref : LCD2470
Category

1960s Abstract Art by Medium: Engraving

Materials

Engraving

Shadows on the Ramp
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Dick Turpin on his Way to York, original, contemporary art, print
Located in Deddington, GB
Framed Dick Turpin on his way to York is a bespokely framed limited edition drypoint etching with gesso by Kate Boxer. The black and white contemporary Kate Boxer print captures the ...
Category

2010s Contemporary Art by Medium: Engraving

Materials

Drypoint

Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Salvador Dali, signed and numbered drypoint etching, Les Coche et la Mouch, 1974
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904-1989) Le Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower righ...
Category

20th Century Modern Art by Medium: Engraving

Materials

Drypoint, Etching

The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint, Aquatint

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

An Inland View; in Atooi ( Hawaii ) 1784 Captain Cook engraving by John Webber
Located in Paonia, CO
An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...
Category

1780s Realist Art by Medium: Engraving

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 14
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

1820s Art by Medium: Engraving

Materials

Engraving, Mezzotint, Etching

Spring Night, Greenwich Village
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

St. Jerome in the Desert
Located in Chicago, IL
Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder
Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Mezzotint, Aquatint

Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category

Late 19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Etching

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Engraving

Materials

Engraving, Woodcut

Stoops in Snow
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Stoops in Snow
Stoops in Snow
$35,000 Sale Price
30% Off
"La Mer VE 1/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Archival Paper, Color, Etching, Intaglio, Drypoint, Aquatint

Barcarolle.
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category

1920s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Barcarolle.
Barcarolle.
$9,000 Sale Price
33% Off
Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Plan of the Park, Garden and Plantations of Goodwood, 18th century engraving
Located in Melbourne, Victoria
Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c Copper-line engraving with later hand-colouring by Hendrik Hul...
Category

18th Century English School Art by Medium: Engraving

Materials

Engraving

Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851) Title: "Ancient Rome" Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category

1860s Victorian Art by Medium: Engraving

Materials

Engraving

Trees and Snow II, by Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Peter Milton is internati...
Category

2010s Contemporary Art by Medium: Engraving

Materials

Engraving, Etching

Venus de la Constellaciones con Picador - Attr. to S.Dalì - 1975
Located in Roma, IT
Venus de la Constellaciones con Picador is an Contemporary Artwork realized in 1975. Etching and Drypoint on Rives Paper. Hand-signed in pencil on the lower right: Dalì; inscribed EA in pencil on the lower left. One of the 25 Artist's Proof aside of the edition of 75 specimens on Rives Paper. The edition was composed of other 75+25 proofs on Arches paper, 75x25 proofs on Lana Paper, 75+25 proofs on Richard de Bas and 75+25 proofs on Japanese paper. The work was dedicated to Luis Romero...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching

The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694. The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge. An author wrote of her: "The line of Vere, so long renown’d in arms, Concludes with luster in St. Albans’s charms; Her conquering eyes have made their race complete, It rose in valor, and in beauty set." This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace. Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category

Late 17th Century Art by Medium: Engraving

Materials

Mezzotint

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; ...
Category

1910s Modern Art by Medium: Engraving

Materials

Paper, Engraving

Portrait de Marguerite (Portrait of Marguerite)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Portrait de Marguerite (Portrait of Marguerite) Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand si...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Art by Medium: Engraving

Materials

Engraving

Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

Salvador Dali "The Old Faust"
Located in Boston, MA
Artist: Dali, Salvador Title: The Old Faust Series: Faust Date: 1969 Medium: drypoint Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49/145 Literature: Al...
Category

1960s Surrealist Art by Medium: Engraving

Materials

Drypoint

Querelle d'amoureux. (Quarreling). 1
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category

19th Century Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Fusing space-time, Imaginations and Objects...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Mixed Media, Drypoint, Lithograph, Screen

Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category

Mid-17th Century Baroque Art by Medium: Engraving

Materials

Engraving, Etching

Echidna and Platypus, Australian animal monotreme antique engraving print
Located in Melbourne, Victoria
'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)
Category

Late 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
Located in New Orleans, LA
Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
Category

Late 20th Century American Modern Art by Medium: Engraving

Materials

Mezzotint

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Le Printemps, Modern Drypoint Etching by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Le Printemps, Year: 1882-1888, Medium: Drypoint Etching, Image Size: 5.75 x 4 inches, Size: 16.25 x 11.25 in. (41.28 x 28.58 cm), Reference: T...
Category

1880s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Salvador Dalì (1904 – 1989) –Femmes surrèalistes–Drypoint etching on Rives paper
Located in Varese, IT
Drypoint etching on Rives paper published in 1973 limited edition, numbered 73/150 signed in pencil by the artist lower right Paper size: 65 x 50 cm Size with frame: 80,5 x 64,5 cm v...
Category

1970s Abstract Art by Medium: Engraving

Materials

Drypoint, Etching

"Gobbledygook" monoprint with collage, engraving and embossment by Mel Bochner
Located in Boca Raton, FL
"Gobbledygook" monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper from Two Palms Publishing. Signed and dated Bochner 2017 lower right recto. Ima...
Category

2010s Contemporary Art by Medium: Engraving

Materials

Oil, Handmade Paper, Engraving

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...
Category

1910s Modern Art by Medium: Engraving

Materials

Paper, Engraving

'Cargo Carriers' — New York Harbor
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Very scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category

1930s American Modern Art by Medium: Engraving

Materials

Etching, Drypoint

Fra Åsgårdstrand (Schiefler 260; Woll 289), Edvard Munch
Located in Southampton, NY
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category

Early 1900s Expressionist Art by Medium: Engraving

Materials

Drypoint

The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Category

1870s Symbolist Art by Medium: Engraving

Materials

Handmade Paper, Engraving

WINTERSONNE
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category

1910s Art by Medium: Engraving

Materials

Woodcut, Drypoint

Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Engraving

Materials

Engraving, Woodcut

Cattle, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Cattle Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Art by Medium: Engraving

Materials

Engraving

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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