Skip to main content

Intaglio Prints and Multiples

to
317
660
184
98
55
28
Overall Width
to
Overall Height
to
358
160
87
67
49
11
6
6
5
3
1
82
59
46
36
30
86
57
627
259
8
43
61
15
67
10
178
62
53
33
80
645
287
91
501
281
223
181
166
154
81
67
56
55
53
48
46
39
37
32
31
25
25
24
1,292
36,101
19,288
17,627
10,505
160
294
697
201
Medium: Intaglio
Unité, Planche 10 (Set of 2) /// Surrealism Modern Art Le Corbusier Nude Animal
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 10" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Etching, Aquatint, Intaglio

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Head of a Gaul, British Museum Roman Classical sculpture photogravure
Located in Melbourne, Victoria
'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...
Category

1910s Other Art Style Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Buste de jeune femme"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 5 7/8 inch...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

The Lovers - Héliogravure by Marc Chagall - 1960
Located in Roma, IT
Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Femme endormie"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 7 1/2 inch...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Nu sur le divan"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 7 7/8 inch...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Butterfly suite : Auvergne - heliogravure and lithograph - 1969
Located in Paris, IDF
Salvador DALI (1904-1969) (after) France : Auvergne, 1969 Lithograph and Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure, Lithograph

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Morning
Located in New York, NY
1994, color aquatint, 48 x 36 inches, edition of 40 Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning o...
Category

1990s Intaglio Prints and Multiples

Materials

Etching, Aquatint, Intaglio

(after) Amedeo Modigliani "Nu couché"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 8 inches (...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Nu couché"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 5 x 8 inches (125 ...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Peter Grippe, Symbolic Group
Located in New York, NY
This work is signed, titled, and dated, in pencil. Grippe was a master printer, highly creative printmaker, and sculptor.
Category

1950s American Modern Intaglio Prints and Multiples

Materials

Intaglio

(after) Amedeo Modigliani "Jeune fille"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Fields I /// Joan Mitchell Large Diptych Etching Aquatint Female Abstract Artist
Located in Saint Augustine, FL
Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...
Category

1990s Abstract Expressionist Intaglio Prints and Multiples

Materials

Etching, Aquatint, Intaglio, Handmade Paper

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

The Swan
Located in Fairlawn, OH
The Swan Etching and soft ground intaglio, 1957 Signed and dated lower right (see photo) Titled and numbered lower left (see photo) From the second edition of 75 impressions, printed...
Category

1950s American Modern Intaglio Prints and Multiples

Materials

Intaglio

"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
Located in Soquel, CA
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...
Category

1980s American Modern Intaglio Prints and Multiples

Materials

Watercolor, Laid Paper, Intaglio

La Boullie (The Porridge), Old Masters Drypoint Etching by Jean Francois Millet
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category

1860s Impressionist Intaglio Prints and Multiples

Materials

Drypoint, Etching, Intaglio

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

The Beloved of Jerusalem - Héliogravure by Marc Chagall - 1960
Located in Roma, IT
Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Located in Saint Augustine, FL
Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...
Category

1930s Cubist Intaglio Prints and Multiples

Materials

Etching, Intaglio, Laid Paper

Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting Framed size: 21.63" x 25.19" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
Category

1770s Baroque Intaglio Prints and Multiples

Materials

Watercolor, Handmade Paper, Etching, Intaglio

Elements of Time & Space
Located in Philadelphia, PA
Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...
Category

21st Century and Contemporary Contemporary Intaglio Prints and Multiples

Materials

Archival Paper, Intaglio

Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Intaglio Prints and Multiples

Materials

Etching, Intaglio

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...
Category

Early 1900s Impressionist Intaglio Prints and Multiples

Materials

Laid Paper, Etching, Intaglio

Rare 18 Karat Gold Leaf Embossed Etching After Georges Braque L'Oiseau d'Or
Located in Surfside, FL
After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...
Category

20th Century Modern Intaglio Prints and Multiples

Materials

Gold Leaf

Butterfly suite : Alsace / Strasbourg - Lithograph - Tall size (Field 69-2D)
Located in Paris, IDF
Salvador DALI, after (1904-1969) Butterfly suite : Alsace / Strasbourg, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumber...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure, Lithograph

The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category

Late 19th Century English School Intaglio Prints and Multiples

Materials

Engraving, Photogravure

Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category

16th Century Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

1820s Victorian Intaglio Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Butterfly suite : Roussillon - Original lithograph - Tall size, 1969
Located in Paris, IDF
After Salvador DALI (1904-1969) Butterfly suite : Roussillon, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure, Lithograph

