Ai Weiwei Coca

Ai Weiwei was born in northwest China but was sent to a labor camp in Beidahuang, Heilongjiang, when he was only a year old. There he was raised for the early years of his life. His father Aì Qīng’s involvement in the Anti-Rightist Movement led to the family's exile shortly afterward to Shihezi, Xinjiang, where Ai spent the duration of his childhood. Upon Mao Zedong’s death, the family returned to Beijing in 1976.

Following the family’s return home, Ai enrolled in the Beijing Film Academy to study animation in 1978. He was one of the founders of the avant-garde art group the Stars alongside contemporaries Ma Desheng, Wang Keping, Mao Lizi, Huang Rui, Li Shuang, Ah Cheng and Qu Leilei. The Stars disbanded in the 1980s, but Ai participated in regular shows that recalled the ten years that the group had been together, including at the Hanart Gallery in 1989 and the retrospective 2007 exhibition at Beijing's Origin Point.

Ai moved to the USA in 1981, among the earliest of students to study abroad following China’s reform in 1980, which afforded him the opportunity to take the TOEFL in 1981. He lived in Philadelphia and then in San Francisco, studying English at the University of California, Berkeley. Afteward, Ai studied at Parsons School of Design in New York City and attended the Art Students League of New York from 1983 to 1986. He initially made a living by drawing street portraits.

Immersing himself in the Pop art scene, which was rapidly gaining popularity, Ai began creating conceptual art and photography. Ai returned to China after his father became ill in 1993, and while there he helped to establish the experimental art scene called Beijing East Village. In 1999, Ai built a studio house in Beijing — his first architectural project. Ai founded the architecture studio FAKE Design in 2003, and co-curated the art exhibition "Fuck Off" with Feng Boyi in Shanghai.

In 2011, Ai was arrested and jailed. Released after 81 days, the government confiscated his passport. His release was in part due to the uproar of the art world against his charges of tax evasion; the Solomon R. Guggenheim Foundation and the International Council of Museums both organized petitions, collecting almost 100,000 signatures calling for his release. When he reclaimed his passport in 2015, Ai moved to Berlin and lived in a studio. It became a base for him to create his international work.

Ai is the artistic director of China Art Archives & Warehouse. The experimental gallery and archive, co-founded by Ai in 1997, concentrates on experimental art from the People’s Republic of China, initiating and facilitating exhibitions both in China and internationally.

Ai's work is in the collections of museums worldwide, including the Tate, London; Arken, London; Brooklyn Museum, New York; and the RA, London. His international architectural collaborations, including the Beijing National Stadium and the Serpentine Gallery Pavilion, have consistently been met with critical acclaim.

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The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metal — bronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.