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A Close Look at French-provincial Furniture
Removed from the fashions of the court, French Provincial style developed in the provinces of the country, such as Provence, Normandy, the Loire Valley and Bordeaux. Dating to the 17th and 18th centuries, French Provincial furniture was not as ostentatious as the designs being produced for the royal palaces, but elegant S-shape cabriole legs and ornate carvings elevated the sturdy chairs, sofas, tables and bedroom furniture intended for everyday use.
Although it varies by region, antique French Provincial furniture is unified by solid construction and an artisanal attention to design. While this furniture often followed the metropolitan trends — including the Rococo or neoclassical aesthetics of Louis XIV, Louis XV and Louis XVI — since it was produced in the French countryside it was more subdued with nods to its rustic settings.
Local materials like fruitwoods, oak, beech and walnut were used to construct large French Provincial armoires for storage and comfortable armchairs with rush-woven seats. Wrought-iron elements and carvings like floral details and scallop patterns were common as ornamentation. Furniture was frequently painted white or other muted colors that coordinated with gilt and would acquire a patina of age over time. Other wood was just stained with vibrant fabric such as toile de Jouy, which sometimes depicted pastoral scenes, adding color as upholstery.
The style arrived in the United States after World War I, with soldiers returning home wanting furniture like what they had seen in the rural homes and castles of France. In Grand Rapids, Michigan, designer John Widdicomb split from his family business, the Widdicomb Furniture Company, and had been focusing on Louis XV– and French Provincial–style furnishings since the early 1900s. Other American manufacturers such as Baker, Drexel, Henredon and Thomasville also responded to demand. Today antique French Provincial pieces and reproductions continue to be popular.
Find a collection of antique French Provincial dining tables, seating, decorative objects and other furniture on 1stDibs.
Finding the Right Prints for You
Prints are works of art produced in multiple editions. Though several copies of a specific artwork can exist, collectors consider antique and vintage prints originals when they have been manually created by the artist or are “impressions” that are part of the artist’s intent for the work.
Modern artists use a range of printmaking techniques to produce different types of prints such as relief, intaglio and planographic. Relief prints are created by cutting away a printing surface to leave only a design. Ink or paint is applied to the raised parts of the surface, and it is used to stamp or press the design onto paper or another surface. Relief prints include woodcuts, linocuts and engravings.
Intaglio prints are the opposite of relief prints in that they are incised into the printing surface. The artist cuts the design into a block, plate or other material and then coats it with ink before wiping off the surface and transferring the design to paper through tremendous pressure. Intaglio prints have plate marks showing the impression of the original block or plate as it was pressed onto the paper.
Artists create planographic prints by drawing a design on a stone or metal plate using a grease crayon. The plate is washed with water, then ink is spread over the plate and it adheres to the grease markings. The image is then stamped on paper to make prints.
All of these printmaking methods have an intricate process, although each can usually transfer only one color of ink. Artists use separate plates or blocks for multiple colors, and together these create one finished work of art.
Find prints ranging from the 18th- and 19th-century bird illustrations by J.C. Sepp to mid-century modern prints, as well as numerous other antique and vintage prints at 1stDibs. Browse the collection today and read about how to arrange wall art in your space.