(after) Amedeo Modigliani "La fleuriste"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 4 3/4 inch...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Convertible
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint. Edition of 35
Category

2010s Contemporary Intaglio Prints and Multiples

Materials

Etching, Intaglio

Adam and Eve - Héliogravure by Marc Chagall - 1960
Located in Roma, IT
Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

L'Avant-Foyer de l'Opera /// French Impressionist Etching Figurative Lady Man
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...
Category

Early 1900s Impressionist Intaglio Prints and Multiples

Materials

Laid Paper, Intaglio, Etching

Jeune fille
Located in OPOLE, PL
Henri Matisse (1869-1954) - Jeune fille Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure...
Category

1930s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Jeune fille
Jeune fille
$850 Sale Price
20% Off
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Not framed, but matted in a handmade custom French matting Matted size: 30" x 38.75" Sheet size: 25.5" x 36" Platemark size: 20.75" x 30.25" Image size: 18.5" x 27.75" Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors Rare Notes: Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right. Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category

Early 1800s Victorian Intaglio Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

Composition, Float Series, Dale Chihuly
Located in Auburn Hills, MI
Intaglio and acrylic on Saunders Waterford, St Cuthberts Mill paper. Paper size: 37 x 25 inches. Inscription: Hand signed and numbered, 63/175, as issued. Notes: Published and printe...
Category

2010s Contemporary Intaglio Prints and Multiples

Materials

Acrylic, Intaglio

"Because the Night VE 1/5" Intaglio, hand colored, floral, orange flames
Located in Philadelphia, PA
This piece titled "Because the Night VE 1/5" is a variable edition piece by Kate VanVliet and is made from two-plate etching with aquatint, soft ground and relief chine colle on Rive...
Category

21st Century and Contemporary Contemporary Intaglio Prints and Multiples

Materials

Archival Paper, Color, Etching, Intaglio, Aquatint

Butterfly suite : Les Alpes - heliogravure - 1969 (Field #69-2 C)
Located in Paris, IDF
Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Heliogravure / Photogravure after original design by Dali Blind stamp signature bottom right Numbered / 1700 copies Print...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Marie"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 1/2 x 5 1/4 inch...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category

1940s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

Butterfly suite : Normandy - lithograph - Tall size, 1969
Located in Paris, IDF
After Salvador DALI (1904-1969) Butterfly suite : Normandy, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition P...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure, Lithograph

Signs on Copper /// Robert Motherwell Abstract Expressionism Black Brown Etching
Located in Saint Augustine, FL
Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...
Category

1980s Abstract Expressionist Intaglio Prints and Multiples

Materials

Etching, Aquatint, Intaglio

The Three Women - Héliogravure by Marc Chagall - 1960
Located in Roma, IT
Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

(after) Amedeo Modigliani "Madame Lunia Czechowska"
Located in Henderson, NV
Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/2 inches (...
Category

1920s Intaglio Prints and Multiples

Materials

Photogravure

"Like a Pen VE 10/18" Intaglio, hand colored, tool motifs
Located in Philadelphia, PA
This piece titled "Like a Pen VE 10/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...
Category

21st Century and Contemporary Contemporary Intaglio Prints and Multiples

Materials

Archival Paper, Color, Etching, Intaglio

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

Shopping for Intaglio Prints?

There are many good reasons for an art lover to venture into the world of intaglio prints and other types of fine art prints. For one, art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, prints and other art can help enhance your space while supporting your effort to tie an interior design together.

Making a print can be as straightforward as pressing one painted surface to another or as complex as triggering a chemical reaction to create an image. Intaglio is a broad term for the variety of techniques used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure). 

In intaglio printmaking, after the artist incises the image, the plate is covered with ink then wiped clean, leaving pigment only in the marks that have been made on the plate. The plate is then covered with a piece of damp paper and run through a press to transfer the ink. Different intaglio techniques are often combined to create varying effects of line and tone.

OK, so what is the difference between a woodcut print and an intaglio print?

“It is the opposite of relief printingwoodcut, linoleum cut, letterpress, and rubber or metal stamping,” says Rhea Fontaine of Paulson Fontaine Press. “With relief printing, the raised areas of the printing surface are inked and printed, while the areas that have been cut away do not pick up the ink. Often these prints are made by hand.”

Find intaglio prints and other types of fine art prints for sale on 1stDibs.

Recently Viewed

View All